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Speed and power, without compromise. That’s how I’d sum up my impression3 j- ?- [' o% a, q s' _
of the new Nikon D800. Established medium-format image quality is
$ U6 o9 N, Z/ @$ e" }now inside a phenomenal, incredibly responsive Nikon machine. At 36.3; T6 i! P4 u1 x& v/ r9 }' E
megapixels, the D800 produces unprecedented image quality and resolution
0 ~6 t$ p* \1 ]6 E8 ~( mwithin a body that boasts revolutionary technological advances. The 3D color
: K& I# a1 m9 N5 `4 L' Lmatrix metering III, wide dynamic range and the improved AF performance/ \$ }0 s* b$ V+ A+ g5 n6 Z
in low light are just a few features that are glaring improvements. The D800/ o. e8 g" S5 K; Q, J
allows me to concentrate on the light, the composition and my subject
( w, R: U2 j4 I1 wwithout having to think about much else. In years past, wedding photography Y+ z: ~( ^6 [) h
was traditionally captured with medium-format equipment for maximum4 j+ J9 }2 \6 L9 F2 n! E5 W+ P, o
image quality. When the 35mm format was adopted within the genre, it was
! q. U4 r5 s1 @& {" ~( D* Dwidely accepted that image quality was compromised in lieu of speed and1 i# V2 N# D" X8 L1 T
convenience. Now, my wedding portraiture will have a depth it’s never shown& F* m' L0 T) R0 f4 O
before, and my style of shooting will be enhanced rather than compromised, I+ D+ }2 S. G" y2 b
thanks to the D800.
1 ~# z w8 m3 I+ K, {, N- XWhen I’m shooting beauty and jewelry in the studio or fashion on location,0 a( W9 |7 A( i @
36.3 megapixels changes the industry standard: in image quality, dynamic& x/ R# t# F$ _, w
range, color rendering and the final print. The detail from the D800 produces( |# _% |+ ? P5 F/ y
the look of a medium-format camera, but gives me the feel and response of a$ T9 G v2 g% P- s! B
D-SLR. The improvements in rendering skin tone and specular highlights, as
7 L1 L. s& A5 S' M) Rwell as fabric and hair detail are superior to anything that has come before./ [8 Z+ m- i7 K( G# f
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor" N1 g" R1 {" Y
has noticeable improvements in metering accuracy, while the larger LCD is
' A% M% W0 @5 u* K4 p& Yeasier to read. The camera body feels solid and ergonomically simple, while
. ~& `) ~5 \* I" Dalso feeling lighter and smaller than previous high-resolution Nikons. New
# O1 W: B3 w: s7 N; fcameras always inspire me to test and explore, and all the useful features5 G+ y, S4 J9 U$ V
in such a compact package will open huge creative possibilities for my highquality
a }" T7 [3 b4 \/ `0 ?prints and video.
8 [. _( G. t$ m1 @% tTo me, cameras are more like paintbrushes than technology. The goal is& A( F/ P& X4 T$ z) a+ p: N, G
not megapixels or technique but the image, and while camera models& D# Y" i2 X' v3 l& G8 i. R
are important, they are not the be-all or end-all. But after a lifetime using
4 q b' ]/ R* B9 Pcountless cameras, I have found a new best friend. It was not love at first
4 Q3 {% V5 |) a/ I: b5 _sight. The sharpness and detail were initially intimidating, exposing my flaws+ ]9 T2 q( O' d ~+ E
like never before. Subtle camera movements showed and differences of/ K7 f0 Y( \8 p1 q
acuity between aperture choices on various lenses were apparent. But now I
$ p0 f" _" n- B- T6 c5 X/ U; aam enthralled with this technology. Why? Because the images almost feel as
3 v' F- Z& V2 R. k0 Othough they were made with a 4x5 view camera! Special features like timelapse/ U N4 K/ R% R; n5 Z7 x$ R) v
photography and the improved HD video quality and flexibility also add
# ]) S J( Q0 Y5 b' n0 itremendously to the camera’s personality. After spending a month with the
: O) v) C5 m/ }* ]: v( }D800, I’ll never be the same again. Perhaps the best compliment I can express; R g* {! |! J u1 s
is that now I will think differently about the images I make.- h: n: k* ?/ Z' `' K4 F* ~9 U1 r$ n
As a modern architectural photographer I am always looking for a lightweight,6 }$ y# W7 u' {+ m
compact and reliable camera system fulfilling the requirements of my personal2 F8 h; L% a n# K" |
artistic and client expectations. The Nikon D800 will set new standards for" ?3 F* k; X; @# ]4 G* ~$ m p
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
' t) p+ o' `$ ncamera that produces images with such exceptional quality and detail till
1 i- B1 w! `7 X$ q5 t& {! C6 f' wnow. Particularly, the live view mode enables extremely precise compositions
$ Q9 F9 @+ v- l, uand easy focusing in dim lighting, which simplifies my workflow. Superior) T' v# Q7 W2 f* n
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for% E* h% j& S% H/ [$ I8 L
architectural photography. From my hands-on experience I found that they# V& {% }" H7 U
perfectly match with the newly invented system and produce breathtakingly6 u& F% {& ^. p( V* J
clean, clear and sharp files. This camera gives me the photographic flexibility7 n; a3 l& r: e2 j
to work at unusual shooting locations and capture images in an exceptional: D w% O$ e6 U+ ?) R" B
range of light. It definitely takes my photographic versatility and image quality ?% t, Y0 U" u! G: ]; F' i) W
to a new level. What a new companion!8 S1 X$ ]; k7 w3 }' Z; H
The D800 On Assignment
7 p! V" t$ X1 n' ARob Van Petten5 f F P9 g. Z
Fashion (U.S.A.)* x" a5 k) I) P/ c1 o7 n
Cliff Mautner/ m+ |% Y& I( m4 \
Wedding (U.S.A.)% w* u3 ^" M+ y. r3 H8 |
Jim Brandenburg
& c0 u4 j* k1 J" u' s9 t! @Nature (U.S.A.)# z' h1 x) b; _: o" S
Benjamin Antony Monn/ ]! D o* w+ [. x4 m0 V% n
Fine art/Architecture (Germany): y) Y# k4 Q- n, D9 x8 N3 ?2 q
Printed in Holland Code No. 6CE11030 (1202/A)K |
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