D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
3 d* O2 V4 ?* h% ^& Cof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
* Z$ J9 ^1 U* }9 V, r8 f2 [megapixels, the D800 produces unprecedented image quality and resolution
0 Q) R$ F3 c! e  T  h4 p  r5 gwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
- _5 O; i( j& g( ^+ H2 `2 d# callows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
) _" J2 l2 A+ x$ @* _3 S: e# k; x' Wimage quality. When the 35mm format was adopted within the genre, it was
9 X/ C# M9 d  F9 U  ]/ o8 Jwidely accepted that image quality was compromised in lieu of speed and
+ A* R. R& E0 e  k  m2 K) Xconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
- f7 J$ I4 {# k# `! sthanks to the D800.
& C/ K" @3 e% O; y  B- W* P" SWhen I’m shooting beauty and jewelry in the studio or fashion on location,
& T( H( a( c4 ]7 G5 x36.3 megapixels changes the industry standard: in image quality, dynamic
- |- X' @! _- y! q: \. Erange, color rendering and the final print. The detail from the D800 produces
" s6 E% z0 k5 n! b+ {" E5 I( Othe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
. p2 J. W' T4 M8 R0 ywell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
% m4 _9 C7 ]% ]8 v; N, heasier to read. The camera body feels solid and ergonomically simple, while
2 ^( s- v* y6 C* q# B: @; v& Walso feeling lighter and smaller than previous high-resolution Nikons. New
' J9 n9 M4 Y3 N! e/ R* zcameras always inspire me to test and explore, and all the useful features
4 b2 M% ~$ W% o' ain such a compact package will open huge creative possibilities for my highquality
1 ~/ }( n7 P/ T9 e$ ~) xprints and video.
' Q/ [2 I/ y5 L+ y' E3 L' ^To me, cameras are more like paintbrushes than technology. The goal is
: A$ V6 ?5 A& M$ `0 }+ A. Znot megapixels or technique but the image, and while camera models
' Z( l2 y1 d. a& G6 `# `7 k% Yare important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
& Y. A4 p  J" g( [sight. The sharpness and detail were initially intimidating, exposing my flaws
+ P: ]2 E5 V! }; elike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
9 l$ `; B4 a% A# v- k. w7 Zam enthralled with this technology. Why? Because the images almost feel as
# n* g' U" ^8 k  F! I" a) {though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
- M, i: v, U# jtremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
' W! z! m: _& Z( i: [As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
% }2 a' X7 g" Partistic and client expectations. The Nikon D800 will set new standards for
1 P# j2 Q5 [3 ~* x3 B3 k/ t+ j; l! qthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
, a" a! s* S  [# L) _now. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
0 ]. k* W6 v+ |3 [, e  \quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
* B- k& n: H8 E* Nclean, clear and sharp files. This camera gives me the photographic flexibility
' n( F, }# m, S8 c/ _to work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
( C  v  I" m7 nto a new level. What a new companion!
4 Y( X# @4 [( xThe D800 On Assignment
6 f7 c" o/ P& ORob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
( O1 [/ Z$ P% ~, j% u1 t) ]# \Nature (U.S.A.)
+ X1 L# {" b7 \1 |, S) FBenjamin Antony Monn
$ ?1 L) V1 F) t" FFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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