D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
0 P; G+ q/ G. c' p% z+ j0 U* hmegapixels, the D800 produces unprecedented image quality and resolution
8 S$ h" l0 d& x- N: owithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
! {6 e0 E/ l6 b- Xin low light are just a few features that are glaring improvements. The D800
6 h+ U& K, I# N1 n: pallows me to concentrate on the light, the composition and my subject
2 \  _) H4 D' ^" u! `" l, `/ ^" H; dwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
1 C! x5 Z# f& \) @" Oimage quality. When the 35mm format was adopted within the genre, it was
. Q; n8 M7 v8 a- w7 dwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
, I: X& Z/ Q5 j/ Bbefore, and my style of shooting will be enhanced rather than compromised,
4 V. ]# J+ [9 J2 w" dthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
1 l' m/ ^1 C* }  R! ^- ^36.3 megapixels changes the industry standard: in image quality, dynamic
2 |& m( [  M7 Q4 y- ?8 k% z1 wrange, color rendering and the final print. The detail from the D800 produces
1 X/ _3 J- p; Y1 zthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
5 N, {1 |/ Q0 [$ QAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
8 t1 a- Q9 P9 c5 Ualso feeling lighter and smaller than previous high-resolution Nikons. New
. A) k6 k( q6 Z2 k1 s$ I1 v$ Pcameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
6 J! `, n) Z; O: Yprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
# ^, Z3 @0 \8 Y1 v) hnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
0 v& ]% A8 i$ F" u( T2 c7 j$ Kcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
+ L* l- t% ]) Vlike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
" R6 u* C8 x7 wthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
9 m7 Z5 E+ J1 h. E  H$ A! PD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
3 o3 a" k$ A. s' q. p5 K. Ccompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
) {+ ?* M: @7 l- Athe high-end 35mm D-SLR market. I have never worked with a 35mm digital
: k! v' J/ V; b0 |# Xcamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
, a6 U* T1 H# v+ vand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
# W* ?9 @7 l% d. _architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
8 J- D: p  a) ~3 X+ fto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
0 H/ d3 q4 i7 J% T2 ^4 A! Wto a new level. What a new companion!
0 T% u6 I9 D+ l* c. m9 h4 ZThe D800 On Assignment
2 T! p2 B  ?% U8 u! v: H& F( ERob Van Petten
# j9 @7 p8 z/ _% y: g+ C# RFashion (U.S.A.)
Cliff Mautner
1 y, ~; B8 {9 d1 CWedding (U.S.A.)
# x9 l( G9 ]' G- XJim Brandenburg
Nature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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