D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
4 f* s" O0 H/ |6 Mof the new Nikon D800. Established medium-format image quality is
/ S$ R5 c, J. Pnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
) t- F3 Z6 Q/ Hmegapixels, the D800 produces unprecedented image quality and resolution
9 C% {3 x% N7 d4 G: n: p) Ewithin a body that boasts revolutionary technological advances. The 3D color
% x/ a6 Z, Z) k# L! ?' E  c+ j9 \matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
; d7 j: _8 z. y4 N; Pwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
$ h4 l5 m1 k' |+ C1 u# n& simage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
/ C! N" y) p, e7 s% j1 Kconvenience. Now, my wedding portraiture will have a depth it’s never shown
+ w% d# k# F4 ~0 I, P8 y! i, _before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
- _+ `7 K) c2 f( E. M: x: t3 ]36.3 megapixels changes the industry standard: in image quality, dynamic
# _, s& @: @& m1 S  G4 K4 trange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
' M  m* S* U( X' XAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
/ X$ {4 h9 c2 j4 eeasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
6 X& I$ F$ B( @9 e5 a3 `/ v9 g8 ]  [cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
, t- K+ M+ I; B6 z+ C7 l, kprints and video.
4 }; D+ L) G  b% C. ITo me, cameras are more like paintbrushes than technology. The goal is
- O4 m- b5 M  b' x$ i, b; Fnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
0 l1 E+ O9 T" I! l" E- H- Nsight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
2 ~7 K0 K& l+ Q: P! Nacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
9 b3 I' L9 C# Q0 e$ H/ Tis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
) s/ ^) i# I$ b. h5 W) P! jartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
, }: S. B6 I( p' R' S' zcamera that produces images with such exceptional quality and detail till
, C$ ?5 I' Z1 B% @/ [now. Particularly, the live view mode enables extremely precise compositions
6 d& ]* b8 r7 Z' {0 h2 qand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
6 J7 W0 L& _/ o8 z6 b& T; W* dperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
2 A3 o" h9 t; t. N( kto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
3 g. e. Z% @: q: ^. b# }, b& lThe D800 On Assignment
Rob Van Petten
+ ]! e" \7 S1 w; r, v( RFashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
+ G0 Z% V% L4 `. D* G; _Nature (U.S.A.)
/ `# ^# g( Y6 Z1 }, k, {Benjamin Antony Monn
- y2 k3 _1 K8 l- o0 zFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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