D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
- B, ^4 Z7 r) m$ }  c% x% ?8 b6 oof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
- L6 d8 @( N# g% Z* Z! t$ ?within a body that boasts revolutionary technological advances. The 3D color
! P6 g8 _* F( j$ Hmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
( g- u  O* }! R$ T7 iallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
' g3 \6 y$ ~5 g6 Y* R0 [1 Swas traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
' u# ^2 I6 u0 @+ Z1 [widely accepted that image quality was compromised in lieu of speed and
/ F+ a) m+ Y  U& `2 b0 xconvenience. Now, my wedding portraiture will have a depth it’s never shown
, F# I5 b6 ?' X+ Y! bbefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
6 G; t3 @9 p# nWhen I’m shooting beauty and jewelry in the studio or fashion on location,
8 v  b2 v5 L% M2 |1 ~" h* ?. q$ ]! y36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
0 x0 }; }$ f) C1 vthe look of a medium-format camera, but gives me the feel and response of a
) l! F+ k; @3 d: H5 I( [D-SLR. The improvements in rendering skin tone and specular highlights, as
  T: I: J3 @/ h8 g# c7 H7 E4 Dwell as fabric and hair detail are superior to anything that has come before.
+ D7 y: |: `7 j' n/ EAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
. `  k* Y9 {* q" l7 heasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
4 j- x) i' b) V* Gcameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
; z5 ]0 J# ^+ \- U: |7 c) J/ Vnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
  g  i" D0 d2 G8 f  Scountless cameras, I have found a new best friend. It was not love at first
8 i& t/ ^* J  w+ lsight. The sharpness and detail were initially intimidating, exposing my flaws
' @9 h+ a: n. m6 _. {; ~/ Xlike never before. Subtle camera movements showed and differences of
, F4 `  B" k; z7 d/ `" `acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
: D1 ^, V- c* d. s% f) L. T$ Nis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
" W  \7 [+ X( P# eartistic and client expectations. The Nikon D800 will set new standards for
9 ~$ F. d- S0 X' f1 k3 Dthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
* {4 B6 ]- Z& u+ Y: P8 ?, \, jnow. Particularly, the live view mode enables extremely precise compositions
2 H% l- i' F* G2 P3 Rand easy focusing in dim lighting, which simplifies my workflow. Superior
' p7 Y  H4 |0 J) O+ c* [quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
! U- P1 @% B. t! ^. J4 oclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
, V% l# e# V; t$ r) M! Z6 ^9 Irange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
) P) `% Y: s% a$ q( DRob Van Petten
3 s3 r7 p9 ]- f3 x: m& A5 VFashion (U.S.A.)
! t0 J; q  ~% ?# fCliff Mautner
" C. s8 U& i5 ^4 g6 N: j: s& j( o! ?Wedding (U.S.A.)
0 O$ l- ]; a4 s: ^; x: lJim Brandenburg
Nature (U.S.A.)
7 H( @5 T* S2 p. V+ DBenjamin Antony Monn
: N% \1 e/ W: ]$ h! r+ E* p0 nFine art/Architecture (Germany)
6 ?+ x4 l( C; C+ N7 B& L( E3 z  aPrinted in Holland Code No. 6CE11030 (1202/A)K

平安结~

请问价格，谢谢