D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
: \/ V" W. g$ l4 L0 a7 Jnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
% p& i- Q6 ?: b$ o+ ]within a body that boasts revolutionary technological advances. The 3D color
/ O) ~. ]! y; N9 X4 s; v1 w6 ematrix metering III, wide dynamic range and the improved AF performance
4 t- X& `& v2 @; Tin low light are just a few features that are glaring improvements. The D800
3 m$ }. T4 Q5 E: Iallows me to concentrate on the light, the composition and my subject
' ^) J& K0 w, Q9 }5 ywithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
& F8 ]+ x0 R& N1 U7 Himage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
- w3 \1 p9 k" Y8 D) m- Wconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
% \; ?$ t& M+ b1 Qthanks to the D800.
& Q; H- U) D; [6 v6 p& {+ nWhen I’m shooting beauty and jewelry in the studio or fashion on location,
5 ?4 G2 S$ W1 h36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
8 @$ w3 Z8 F; v+ O& \0 n2 sthe look of a medium-format camera, but gives me the feel and response of a
2 K9 M, ?- H9 X7 X; {D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
( |: ~# b  W" @  XAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
, N# [$ y2 y& T, v4 teasier to read. The camera body feels solid and ergonomically simple, while
! {3 `! H, ?: p2 k; J& l) aalso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
; }" p3 m: a- T. D2 D9 y" min such a compact package will open huge creative possibilities for my highquality
+ ~% q' L4 x: O, h3 |prints and video.
% B; R6 E$ N/ w% B& CTo me, cameras are more like paintbrushes than technology. The goal is
- B3 C/ c- D& y" n; Y3 f  Onot megapixels or technique but the image, and while camera models
5 g8 Q3 q. D( D2 G* }7 E7 mare important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
% R0 m) J% ~; X. p" _: ?like never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
( h' O. F2 o) x! s7 jcompact and reliable camera system fulfilling the requirements of my personal
( V0 s  S8 i* G8 W" dartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
2 E# W/ V- r( w4 Q1 V) Y1 P2 Q# know. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
: W0 M& t, W& K3 e, t" S$ rarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
% M) P7 e; F, t% ]clean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
7 G& ^: c. n2 `. Q" Irange of light. It definitely takes my photographic versatility and image quality
( e) o8 M" F; d7 E* zto a new level. What a new companion!
The D800 On Assignment
- `$ g- {- I; F2 E  a4 N& hRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
) d8 X5 o6 S; x% c$ e& OWedding (U.S.A.)
, v& n' [# E3 O% v0 D+ pJim Brandenburg
2 B( p: ]0 m# ]8 KNature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
% z/ {  p. Z8 VPrinted in Holland Code No. 6CE11030 (1202/A)K

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