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This was in a Vistek ad…some cool tips you may want to use.
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# k: u4 f8 y3 ]- n+ wDigital Black and White) v: M- l$ i+ t
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.' n" e' W! O: i) }: g' n1 t
Use the shadow and highlights tool in a RAW software program to" S8 K( u5 y- g: o0 Z7 d
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White! U, X$ i' f3 }3 `- _7 Q
methods provided by RAW and you'll have a correctly exposed black) ? Z- L, K9 ^) T6 j4 i! ?
and white image.9 L& @6 h5 N8 b7 d3 ]* s
$ h# K' i' N5 I# m* a0 u' j/ tWhite Balance. ^/ m. _: j3 _9 ~9 L
If in need of a quick white balance tool, you can use a standard
1 ^ |/ `7 B! ?+ j% {; ^white coffee filter. Use the custom camera white balance while aiming
, f9 v9 X5 {+ ethe coffee filter and lens to the opposite of the light source to get white% Y4 p9 h- ]8 C% a, S. X! p+ V4 J
balance. I always keep coffee filters in my camera bag for6 E1 V' i+ E4 Y* }' g! o
such occasions.& a1 A) ?7 I; T0 O6 J
3 U2 f0 ~2 r4 t& v& w# y5 dPseudo ISO Boost
2 ?5 ~' V, `3 W3 @4 ]If you’re shooting in the dark at a concert venue and need more6 M- B" s5 F9 G8 M- W
ISO boost from your camera and faster shutter speeds - choose
! _& I9 s2 k* B2 a% u4 U# {) e- Hthe highest ISO setting on your camera and underexpose your image
0 S; _/ W2 C/ G& r+ ^! kby one stop. Then you can use a RAW processor to overexpose the
1 r: C4 K7 q4 [3 G. l/ ]! Himage by one or two stops. Image noise may be higher but this0 {3 X4 d) j3 T1 @
works very well for concert, venue and event shooting. |
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