D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
9 @& |0 X: h) D/ N6 qmegapixels, the D800 produces unprecedented image quality and resolution
6 \8 O5 e: c' s2 Y+ ]' c5 D$ b8 Fwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
, j2 X4 w/ q% L- z# k% {allows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
& m, M# `% [3 R  X8 b' g8 z# V: X# yimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
4 P6 a" O# [+ n6 V  e5 m; Hconvenience. Now, my wedding portraiture will have a depth it’s never shown
( Q6 L' H9 }1 ]before, and my style of shooting will be enhanced rather than compromised,
7 [4 }6 ?0 ~* Pthanks to the D800.
7 d6 A% d$ V6 ~/ Z) A  ^# kWhen I’m shooting beauty and jewelry in the studio or fashion on location,
5 t- e. V, x$ P36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
  u2 i" d0 D# \$ z6 ]0 f+ d4 Pthe look of a medium-format camera, but gives me the feel and response of a
4 U9 F: T' V8 m! f' _4 h- RD-SLR. The improvements in rendering skin tone and specular highlights, as
: h$ h& h& R3 U1 h% ?7 |well as fabric and hair detail are superior to anything that has come before.
/ T9 B  X, @! m1 `8 Z) WAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
8 c6 p9 ~8 A! ~easier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
; N! C% K# o6 H- f" T) Hin such a compact package will open huge creative possibilities for my highquality
prints and video.
. E& X+ E+ f+ h' v- V3 WTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
  @9 |% A' i8 ^. R$ L1 t! ]sight. The sharpness and detail were initially intimidating, exposing my flaws
6 B" {5 t# v7 @! jlike never before. Subtle camera movements showed and differences of
' W$ f! r5 A. ?4 m; q) C4 K4 jacuity between aperture choices on various lenses were apparent. But now I
* `5 C7 x/ D  m7 w) tam enthralled with this technology. Why? Because the images almost feel as
7 H+ O9 R8 z1 I" }though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
  y8 S4 N7 E4 M+ otremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
# {5 r9 t, S! V8 c9 v. bcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
/ j$ F) }3 q1 ]camera that produces images with such exceptional quality and detail till
- y9 e; Q) \$ O1 X; u/ \now. Particularly, the live view mode enables extremely precise compositions
6 H$ K2 Z/ F  X7 sand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
6 }) i3 Y$ Y3 Y7 z" Bto work at unusual shooting locations and capture images in an exceptional
8 m: ~2 e7 ]  _range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
2 P# r0 e# [/ a) C2 v. j* W+ eThe D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
2 d0 z  T, M, W. Q5 C; b! MCliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
4 \4 d3 {( Z8 [  cNature (U.S.A.)
Benjamin Antony Monn
. ~" L: z* l' [* R; S" A( fFine art/Architecture (Germany)
9 b; B2 J3 T2 ]7 U/ a4 j  WPrinted in Holland Code No. 6CE11030 (1202/A)K

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