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This was in a Vistek ad…some cool tips you may want to use.
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C" z$ N3 |/ o; FDigital Black and White
6 G3 H" S4 t+ z8 AShoot in RAW and underexpose your image by 1/2 stop to a full stop.: j5 t) L2 A/ P. Q
Use the shadow and highlights tool in a RAW software program to
/ r, K# Y+ Y- e/ W9 A8 Arestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White$ M8 f# k) c$ K2 U+ L3 ]; A
methods provided by RAW and you'll have a correctly exposed black
7 k" Y* P% _) J2 G4 T; mand white image.
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White Balance
# L2 Q" Q8 s: V# Z* j* R1 DIf in need of a quick white balance tool, you can use a standard
2 F$ z5 v- W+ D# ~3 `$ M6 g, Q K. wwhite coffee filter. Use the custom camera white balance while aiming
* u! j$ K8 G* h! Y; ]! Xthe coffee filter and lens to the opposite of the light source to get white
! t+ D6 c( W' S4 n5 G: |" x6 H( Tbalance. I always keep coffee filters in my camera bag for9 m l% q9 _7 E
such occasions.
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Pseudo ISO Boost0 t+ i4 u% j: U, }4 ^
If you’re shooting in the dark at a concert venue and need more
; q$ g/ }3 \1 m. i$ J3 f! P" l! QISO boost from your camera and faster shutter speeds - choose 7 S& _6 S' Y! g, Z" K0 Q* F
the highest ISO setting on your camera and underexpose your image
7 c& T" S4 G ?" U. a, Eby one stop. Then you can use a RAW processor to overexpose the
; T4 H/ e9 E8 Z& himage by one or two stops. Image noise may be higher but this: g8 ^; g; [" Y1 e+ ?. H0 b
works very well for concert, venue and event shooting. |
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