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This was in a Vistek ad…some cool tips you may want to use.1 s/ ]$ B! o- V4 O
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Digital Black and White2 Q& }0 B* Z" I. E7 D
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
. A" L# h/ U+ G% P1 H$ `" CUse the shadow and highlights tool in a RAW software program to
+ a* I' d% ]* I* Drestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White7 }# E& x9 \7 @# r
methods provided by RAW and you'll have a correctly exposed black7 V, @9 L3 ?& i
and white image.4 w% S# |& V9 @. n" S
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White Balance
) z e6 [' y" ^, J! yIf in need of a quick white balance tool, you can use a standard, Y* Q `; j- [; ?! m6 u
white coffee filter. Use the custom camera white balance while aiming
x8 |( m4 ~2 d) wthe coffee filter and lens to the opposite of the light source to get white
- c! A7 W( o( Y4 Qbalance. I always keep coffee filters in my camera bag for! I3 B( N/ k, u! C- G
such occasions.
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) Z7 ~- [) c3 ?% F5 U4 J, S: dPseudo ISO Boost8 J7 E6 ^7 Q! z4 K) x
If you’re shooting in the dark at a concert venue and need more
5 U$ G( V- G% ]* ]- MISO boost from your camera and faster shutter speeds - choose 5 a7 O; J& O9 t) u: p
the highest ISO setting on your camera and underexpose your image3 N% j6 Q+ c; n* T, d2 a
by one stop. Then you can use a RAW processor to overexpose the
. @; m/ |" q U& @8 e# Kimage by one or two stops. Image noise may be higher but this- ]1 ?+ B& j4 T* t5 y' B, e* O' z
works very well for concert, venue and event shooting. |
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