D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
# {" e' u- M* i) R1 ]3 Cof the new Nikon D800. Established medium-format image quality is
! G/ y. K. Q+ J* Dnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
1 |3 T! Q& K7 ^" ]9 cmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
  V+ w0 b! v9 Z8 ]+ ?$ |) bin low light are just a few features that are glaring improvements. The D800
+ f3 o* m0 g& v( V4 F: K: P1 mallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
( U" I) M8 n3 P, dwas traditionally captured with medium-format equipment for maximum
: J) w% O9 R9 a2 }1 f5 D' a3 B2 k9 M+ q; aimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
! G  B3 g) m  w( b7 u0 p; o$ Wconvenience. Now, my wedding portraiture will have a depth it’s never shown
& A" a# U8 D6 Y* W7 W! N+ _$ Xbefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
: k- `, p) y; F. Q  w1 P, f/ AWhen I’m shooting beauty and jewelry in the studio or fashion on location,
$ J  G. ?9 f7 |36.3 megapixels changes the industry standard: in image quality, dynamic
+ G* N) j8 ^( Hrange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
6 |. }* \7 y1 V- VAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
/ f  y& L4 ?$ R* ?& W+ `' nhas noticeable improvements in metering accuracy, while the larger LCD is
5 A( Y8 r! v0 J, v  U5 beasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
% _8 v# E. T1 C9 M3 @0 `# Ocameras always inspire me to test and explore, and all the useful features
! b) n7 D4 R% u6 Lin such a compact package will open huge creative possibilities for my highquality
" S, Y0 s& S, K/ \( ~/ J9 |+ R/ @9 Zprints and video.
0 z7 ~4 d& b+ E  P( i1 u$ n0 qTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
+ j% O6 u" T  \1 o% K: v4 xsight. The sharpness and detail were initially intimidating, exposing my flaws
8 V0 B! k# a8 {5 plike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
' U$ d' q% s# L! n% Cam enthralled with this technology. Why? Because the images almost feel as
! r7 X6 e" w% [! lthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
2 \  F9 Q- H# [' \tremendously to the camera’s personality. After spending a month with the
: M* j- J6 ~, n" ]D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
: |& ^9 n( m$ L; ^As a modern architectural photographer I am always looking for a lightweight,
  d+ z) u+ t0 A" a$ N. kcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
+ q* @0 o1 K. l1 ?0 H8 {3 uthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
- W* b( g2 O% A: U( ]+ p6 H9 ocamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
0 z4 J2 n# L8 ~# [/ k$ k8 A/ }and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
0 S" k" M. g% tarchitectural photography. From my hands-on experience I found that they
2 R, N" o9 m8 {, j  C) Q/ Lperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
8 o9 _; |2 j& Q: A# U  q* Tto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
+ @( E& Z3 V, q5 Lto a new level. What a new companion!
) B1 X* S* ]3 c' P$ p, n9 R9 }0 [The D800 On Assignment
" U& |, k( f. TRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
' ]! Z- n5 `  F1 f/ kJim Brandenburg
- F- E8 G+ ^9 P0 H3 S2 i# YNature (U.S.A.)
' t; b- O3 p) cBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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