D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
: O# J4 z1 U+ I' C% G, {6 w3 X% rmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
! j, v7 H5 u  y) |! owithout having to think about much else. In years past, wedding photography
, J9 S. F0 t. ^- a. Uwas traditionally captured with medium-format equipment for maximum
1 S* d  r$ K3 E) uimage quality. When the 35mm format was adopted within the genre, it was
/ Q8 A' W2 h. u0 F; y  fwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
8 z3 x3 J. j0 k- nbefore, and my style of shooting will be enhanced rather than compromised,
  `, ~+ \1 z& s. W/ h% i0 othanks to the D800.
2 w. V+ r/ ~2 Q% W" @When I’m shooting beauty and jewelry in the studio or fashion on location,
) D9 f% k" @/ F/ f+ w36.3 megapixels changes the industry standard: in image quality, dynamic
+ Z" l: o, `- X& Rrange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
  p3 t5 u" P) a6 ?7 _& Nwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
& y; F% |+ ^% \# |3 O  X9 deasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
, z9 p+ q+ D6 a3 t7 M/ S0 _To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
0 p# K/ i# g4 t( z: |9 L) o7 }8 oare important, they are not the be-all or end-all. But after a lifetime using
+ ?) ~# Y& [* D+ O) M2 m) Qcountless cameras, I have found a new best friend. It was not love at first
& u5 f. y4 m$ p' H8 J  J$ m+ _sight. The sharpness and detail were initially intimidating, exposing my flaws
4 c; X+ [1 g& t1 T1 h1 X% Olike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
3 n; ^, u0 S2 Z7 s$ eam enthralled with this technology. Why? Because the images almost feel as
" ?' A0 q4 f) Q* B; qthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
8 M" G* i9 X! u" b1 }9 I4 ^tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
: ?2 a- F0 l8 p: F: L% |, Tcompact and reliable camera system fulfilling the requirements of my personal
  P4 |9 ?" z8 d- iartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
. F; n- ^8 n, g3 H. j9 Scamera that produces images with such exceptional quality and detail till
9 V- L/ G& x( v' u) inow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
% r. n( y9 X7 S) n6 U+ `quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
. e/ b+ x1 j: W) Uarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
3 O% r6 |2 r/ r" S) Q1 u) @# yclean, clear and sharp files. This camera gives me the photographic flexibility
4 P1 _/ I2 P; k: w5 h- h  [to work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
1 G- g1 E( x/ }8 X; b" `- BThe D800 On Assignment
$ T# |# h* N$ u0 Q$ ?: k$ WRob Van Petten
6 G  s7 E/ A% a& oFashion (U.S.A.)
  I) Z, C6 z) K9 A" H9 gCliff Mautner
Wedding (U.S.A.)
1 E- }0 W# s& u4 N6 i* tJim Brandenburg
' p! ], }( B7 f/ H$ xNature (U.S.A.)
$ [9 `$ F6 p; z( nBenjamin Antony Monn
2 U5 _& T* e3 r! cFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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