D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
" L4 O' ?, p7 n8 _6 Pnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
! y9 {9 C4 I/ T) Dmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
: Z; o* Q5 Q% L( }1 u- Oin low light are just a few features that are glaring improvements. The D800
3 V3 o0 S& Z  B) |allows me to concentrate on the light, the composition and my subject
& P3 N, _; B; j" n" Q; ]" Xwithout having to think about much else. In years past, wedding photography
2 z' k& L) M* r& G9 v) E2 `+ ]5 P  ewas traditionally captured with medium-format equipment for maximum
( v% ]  ~$ w# S; j% Q& }image quality. When the 35mm format was adopted within the genre, it was
% g5 i8 A  f6 K: |9 z" L( Awidely accepted that image quality was compromised in lieu of speed and
% r/ u; D# ]9 X$ h0 I4 k2 m0 E9 M' L2 yconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
0 U0 Z6 |5 g$ u& A$ |thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
& k  K: \& ^. K9 G5 srange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
3 l, \6 ?4 s) |7 E3 uD-SLR. The improvements in rendering skin tone and specular highlights, as
2 j$ a1 e  G% K0 A& u! i3 S, wwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
6 z- N" A: v/ m+ Q7 Keasier to read. The camera body feels solid and ergonomically simple, while
# ~0 j; s8 C) h0 Q6 L! lalso feeling lighter and smaller than previous high-resolution Nikons. New
6 ]+ M5 Q/ T# fcameras always inspire me to test and explore, and all the useful features
0 C* F8 `3 t% o5 C$ a! Iin such a compact package will open huge creative possibilities for my highquality
; ^% J4 g) Y+ D2 q8 c3 Eprints and video.
To me, cameras are more like paintbrushes than technology. The goal is
5 ^3 |; {( \' s3 V0 Onot megapixels or technique but the image, and while camera models
5 N; n0 ]4 `" E; k* sare important, they are not the be-all or end-all. But after a lifetime using
" n5 N) N; |# {6 [5 |countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
/ f) R, I1 ^7 @( `like never before. Subtle camera movements showed and differences of
* q4 `1 b6 b/ w1 \acuity between aperture choices on various lenses were apparent. But now I
; u5 u* T- h% q( O2 L: Nam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
8 X& Y8 w% g5 dphotography and the improved HD video quality and flexibility also add
2 A' X  m+ w7 m  H( T6 w9 htremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
) j8 L: `# a8 }* z8 L5 D; LAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
' P5 K& o$ F3 |% x( ncamera that produces images with such exceptional quality and detail till
( i! K) O7 D# j% i: q, xnow. Particularly, the live view mode enables extremely precise compositions
# s7 ]1 C/ B3 O# T. g2 Kand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
* u% u( P& `: u) g( U' P& Harchitectural photography. From my hands-on experience I found that they
8 M2 y# N+ W$ [: Xperfectly match with the newly invented system and produce breathtakingly
1 W2 S, ^8 w1 T" C+ [% u* ~clean, clear and sharp files. This camera gives me the photographic flexibility
/ K9 q+ v: G, h9 [" ], ]to work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
4 S! K7 y  ~6 oThe D800 On Assignment
6 t7 Z6 [7 Y' |8 L7 C2 XRob Van Petten
( }' T; N5 ~$ ]Fashion (U.S.A.)
4 b& w3 @0 @) J! p+ pCliff Mautner
Wedding (U.S.A.)
7 l9 }5 \$ }; _. R( u! o/ I% g! KJim Brandenburg
2 @* B, E0 y3 _3 M5 d8 {/ ^4 QNature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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