D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
* R4 t. `9 C  _of the new Nikon D800. Established medium-format image quality is
+ T& ?0 E, U6 h7 R+ ]! ?now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
! y! T; A8 K' a3 g, g6 x* g% |: Mmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
, g1 D4 @: c4 w4 e3 P- |' Zallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
; l3 Q2 G8 T* u  C, B" Y3 `) H, ^was traditionally captured with medium-format equipment for maximum
' w' _9 c  a5 Q. E# `! Jimage quality. When the 35mm format was adopted within the genre, it was
9 r, K3 [( S  \8 X: [7 p) z% |widely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
& q- G8 \. J4 `: S# V8 K1 yWhen I’m shooting beauty and jewelry in the studio or fashion on location,
4 O% j/ M* i5 _6 U9 f36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
$ B7 W! \" R6 ]/ t' Ithe look of a medium-format camera, but gives me the feel and response of a
3 p, W1 `8 \( fD-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
+ f( e5 D" F8 x; V- d6 v. j2 i9 |Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
2 S& k9 k- @" Dhas noticeable improvements in metering accuracy, while the larger LCD is
+ }  r8 e2 X* k% T/ H0 \easier to read. The camera body feels solid and ergonomically simple, while
( t' q1 t1 }- y2 V" e1 D# Halso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
6 x5 c( ^9 d( J! Gin such a compact package will open huge creative possibilities for my highquality
prints and video.
- q1 k. {7 f. qTo me, cameras are more like paintbrushes than technology. The goal is
9 `( o/ S! E. L" ynot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
$ l2 E! o3 {9 Z, A4 L; nsight. The sharpness and detail were initially intimidating, exposing my flaws
9 g: M! x) s+ I* U- ylike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
$ K( g! m, W0 z3 ?8 e, [" P" Pphotography and the improved HD video quality and flexibility also add
5 Y3 ?. u- v. E( Mtremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
" ~! Y: A! d1 m) n+ w  `4 d4 ucompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
5 Z' D0 d& ~3 \2 enow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
$ F# x  h7 c7 J4 i4 ], ~8 jclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
6 b+ h9 x8 e6 Frange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
* |# h$ K1 A; M8 E& u! \Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
5 |, v5 N3 ^' ]; p9 w- F+ P0 {Wedding (U.S.A.)
Jim Brandenburg
8 Z" x: j2 h3 D2 ~7 v3 v& {+ WNature (U.S.A.)
Benjamin Antony Monn
$ E# u. \6 a) e, ?& U. Q) DFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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