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This was in a Vistek ad…some cool tips you may want to use.2 r. z2 H/ O, H7 b' r
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Digital Black and White+ J: H: Z! D) e3 Y- z
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.. O/ B. `! z0 m- n+ D. O
Use the shadow and highlights tool in a RAW software program to3 e! t% D4 c) j& Y
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
5 {/ W4 }4 u. r# k( ~8 Q5 g4 f/ Rmethods provided by RAW and you'll have a correctly exposed black* M L+ F% Q) A k
and white image.
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$ L6 A. t, R, D* k. C3 C! jWhite Balance: @9 x, A1 R, q1 n
If in need of a quick white balance tool, you can use a standard$ h5 z; ?3 g- R% t/ S9 b4 i
white coffee filter. Use the custom camera white balance while aiming6 `2 ~0 H F1 r S- g% F, J
the coffee filter and lens to the opposite of the light source to get white/ w$ i( `( U3 a4 |
balance. I always keep coffee filters in my camera bag for
- O( A# E: O; ]1 C& v" psuch occasions.2 u/ v; E5 p$ y' z8 c( ]. a
' c: s; h& e. m# E& E( l( ePseudo ISO Boost" D2 m$ O5 I+ e5 G; q
If you’re shooting in the dark at a concert venue and need more
' T; b. t Z/ S! F9 Y2 ~- n9 vISO boost from your camera and faster shutter speeds - choose 0 z6 D% a3 e- ~# |4 c
the highest ISO setting on your camera and underexpose your image. b) ~ n! X- Y; q- p6 b ?& @6 J8 l9 R
by one stop. Then you can use a RAW processor to overexpose the
$ v+ u2 e8 m. P- c% R( aimage by one or two stops. Image noise may be higher but this
% d3 ]. g' q# t6 Kworks very well for concert, venue and event shooting. |
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