D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
+ h) X# ~  e6 r$ w0 L( k, D1 s0 T. R+ _" pof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
/ I5 g' u* [( p  s1 _within a body that boasts revolutionary technological advances. The 3D color
6 _9 d, \" d$ R5 P3 j9 ~' h; x1 Pmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
; x; d* w7 r! [1 I1 B% swithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
$ K! j0 B$ R! I5 Kwidely accepted that image quality was compromised in lieu of speed and
* _6 p( m0 ^; }8 P/ ^7 {$ Q8 [convenience. Now, my wedding portraiture will have a depth it’s never shown
, C9 e" Z. R, W4 Z# \' ^! vbefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
" T  `' @4 B/ U% I36.3 megapixels changes the industry standard: in image quality, dynamic
' b& ]  G: P' C6 brange, color rendering and the final print. The detail from the D800 produces
6 q- u  j- Q* y4 Tthe look of a medium-format camera, but gives me the feel and response of a
9 _9 W" L- E9 [D-SLR. The improvements in rendering skin tone and specular highlights, as
+ ^; m! f' H8 I6 r. c6 ]- L+ Cwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
9 e. s) Y- t& ?1 Ceasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
- f  s7 [. w2 G2 i5 Q  O$ ^5 Q+ Pin such a compact package will open huge creative possibilities for my highquality
prints and video.
5 l$ [: }. l8 f) F% FTo me, cameras are more like paintbrushes than technology. The goal is
1 A0 f3 L! F  I! @not megapixels or technique but the image, and while camera models
+ g( c; S! w$ w: H3 H. d, j" _1 _, Yare important, they are not the be-all or end-all. But after a lifetime using
1 }* {$ x8 S1 W4 d; Dcountless cameras, I have found a new best friend. It was not love at first
" d* _5 d- n" B! X7 B! Gsight. The sharpness and detail were initially intimidating, exposing my flaws
5 I1 D; h, e. C, _' Olike never before. Subtle camera movements showed and differences of
# P5 e# m0 i. C! G' p% y+ k! `acuity between aperture choices on various lenses were apparent. But now I
* s/ v- a& L4 U" O2 z# Gam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
. M3 L5 y' c0 v2 ?photography and the improved HD video quality and flexibility also add
/ v; q# a0 ]0 y9 }9 itremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
- [. T1 }! \6 O# |/ G, l7 Iartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
8 D- o5 t! G* P2 c4 j8 u$ xnow. Particularly, the live view mode enables extremely precise compositions
" ~) y. [& H8 U/ e/ L: Dand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
7 z4 D9 o% n7 f3 `% ?$ Garchitectural photography. From my hands-on experience I found that they
  a, [! c% b! I2 L  S' f% Xperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
4 @: ~9 p/ t; Mto work at unusual shooting locations and capture images in an exceptional
# M) x' q6 O. |( e6 k  K& P4 A3 Trange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
* a1 j% w" A" c2 E" ~4 oFashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
& O" H" Q) x* ]& p5 OJim Brandenburg
Nature (U.S.A.)
" F5 M+ ^4 Y# c" ?: ZBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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