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This was in a Vistek ad…some cool tips you may want to use.$ V- `' X- ^3 V2 V4 x2 K# m* l
9 L( O+ A3 u3 D2 CDigital Black and White
1 R% n1 I! t) q9 T' v: jShoot in RAW and underexpose your image by 1/2 stop to a full stop.
8 i+ w. r+ Y/ `: |Use the shadow and highlights tool in a RAW software program to
* e1 j+ Z, Q( f& ?restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White* V# d. U% J' ]' @
methods provided by RAW and you'll have a correctly exposed black
6 x3 p. s$ x- r0 i% D! N X$ ^. Vand white image.
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White Balance
5 S3 {5 C1 e0 E C: u2 hIf in need of a quick white balance tool, you can use a standard
, d* F" f) W: P1 b8 Uwhite coffee filter. Use the custom camera white balance while aiming
7 n6 H2 u' v& R* `) ithe coffee filter and lens to the opposite of the light source to get white; O2 l& ~& m8 Z6 t% o: o
balance. I always keep coffee filters in my camera bag for
" |1 H$ u( q% n* V2 c! ~such occasions.9 u4 L0 x) a5 Y8 _( q3 c7 W
4 \4 l4 ?" [0 _" S( A7 [: @Pseudo ISO Boost- r+ G3 p9 P% z" ]& A) K& G1 H2 J6 L' X
If you’re shooting in the dark at a concert venue and need more1 R( U @4 d, [( _
ISO boost from your camera and faster shutter speeds - choose
0 P! s5 [% M. z9 W) p9 ]$ X* Kthe highest ISO setting on your camera and underexpose your image
$ W, {& b1 Q. s- {8 [, Yby one stop. Then you can use a RAW processor to overexpose the
/ W: Z8 k7 P4 R- Dimage by one or two stops. Image noise may be higher but this
- t8 d; M1 J9 ~) ^" n2 Uworks very well for concert, venue and event shooting. |
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