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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
1 }( M" v& w( A4 P4 y+ D G5 _Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
" a9 ^+ Z7 K2 c( y. YUse the shadow and highlights tool in a RAW software program to( P' P7 S5 w7 E8 J& a* _- m
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White6 [+ o6 u+ T$ E3 s3 m b1 Z
methods provided by RAW and you'll have a correctly exposed black
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White Balance4 n1 _7 V; |: j# W5 f4 s1 u2 f$ \/ _
If in need of a quick white balance tool, you can use a standard8 | ~7 e3 S% T! B
white coffee filter. Use the custom camera white balance while aiming" W" a2 K0 G6 G d' O; F
the coffee filter and lens to the opposite of the light source to get white: Z' ^. K, o1 |4 v$ `7 g' J k
balance. I always keep coffee filters in my camera bag for
2 g2 u# r0 P7 d* B/ c2 M3 D0 Msuch occasions.
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Pseudo ISO Boost2 c1 \2 D0 x. v: `. N0 s6 k
If you’re shooting in the dark at a concert venue and need more1 o F2 i* \5 O; c y
ISO boost from your camera and faster shutter speeds - choose $ [+ `" Z: g" a Q
the highest ISO setting on your camera and underexpose your image2 W2 q! V" w8 ?
by one stop. Then you can use a RAW processor to overexpose the
7 E9 y/ G, i; u' T3 {image by one or two stops. Image noise may be higher but this, j! l$ A; i5 G' k0 u4 n
works very well for concert, venue and event shooting. |
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