D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
5 O4 e+ J/ Y. X) T) H; kmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
* Z+ A% B* [3 J8 Kallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
3 I+ H! G! e) m- }5 [9 i! [6 w- _2 dwas traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
& v7 s, N. t( V, Z' \3 ^widely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
% }2 y  V" `% L; r1 J  ibefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
0 ]! ?$ {: Z6 l; O/ c  H/ H3 g) s36.3 megapixels changes the industry standard: in image quality, dynamic
: u- H; L8 Q8 x/ z5 E" zrange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
) i- b$ u" q/ I6 {  E" R+ V; yAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
/ r5 K5 E$ {' z, {easier to read. The camera body feels solid and ergonomically simple, while
: I+ I5 z4 t" J  k+ Ralso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
( [* R: a! e& O# r8 Y0 s2 z' R7 qin such a compact package will open huge creative possibilities for my highquality
5 e( A  {& r0 {1 b: r$ w( n" x. oprints and video.
5 f, @  |& B) s/ {0 z" ^To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
- i" j& F0 h5 J  L% r# nacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
/ D& s8 Q5 J$ d$ P" G: j2 Nphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
4 [  d( n/ [) i8 Z/ E( Y6 kD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
' j( I7 p8 N3 B5 M5 ^. s/ YAs a modern architectural photographer I am always looking for a lightweight,
! L) _( ~" L' i( Q. d$ Y+ C! P! Fcompact and reliable camera system fulfilling the requirements of my personal
6 P! A: q0 N$ a, G( ~+ c! w* T0 `3 ^artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
8 M7 n7 ?0 V/ r3 |and easy focusing in dim lighting, which simplifies my workflow. Superior
) p8 W9 H7 g$ v, t9 Z: s$ P' mquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
- q8 u/ ~, m* @- F+ |architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
" y9 @; n: x2 h6 ^7 f4 {( Rclean, clear and sharp files. This camera gives me the photographic flexibility
! d+ j& z( g% Fto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
3 M; Z4 A+ {0 s8 L- u0 M: v: T0 a9 fto a new level. What a new companion!
5 Z9 Q% D; g- nThe D800 On Assignment
1 T+ @  X; Q+ T4 t% c% T9 ~Rob Van Petten
: @% E9 `5 W: o+ O* ^# uFashion (U.S.A.)
- F4 F0 O( w( ]4 A' v* UCliff Mautner
. T" [; g) k  ?, G% pWedding (U.S.A.)
Jim Brandenburg
/ E; Q3 H; _3 U' yNature (U.S.A.)
* R/ M+ o% x& GBenjamin Antony Monn
) X* H  n: U9 N7 t; q2 GFine art/Architecture (Germany)
; X$ W# j* F" Y* ^Printed in Holland Code No. 6CE11030 (1202/A)K

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