D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
* b* e/ f& t2 O- Y5 |3 V  {2 Gof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
/ z6 I- f7 |9 z3 c6 R, zwithin a body that boasts revolutionary technological advances. The 3D color
. i3 ^8 o$ x( a* T, C; }. Jmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
8 F4 q: \+ Z7 [allows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
8 |' W/ t4 ^3 W$ s/ wwas traditionally captured with medium-format equipment for maximum
9 }7 }: x: Y% X8 A& W+ a+ Rimage quality. When the 35mm format was adopted within the genre, it was
3 N5 C7 c5 {) Xwidely accepted that image quality was compromised in lieu of speed and
$ V: d0 z) X0 S& @# e- sconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
& L. ^* a* d: _; Y5 r+ Nthanks to the D800.
  m. h* O' w7 o: E5 WWhen I’m shooting beauty and jewelry in the studio or fashion on location,
3 j# ]6 [' V+ ?# }36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
$ T0 r3 y' e7 b$ z! s3 wthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
0 p3 }$ ~2 `7 y& `' l- G1 H( X; ?" @well as fabric and hair detail are superior to anything that has come before.
1 G& a; a& c+ B" x# }. t  cAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
7 k& @, r# e' k$ @# xeasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
& p" j8 b3 l* N% L* o9 J- k: Mcameras always inspire me to test and explore, and all the useful features
( ^! ?# O! [3 I  B0 Cin such a compact package will open huge creative possibilities for my highquality
" J0 N2 p; h  W' p3 ]; R' Lprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
  c8 t7 b/ b2 B1 x% rnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
- C0 w6 {  s5 W% {2 P" K* o  Q. zcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
0 i2 U3 W8 m0 P9 ^like never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
$ S' C% N- r7 }  Ram enthralled with this technology. Why? Because the images almost feel as
( s# w5 Q1 [( M5 t: z3 ithough they were made with a 4x5 view camera! Special features like timelapse
- q  d- ^( l+ p( Z! jphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
6 o: p# Y9 O+ i8 JD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
6 b9 Y# E5 H! M8 Y+ aAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
- _, R2 m9 I! W  l* hthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
0 w. v& C7 F+ J/ ]1 h. S% w' @+ Unow. Particularly, the live view mode enables extremely precise compositions
, C0 b1 @! c9 Uand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
/ ^( g6 c2 d5 ?: g) f+ g( qarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
/ n# M9 s: |3 Y  m8 T! Kclean, clear and sharp files. This camera gives me the photographic flexibility
, O" l5 X( X; f# V3 Y! Pto work at unusual shooting locations and capture images in an exceptional
; F& S. A% K- s6 u" H3 {3 Crange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
2 j- [. i1 z. g% V0 Q, J8 v) JWedding (U.S.A.)
Jim Brandenburg
& W3 R2 g- s% ENature (U.S.A.)
/ K8 T" y6 E8 k% |Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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