D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
+ I$ Z) o' a2 ]) m! I% Uof the new Nikon D800. Established medium-format image quality is
4 U' u0 `- U5 M: q& }8 u1 [- r, Vnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
, r' O0 N- `5 umegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
  f2 V& S/ Q2 ]7 X* Wmatrix metering III, wide dynamic range and the improved AF performance
# i" T/ M/ o" G0 R" H% q8 Win low light are just a few features that are glaring improvements. The D800
: g, _- x- [: y$ K! j% aallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
% V" |% A. W& G1 {convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
$ Z% q/ V) o- V* d, Hthanks to the D800.
2 V7 u6 N! Z' G5 p8 UWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
3 y* W& Z( D) G! x+ C& _4 Pthe look of a medium-format camera, but gives me the feel and response of a
4 e) J, U2 P& [. I( Q+ zD-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
, c' C  M" ^. e: C. r! sAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
3 f$ _% {+ T" I* z2 Jeasier to read. The camera body feels solid and ergonomically simple, while
: N  J1 O" i2 u$ |! {also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
; z9 R; B: C: N& ^* [1 }in such a compact package will open huge creative possibilities for my highquality
prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
# O) A1 n/ j0 b  q) I! Z6 n6 xnot megapixels or technique but the image, and while camera models
  Z9 |# Q* }+ Q7 e0 [  ^6 H3 qare important, they are not the be-all or end-all. But after a lifetime using
( t, G7 U! n  O3 o% @' M; Z7 u9 jcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
! u& P6 F; p. Zlike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
% U! `9 M2 r+ k# e& }1 ?am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
7 p* |$ C% ]: }3 m' j* l  zcompact and reliable camera system fulfilling the requirements of my personal
& J6 H: @/ _9 B2 Q8 {! Jartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
* ^) n; g) [, l; \+ ?3 N4 M( ocamera that produces images with such exceptional quality and detail till
% V) P$ ?$ Y! |# a$ ]* i% {! Y+ a. Snow. Particularly, the live view mode enables extremely precise compositions
( S4 Z1 k! ]6 qand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
5 u( K. @* j/ r' z5 O+ ~to work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
4 N- v4 {2 Y' Q( W( hto a new level. What a new companion!
# u0 O- B9 _& v* v: g! m  qThe D800 On Assignment
4 J1 L9 V# C0 j- }& IRob Van Petten
% J2 G4 S/ E  {2 c$ {; R& l: R- _Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
1 V0 z) m0 N- d: _( C$ }% rNature (U.S.A.)
, }- m) k; _  D- wBenjamin Antony Monn
2 s$ b" ?1 ~+ Y* b, \  WFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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