D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
: q" r+ H) h0 g- c2 l/ h2 vmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
# Q7 V' R& O! I- e% M2 v  [5 m9 S5 O7 Dallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
% u: I; ^' n, f7 |image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
: g2 s0 n+ v2 v3 r/ z' h0 Cconvenience. Now, my wedding portraiture will have a depth it’s never shown
& y; l( S) M+ ^' h! Cbefore, and my style of shooting will be enhanced rather than compromised,
* Z) J+ ]7 e" o. i6 A- X* tthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
, r: e0 @' Z1 ~+ [range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
' u! N) f+ s6 }9 }  F$ `/ U* l0 DAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
3 u) h' J/ Y+ ?* J, {also feeling lighter and smaller than previous high-resolution Nikons. New
9 V. ]/ s% O9 x0 `. s* S( [3 Lcameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
' f) w/ G$ s2 G' P0 T; RTo me, cameras are more like paintbrushes than technology. The goal is
2 y  z& d3 d$ M' ~' enot megapixels or technique but the image, and while camera models
8 L6 \% w( C5 U; j/ P; ]2 W% [6 Ware important, they are not the be-all or end-all. But after a lifetime using
( n' t5 h$ H6 t9 Ncountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
4 ]' @" m# N# B* {& S8 Yacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
9 P( C' D3 R1 b8 [7 P8 S# Dphotography and the improved HD video quality and flexibility also add
8 Z" H7 i, u! v3 J8 p" f+ [tremendously to the camera’s personality. After spending a month with the
! E% B( v8 l; ~" pD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
# y4 r& h  T+ D9 k$ c; BAs a modern architectural photographer I am always looking for a lightweight,
+ H" X. \- j. n0 s8 r4 k5 T1 Lcompact and reliable camera system fulfilling the requirements of my personal
( K$ C" q3 G% g/ `/ ^& tartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
" [- x% p6 C; ?' m, ?: O# Fnow. Particularly, the live view mode enables extremely precise compositions
8 c. I# \0 ]- f; J# ^% k; B7 pand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
; z9 y2 S+ _7 z5 }: \architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
5 J9 z7 y1 @# }6 }( Y: _clean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
8 Z1 a# H2 ^: J4 D( Brange of light. It definitely takes my photographic versatility and image quality
0 y$ x9 J8 j  w& Ito a new level. What a new companion!
The D800 On Assignment
" K9 {( t" E) gRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
, {  v- p: b# x; s" ]Nature (U.S.A.)
$ L" X* g0 ^: h" |Benjamin Antony Monn
Fine art/Architecture (Germany)
3 Y  R. C( }. T: S% y* X) _% d1 PPrinted in Holland Code No. 6CE11030 (1202/A)K

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