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This was in a Vistek ad…some cool tips you may want to use.( E7 w/ y1 x* B' W
$ }* R8 {" }7 I9 N( ] |# a$ gDigital Black and White
2 _; n' B# j% s: R% K+ k7 ] ~8 QShoot in RAW and underexpose your image by 1/2 stop to a full stop." M7 u3 J B; ]+ j, v3 b
Use the shadow and highlights tool in a RAW software program to
/ S. E& p$ E* I( k4 z# U( ?& Yrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White* K" ^8 b1 v( o/ E* m* U3 a$ h4 r
methods provided by RAW and you'll have a correctly exposed black
+ M8 \7 v* I: H: L+ sand white image.
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: S- ~& b! U+ W- J4 xWhite Balance
3 n! g4 {- t# G! z5 X% U5 E9 \2 rIf in need of a quick white balance tool, you can use a standard, l+ W# F: n- z4 O& L# v
white coffee filter. Use the custom camera white balance while aiming
3 d8 M9 x& P- @$ t; _, N2 F* rthe coffee filter and lens to the opposite of the light source to get white3 n2 Q9 Y0 }2 t8 _! G4 |! y
balance. I always keep coffee filters in my camera bag for
2 A3 r' N% N; H( ysuch occasions.$ A. P0 [4 F1 s2 X, Q; z
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Pseudo ISO Boost5 j- N0 M* ^8 s' X2 \' O8 P0 {
If you’re shooting in the dark at a concert venue and need more
: m# ~& m0 }/ H; XISO boost from your camera and faster shutter speeds - choose . }- y1 t( T# o: p" R' B& x
the highest ISO setting on your camera and underexpose your image& i& _' d/ g. i% m3 }6 B
by one stop. Then you can use a RAW processor to overexpose the" O8 m$ F' Y: ]8 x9 p& r
image by one or two stops. Image noise may be higher but this }' g9 |0 X* k/ M% M1 F4 O8 |
works very well for concert, venue and event shooting. |
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