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This was in a Vistek ad…some cool tips you may want to use.
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2 N8 C/ S3 m P& g1 o x! f0 fDigital Black and White5 v# j" Y9 W, J- Y
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
. O. V) Q( A' K ~) C) W* z ^( F: xUse the shadow and highlights tool in a RAW software program to
- f; ? F, |# J+ Urestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
: a+ L- u- j5 Lmethods provided by RAW and you'll have a correctly exposed black
7 K$ r% U3 C/ K/ R/ P' t! d( _4 j; `and white image.
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/ p k# j; f+ B) zWhite Balance/ \) L+ W* p" C+ T* F
If in need of a quick white balance tool, you can use a standard- @5 ?7 l7 G: l4 \. [
white coffee filter. Use the custom camera white balance while aiming
0 I1 q. ~5 L% o" Q O$ w0 I* Vthe coffee filter and lens to the opposite of the light source to get white- P, D/ t: J5 r2 ]3 r1 o! V
balance. I always keep coffee filters in my camera bag for
% L1 M# a$ s7 W4 |such occasions.
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Pseudo ISO Boost
6 l! f+ P$ b \If you’re shooting in the dark at a concert venue and need more
- w/ W: \* b- x, j5 s7 r- y$ C( @ISO boost from your camera and faster shutter speeds - choose
( F; @1 H: |% O5 v$ _. Sthe highest ISO setting on your camera and underexpose your image
4 K( {' L/ r8 w- E8 kby one stop. Then you can use a RAW processor to overexpose the, n: i. y! v$ x! B' C
image by one or two stops. Image noise may be higher but this
( b! m) f$ e6 w4 p; F% Kworks very well for concert, venue and event shooting. |
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