D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
# R. v+ O  y; ?/ f7 T4 Sof the new Nikon D800. Established medium-format image quality is
) k3 B( A6 c$ u9 N# V. z/ F( Y. bnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
" [  y2 U' m8 w0 b5 f9 ~megapixels, the D800 produces unprecedented image quality and resolution
* @) v, `* y* t: y+ Hwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
/ N4 y$ h$ Q8 ~! `& p2 \8 O; ?2 P! Zallows me to concentrate on the light, the composition and my subject
4 m) h0 y  x) B% \without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
/ Z; e/ x1 E) c1 G. H2 lwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
4 \9 E% w6 e* abefore, and my style of shooting will be enhanced rather than compromised,
. Y: t0 t/ B# N! |/ nthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
* e, t0 A' z& E0 f# F: Dthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
0 I) T1 ^& v7 _4 Jwell as fabric and hair detail are superior to anything that has come before.
& b! }% E+ `+ }$ J/ L2 I6 bAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
$ {" `8 }/ d# i9 _5 R/ ehas noticeable improvements in metering accuracy, while the larger LCD is
* W( k8 T( h) C3 o+ v/ H8 heasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
) h7 ?) b' o/ Q& r  cin such a compact package will open huge creative possibilities for my highquality
prints and video.
. U! U4 G1 G2 n; C* uTo me, cameras are more like paintbrushes than technology. The goal is
7 v6 v7 N- U8 Y+ D$ Z! U' X3 o) a/ knot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
/ a- ~) b# g" t# bcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
+ K# b2 [, m2 o: Y5 n( slike never before. Subtle camera movements showed and differences of
% {  y1 N8 m6 m! ^9 }acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
. J9 k/ z- A" l8 p/ f3 mtremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
( G- d+ `. }0 O9 g7 W6 b1 sis that now I will think differently about the images I make.
$ ~2 x- X! F# @& I! oAs a modern architectural photographer I am always looking for a lightweight,
; T* \& ~$ T6 Z' Q* i" q/ x! Mcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
& f7 E% U/ }6 Z% c" Kthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
. b* t# o4 \4 V9 k! Icamera that produces images with such exceptional quality and detail till
2 _3 }4 H" z1 l. E3 t. h$ E9 Z9 U6 Nnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
4 c2 s( ^/ O4 X9 vquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
! y8 u/ O- n5 l2 O, a- x; _to work at unusual shooting locations and capture images in an exceptional
9 t/ F; @) P2 {! z. C* v6 brange of light. It definitely takes my photographic versatility and image quality
4 W* }, k' s& R, d0 v2 o: @" Qto a new level. What a new companion!
The D800 On Assignment
5 i+ n& ]7 T' f7 k- _: URob Van Petten
/ L  v- T  ?' |+ B" p% Y6 ?Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
8 ~) ~0 I% G1 ^4 n% b" hJim Brandenburg
Nature (U.S.A.)
, z2 E3 h$ M: M( O6 E" T5 \7 q( GBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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