D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
3 G0 Q' X0 b  u7 \7 s6 jof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
7 U: v. _5 b$ M/ t8 u, [! iwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
/ M- q% K2 U/ b. {8 t/ R. kallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
/ b9 H5 O& f2 P9 qimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
* h8 D6 T7 y/ I( [- |convenience. Now, my wedding portraiture will have a depth it’s never shown
: o# L9 Y( w/ l* ]1 xbefore, and my style of shooting will be enhanced rather than compromised,
& ?+ f7 P8 V$ H5 ^: C+ [( g, j7 \8 Ethanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
* E% ]8 K2 u7 y36.3 megapixels changes the industry standard: in image quality, dynamic
7 e* u& e  g* h& e8 _range, color rendering and the final print. The detail from the D800 produces
& n1 N6 M4 }! O% d/ ethe look of a medium-format camera, but gives me the feel and response of a
/ p/ L4 s0 u8 k4 i  {6 ]3 s7 x1 \D-SLR. The improvements in rendering skin tone and specular highlights, as
! m6 d3 d( p0 h6 {, x* r: B8 bwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
# d0 K# Q8 d5 s% Thas noticeable improvements in metering accuracy, while the larger LCD is
1 R& ]- P; I2 Neasier to read. The camera body feels solid and ergonomically simple, while
# S; |* |- }' Palso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
) a/ j! D2 G, N9 k  Y0 s* gprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
  U( ^9 [2 E' G# h) g+ hnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
8 a. m3 o1 `3 h3 Q! T- O. Dcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
+ |3 i! G  P1 a- W, V7 g  Nacuity between aperture choices on various lenses were apparent. But now I
5 k8 N" X# R  jam enthralled with this technology. Why? Because the images almost feel as
, P0 p' X# [$ @" |  k5 L  ]though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
6 S9 _# ~$ q' W4 t, Jtremendously to the camera’s personality. After spending a month with the
; e9 O) E9 }- r9 e& s1 pD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
3 M3 d; r& R' Q6 Z! |As a modern architectural photographer I am always looking for a lightweight,
; A; [) {$ b# O& I* M+ Pcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
4 K+ i: Z7 R4 Zthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
1 E" a- z6 e1 x! e  I/ R: k$ iand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
# }5 {# G' y/ |, r' ~/ Parchitectural photography. From my hands-on experience I found that they
; r. }2 N$ e9 I, `perfectly match with the newly invented system and produce breathtakingly
) |5 A% J4 G; v5 {" B  B! K. Dclean, clear and sharp files. This camera gives me the photographic flexibility
. ?9 J3 ]5 e; o/ wto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
9 M$ m! N6 L  u9 Y: lto a new level. What a new companion!
) ?9 s1 P1 B: }* \1 x$ ]% w# rThe D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
: I3 z5 y1 t* g# J# w5 BWedding (U.S.A.)
0 O5 z" ?5 R5 a# LJim Brandenburg
Nature (U.S.A.)
4 j( o' s0 }9 R5 m# e! A& gBenjamin Antony Monn
Fine art/Architecture (Germany)
. ?4 P2 y8 ^* K8 t6 APrinted in Holland Code No. 6CE11030 (1202/A)K

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