D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
, o7 h  _1 N4 z( l# A8 b7 Q+ |% Ymegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
2 c7 Q; |1 h& H5 U5 f" rwithout having to think about much else. In years past, wedding photography
- z+ ~5 d7 z% H. Bwas traditionally captured with medium-format equipment for maximum
. O$ G8 H6 j" [* N6 K  m0 [image quality. When the 35mm format was adopted within the genre, it was
, K; Q4 m0 p  Cwidely accepted that image quality was compromised in lieu of speed and
0 Y& a* \- P% t+ Qconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
6 f( a# N$ ^' s, E) @When I’m shooting beauty and jewelry in the studio or fashion on location,
& C  g* {  K0 j5 C$ ]9 H& P36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
' l9 p( e7 ^6 o, e2 L" L( xthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
& @- n7 M+ ?! g% NAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
% i/ W( }3 }% q( F9 @has noticeable improvements in metering accuracy, while the larger LCD is
2 K: B9 G# s8 D6 |+ q6 f" qeasier to read. The camera body feels solid and ergonomically simple, while
* D8 X; H7 b& [2 f# a+ L* h, i+ _also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
, a! r& C4 I1 g3 V: W/ Ain such a compact package will open huge creative possibilities for my highquality
prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
- v; }. n% n9 |* }+ L3 ?& cnot megapixels or technique but the image, and while camera models
& E# l/ v9 i3 J3 J( Gare important, they are not the be-all or end-all. But after a lifetime using
2 q- V/ u3 ]' Ccountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
" t/ I8 r( X7 l: G- N8 p3 S7 Jacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
& T3 l1 S0 s" ltremendously to the camera’s personality. After spending a month with the
, E/ @7 p0 e- G: c- \D800, I’ll never be the same again. Perhaps the best compliment I can express
# d6 A8 G2 S' b, Zis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
  j2 ]$ x! I0 V/ }/ O. Dcompact and reliable camera system fulfilling the requirements of my personal
: Q9 S7 ?7 t1 H# M* N4 Fartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
+ g+ c) n% y2 s. W% F- N6 pcamera that produces images with such exceptional quality and detail till
4 p7 c# \. x% j8 y) }now. Particularly, the live view mode enables extremely precise compositions
3 Z/ h/ `" J; x0 |1 G: Sand easy focusing in dim lighting, which simplifies my workflow. Superior
0 Y2 _, \! W2 |& k; Z& U0 Xquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
3 u7 i2 ]6 _! P0 I7 g1 aarchitectural photography. From my hands-on experience I found that they
" b2 h& @, U( ~0 rperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
! o# I7 n, r1 @1 z0 q& J% eto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
9 s; E1 I6 ^; Z5 P# P8 wFashion (U.S.A.)
/ Z: K) h% v4 a% ACliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
Nature (U.S.A.)
; w* w; H9 F, C% c9 TBenjamin Antony Monn
9 V# F6 y6 g. ^" V  X9 p- m) T3 {Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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