D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
5 s' F4 O, k1 K' h: V  wmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
5 V3 Q/ E# b$ |% G- c8 ymatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
, L( q( {+ V" [1 T2 E$ {, S# kallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
; \; ?. h9 f. ]: p2 d% h- ]7 |was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
$ f) q" H, @+ f' ^! s, Fwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
6 e9 l3 C# s9 @before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
7 G7 n$ E. p" r3 F$ rWhen I’m shooting beauty and jewelry in the studio or fashion on location,
' O* ~8 F- x# N4 Z# U$ M36.3 megapixels changes the industry standard: in image quality, dynamic
6 c: C& ~( @/ \0 o8 {range, color rendering and the final print. The detail from the D800 produces
9 M& E# P1 s3 W; i; E" S+ F9 |& nthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
* E% R& y! W+ Z( {! s7 RAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
( C/ I' t/ v# B/ h, K4 }5 U! ~5 Veasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
+ {7 }+ k" G% S" M# @% @4 jin such a compact package will open huge creative possibilities for my highquality
prints and video.
# j5 i: M3 |3 f' N% G$ xTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
7 A1 \$ ?( t$ lsight. The sharpness and detail were initially intimidating, exposing my flaws
" O3 x/ ?4 N: D0 n/ N$ klike never before. Subtle camera movements showed and differences of
% C4 f/ m/ z$ o: h; u1 ]acuity between aperture choices on various lenses were apparent. But now I
4 c3 T$ g1 D- F2 V$ V- ]% Vam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
; O) }6 E& _/ a+ _( Wphotography and the improved HD video quality and flexibility also add
) @; Z7 X" Y% r  stremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
5 E# I: t. `7 p. R" HAs a modern architectural photographer I am always looking for a lightweight,
' r. i5 f) P4 K' scompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
' i1 O- H- E; D! V. `* C/ @now. Particularly, the live view mode enables extremely precise compositions
* y( ~0 d  G6 Z! l' Iand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
. X! Y; `: ?5 b$ J0 [0 ~architectural photography. From my hands-on experience I found that they
- L" h) s' O5 e4 operfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
% @' Y; k5 j/ S) w' Eto work at unusual shooting locations and capture images in an exceptional
9 J$ S; C7 ?4 m' F1 \8 Grange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
7 g- ?# r* ]% p: {/ F& a+ o# X9 t) iFashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
' T6 e( m; f, ^Jim Brandenburg
Nature (U.S.A.)
1 u+ ^* C. @( \! N2 d! Q; p8 KBenjamin Antony Monn
Fine art/Architecture (Germany)
6 N! p* P  O) j/ D" x* m0 nPrinted in Holland Code No. 6CE11030 (1202/A)K

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