D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
/ j" a+ F! p7 w' [3 }6 ^, {now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
: t! {' ~, |0 ]9 Q' Z. r7 Pmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
0 S5 P- W# q4 [$ @9 twithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
* x" V" c. ~7 A; nimage quality. When the 35mm format was adopted within the genre, it was
( |5 W# ^; I( W( D& p1 G0 N# Lwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
: ~: I1 Z, X2 p9 l9 {: }- qbefore, and my style of shooting will be enhanced rather than compromised,
$ t! Q7 j5 Z2 Q" }thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
. ?' ~2 f8 Z+ F: P) W6 s6 q/ |) nrange, color rendering and the final print. The detail from the D800 produces
8 C6 G1 l' z6 x* wthe look of a medium-format camera, but gives me the feel and response of a
+ Y( W- A& @9 V  j4 `& OD-SLR. The improvements in rendering skin tone and specular highlights, as
1 R* k3 u5 S6 X0 Nwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
: g8 _; A4 N7 \' t% lhas noticeable improvements in metering accuracy, while the larger LCD is
7 D" F, d8 }3 Beasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
. Y- O( d* H+ r  x3 Zprints and video.
1 }1 d) h2 Z% n% CTo me, cameras are more like paintbrushes than technology. The goal is
0 q% k  G* U; }8 D" R, h5 B* ^not megapixels or technique but the image, and while camera models
  b4 b' A  B4 L5 @: }4 j- n5 oare important, they are not the be-all or end-all. But after a lifetime using
* f, y# g+ J) N5 wcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
7 C$ R' G2 f8 |& Blike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
3 H( x! w8 D. m! Rthough they were made with a 4x5 view camera! Special features like timelapse
% Y- O( C/ y! u. Z5 W: ]7 Ophotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
' {; E" v. W1 x* i5 K8 V0 Mis that now I will think differently about the images I make.
) A2 w7 G5 v) @As a modern architectural photographer I am always looking for a lightweight,
% g5 b3 h; N" ^6 p. {. N( qcompact and reliable camera system fulfilling the requirements of my personal
: k/ i9 X) f+ C- Q8 xartistic and client expectations. The Nikon D800 will set new standards for
8 {2 y! Q1 n1 A1 Y3 t( O2 @5 Tthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
8 k" T  ~6 y0 e) o, d5 t/ ocamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
7 {% r2 I3 T( a4 u" g2 vand easy focusing in dim lighting, which simplifies my workflow. Superior
: p6 h  ]$ n$ ^" d+ g! y% {quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
. W; s. B7 s1 |; Z! Tarchitectural photography. From my hands-on experience I found that they
# D2 Y( R3 ^  T$ ^& J4 j( l. yperfectly match with the newly invented system and produce breathtakingly
/ Z. T2 U* P  qclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
! `* _0 e: t; e, S# R9 Xrange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
0 `# e+ p" P% H$ v. W/ L/ a9 fCliff Mautner
6 q$ x" y/ d& H' }& H0 ~$ IWedding (U.S.A.)
( g. `* {3 g' w. dJim Brandenburg
Nature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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