Christian Louboutin, Versace

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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.
# z  u  u0 _; {# L9 Z7 I3 i: AIt was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.
& e; ]9 I) M. j9 e- D9 FThe season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.
The collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.
: _& `  G( Q. g* p4 X. S. w  @In celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.
, Z0 _3 _, h7 u" s0 g6 o3 J/ P: fThe print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache.
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