 鲜花( 152)  鸡蛋( 1)
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Randy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams1 E4 x B1 ~4 ?1 _9 Y9 `
Given at Carnegie Mellon University
1 n( M- A7 { `5 Z3 mTuesday, September 18, 2007
( U2 \) c2 V- h7 I6 k. {2 BMcConomy Auditorium7 v+ Y! C1 |! u& R9 f; b5 p2 r
For more information, see www.randypausch.com, F! q0 R+ |: `% n7 _
© Copyright Randy Pausch, 20071
9 @) P8 q; a, _: X; l( B$ ~5 }* } w' E7 \4 }
Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:
3 k. j5 e0 _& |3 { Z# p! pHi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled
+ ~2 G+ V5 |' Y; W; m3 MJourneys – lectures in which members of our community will share with us reflections and insights
" `3 z1 E" ^5 ron their personal and professional journeys. Today’s Journey’s lecture as you all know is by! c" j# i; {; p# u" M
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.& q( G( C$ @8 W
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s
% x# x" W/ ` N2 m/ z* Y/ rfriend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice1 n3 p, K9 J/ e( \# O8 j
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The
; E+ }0 u+ [ f# n* F# X6 qSims is one of the most, if not the most successful PC games in the world, with sales approaching/ i" } l7 Z' v& U$ B
over $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and
. H$ F( I# Z' m) F3 H0 FEducation at EA, bridging academia and Electronic Arts. His goal was to work with academics so4 w% @- K- g" Z) y
there was an effective educational pathway for kids with building games as their dreams. It was in
8 c) z4 [8 Z: ], B: X Athat role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
7 T% V5 @2 j, ?, H/ Kworldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite! Q0 l4 R" v) l. }$ T
magazine in the Southwest, and as CEO there, one of the things he started was school tours,2 [1 d! L! i* u' _2 j$ r ~
because like Randy he shares a passion for inspiring kids of all ages to share their excitement for$ P2 @/ H" |5 l* q; ?: l
science and technology.; W. O4 S1 ~0 }9 p
So to introduce Randy, his friend Steve Seabolt. Steve?* B- v( _8 N: j1 D, e( _5 ]- e
[applause]) D: Z; `' D/ Q8 Q* L
Steve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):9 V9 W1 \8 J/ Y7 x( m
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR8 A7 w5 _" C2 g; M
people are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it# G3 t- \* P; }) q8 d. L' K2 h- C
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.
! I( k# Z5 F# o5 j9 m[laughter]
4 i' u6 y" u( [; J q! JI don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from) r3 ^4 T, e& N6 Y& v$ K) {' m
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me& o& F0 }: h# I+ G7 r. K
20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.
3 O4 {4 M+ D* KIt’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic& D% X. z9 S' e. a
credentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I
- D d! @; K+ j8 u( Vcouldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m* S h0 k. E* z9 ]
not kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT% V4 ?* x! ]" `! ]) C- N
scores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
4 \% b, x2 g( u! A5 A– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four P0 y1 y, M" V
weeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I
! }+ H5 ?. p' N9 S& wsaid look – we have two choices. We can play this really straight and very emotional , or we can go: D( W+ z- B2 ~
to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called1 t8 g8 B6 {' U1 W
him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
8 X4 a1 X2 w; F7 b8 Kwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To
d* W& [3 E/ g# K s; [1 Ewhich he responded, we need to find you some smarter friends. [laughter] So you’re all smart
" ^; x3 S+ x }: h: v& l. I9 L$ P- tbecause you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
+ v' }# b/ Z! S* xRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from* z/ ~3 ?) f1 |. m4 ]
Carnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year
8 U* O; F( u; Z9 Aearly. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design
' ]$ g$ Z$ A- H. ^) X2 @, qdepartments. He has authored or co-authored five books and over 60 reviewed journal and& h+ d3 ~- F; z/ S0 X$ p
conference proceeding articles, none of which I would understand. With Don Marinelli, he founded. M* q% q1 |1 e) \; n
the Entertainment Technology Center, which quickly became the gold standard organization for
8 F% O9 C" K' P3 E3 O6 Ytraining artists and engineers to work together. It is my view and the view of our company,
+ _. T$ D$ r: y) V- W7 q: J8 VElectronic Arts, that the ETC is the interactive program by which all others in the world are judged.+ a( l E4 h2 i; t' T7 @6 G
I met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
5 _7 E% t4 t: ~5 o* rthree years given the depth of our friendship. The ETC already had a very strong relationship with
0 o, e% R+ Q* E2 l6 m3 ~EA and with Randy. And Randy as he always does, for those of you who know him well, wanted to& n: R) V& P' D: M7 R7 a( A/ C R
learn more, with his own eyes, about how the games business works, and how games really got
' T. B( n3 H# q0 Y( `made. So he spent a summer in residence at EA, and I was his primary contact point. We were in
3 l* C0 Z- W' A! C( G0 U$ jmy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me2 |* I; I$ u! v# @7 e+ K" f
who went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
2 R. K6 u: V3 |semester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white
) b4 P; L& T" j/ M7 z6 p& G- S4 Ebread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more
5 ~5 \+ X3 Y9 o# G“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each
5 w% m3 {( w6 x, \" n% \) S; Rother about each other’s very interesting, strange cultures to the other. Academic versus the
% X3 k" Z1 V$ Q% g, V- n& U/ Gcorporate world. And we developed a deep friendship woven together with stories about our kids," L- Y# Q4 {/ _8 V5 O+ _
our wives, our parents, as well as deep discussions about the paramount nature of integrity in) T/ u/ k8 j" U; H# r! A# Q
everything you do, family first, religion, our shared joy in connecting people and ideas, and
5 o6 `) `: _# S" ?) _& Pdeploying money and influence to do good. And the importance of having a lot of laughs along the
1 }, C5 L) u$ S) Uway.% q$ M$ b) _" A% h% ~
Randy’s dedication to making the world a better place is self evident to anyone who has crossed
3 e: A6 { x$ Ypaths with him. Whether it’s directly influencing students, creating organizations like the ETC,1 H3 w4 g: T& u% e" h5 `+ s1 W
building tools like Alice or doing what he probably does best, which is bridging cultures. As Ben
- H! ^ |3 t; sGordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,
z: D/ C P: u8 l- Y8 n- ophilanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he& t1 }0 L& E) R0 A$ o( o4 Y
brings to students and coworkers on a daily basis.3 J5 u, E6 I8 t4 ^ u# w
For those of you who know Randy, Randy brings a particular zest for life and humor, even while; j# F, `# m. H1 f7 Y
facing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,
& Z6 r% N0 U, YLogan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]
3 w# w, u; W. Z9 q- C' [& HRandy Pausch:
0 v7 r% {. l* A0 F* W7 _[responding to a standing ovation] Make me earn it. [laughter]6 c4 o9 G/ o1 K% T1 v k
It’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the
# ~2 n/ s0 Q7 R8 g' c+ jLast Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,; p( [+ e: s5 F7 }6 e# V4 R) O8 N
I finally nailed the venue and they renamed it. [laughter]
! H3 r* _: F4 k: }So, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad
3 h g9 _: w2 B+ Valways taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
5 c+ h6 d+ h D" S" s f+ Qscans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good
8 q- i+ i- c' D8 A4 jhealth left. That was a month ago, so you can do the math. I have some of the best doctors in the
; k- U* a0 S0 W" b7 rworld. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All h' l1 o4 G8 W5 o2 ]3 I$ H2 x, O
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to
" v1 R; K+ Z& E) |respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t
) l" D: Q" L3 y) \7 ]: rseem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
. n) |, u+ o, M- s% r/ Aam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,8 c* `: e$ \/ R: `. U
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a$ {# V% p, F A% |) E7 ~
better place for the family to be, down the road. And the other thing is I am in phenomenally good
# y s8 n5 a" Fhealth right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact
1 c' { \' d; A3 y. N4 W# c5 `4 ~that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the" J, P- E D6 d6 h6 }$ Z
ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and
5 D" b0 r) E# t8 m7 a, ~do a few of those, and then you may pity me. [laughter]
8 d: m; y+ r$ t* T; s8 h1 cAll right, so what we’re not talking about today, we are not talking about cancer, because I spent a
8 `( Q5 U; @+ U5 j E) l( flot of time talking about that and I’m really not interested. If you have any herbal supplements or( |: Q _) B# k/ b# D# m' o
remedies, please stay away from me. [laughter] And we’re not going to talk about things that are
, \* B) L2 m+ _( O" @even more important than achieving your childhood dreams. We’re not going to talk about my wife,3 L& A6 X( E$ Y0 d
we’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that
' B% t- P- @0 o9 J2 fwithout tearing up. So, we’re just going to take that off the table. That’s much more important.$ [; F/ T, v3 L1 x
And we’re not going to talk about spirituality and religion, although I will tell you that I have7 |5 e/ ]! j$ _8 \2 J: C8 o
achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and
9 q8 O" i2 d! X* ~8 k* Qclapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about
" L9 [ b0 J! f, _& `+ @then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that- r. F h8 Q% [& a/ k b: N' u* ]
way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons
7 k% ^1 C& {# K {learned. I’m a professor, there should be some lessons learned and how you can use the stuff you) z, O5 V f0 ]& v: T8 [
hear today to achieve your dreams or enable the dreams of others. And as you get older, you may
, \% G! B6 o/ b0 Kfind that “enabling the dreams of others” thing is even more fun.
) X0 w$ ^3 A( `+ w5 c8 RSo what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
7 u( O1 h! c1 ?! Y- o, hkidding around. I was going back through the family archives, and what was really amazing was, I3 E, R1 [! x; g
couldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
) Z" v6 B- M: k4 Ithing. There was our dog, right? Aww, thank you. And there I actually have a picture of me# b% k: K: K$ h
dreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you1 J S5 |6 x B7 d- O
are 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.
$ w9 y. O, ^/ s& UAnd that’s something we should not lose sight of, is that the inspiration and the permission to
3 }4 z# f4 n3 y# Z2 Adream is huge.
8 G4 D3 V j l( |3 ?. QSo what were my childhood dreams? You may not agree with this list, but I was there. [laughter]* s1 _9 D+ P; V8 h' w+ N% J: r1 {
Being in zero gravity, playing in the National Football League, authoring an article in the World Book: y |" ^: n; y( ?
Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have5 h2 ]1 \# _" D1 B! H/ y4 D: y- [
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big, d, v$ K% ]0 b
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not
. s b: Y( j. n" O2 w! Hsorted in any particular order, although I think they do get harder, except for maybe the first one.
" g( K: u8 E: I- mOK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an. Y! E# d% {" i ]6 [# h
astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have
3 g7 e5 M' z jglasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.$ I9 y; z( g/ C% I3 ~! D
So, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation
- w3 G3 Z2 a( [2 h% ]on a table top] But that didn’t work so well, and it turns out that NASA has something
8 v+ q+ k- W* _8 O$ Ccalled the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,
4 b* d7 ?/ y/ ^2 ~and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a7 R! Y- k$ V; y# {
rough equivalent of weightlessness for about 25 seconds. And there is a program where college
, i/ y K9 X. u- U# pstudents can submit proposals and if they win the competition, they get to fly. And I thought that- J& @1 j- U0 e* t* }# w
was really cool, and we had a team and we put a team together and they won and they got to fly.0 v0 n! k: ?; T# U9 P) S
And I was all excited because I was going to go with them. And then I hit the first brick wall, because; n. e" `+ A: {- ?/ D
they made it very clear that under no circumstances were faculty members allowed to fly with the3 N9 t1 r/ Q$ l
teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very$ Q8 K! I$ `2 h# A
carefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns( M5 [3 A( m2 J0 ]
out that the students were allowed to bring a local media journalist from their home town.* f/ p! B' p- J: m, o$ T
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a- j% \3 {( q& p) r3 g
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some- D( N5 f$ f( @1 [+ _! V7 k
documents. And they said, what documents are you going to fax us? And I said my resignation as
; C5 n/ {! I) {8 A7 g0 G; l5 y& fthe faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t
6 _) o8 `* q- Z$ A0 O% z: K* W/ Xyou think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole7 c% ^2 q8 S i H4 _
bunch of VR headsets and all the students from all the teams are going to experience it and all those
) h0 ~: i( S! C$ P" e Hother real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
# S8 I; I) w' |% xoh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the% D* ^' X: }3 G* Y( [$ i2 q
bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring8 h* J& @6 n( a7 `4 r
to the table, right, because that will make you more welcome. And if you’re curious about what5 F# p3 i5 z2 g* t: |
zero gravity looks like, hopefully the sound will be working here. [slide shows videotape from
. w8 e) u1 \4 p0 Q/ [! ]Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,
$ ?: ~1 |/ k! R% n b; fas the people in the video crash to the floor of the plane on the video] So, childhood dream number
7 d* a; [9 [4 k- }- d( z4 Qone, check.$ C1 g8 b' l% n. v! v3 s% [9 [+ c/ {+ ~
OK, let’s talk about football. My dream was to play in the National Football League. And most of
, x3 e5 b0 n4 q, E) |0 ^5 d0 Fyou don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,% R2 |3 a( ^5 F4 R+ _! o
but I probably got more from that dream and not accomplishing it than I got from any of the ones
4 Z/ P) U4 p0 b6 W6 E9 d! T- Q o- lthat I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in
6 P5 d7 U! h5 K) P. W; s5 k2 Z2 Tthe league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker% B) C! a1 q$ x4 @/ R Z
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.) R/ M( m/ k% }8 X9 t. ^! m
Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
6 @# D7 N3 J! J r9 _0 c' A' tday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t1 M3 r8 ^4 j, v& `5 a1 K. h
brought any footballs. How are we going to have practice without any footballs? And one of the: j$ U) ?- N5 X4 h9 M% e6 l1 v' ?! [' L
other kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many1 W" J0 n/ B# z: b4 w u
men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,& n) u. H5 k2 H; U
and how many people are touching the football at any given time? One of them. And he said, right,! r4 I- d1 E0 r' ^, b$ l
so we’re going to work on what those other twenty-one guys are doing. And that’s a really good
. t8 D% I( j( J+ Z; W4 gstory because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
g6 Z5 z) Z2 r N& Pto get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other
" n n1 K) u6 L* |6 zJim Graham story I have is there was one practice where he just rode me all practice. You’re doing
3 B5 t( y2 h8 u* u# H$ wthis wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups+ h" k2 u5 ^" I, a4 _
after practice. And when it was all over, one of the other assistant coaches came over and said,
; {0 Y% n5 c/ G/ nyeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He
1 |8 m1 d( F3 b, E5 b6 K' j. l% [said, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave- }) x% i9 c5 _& d% X
up. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing
0 H) T# B) o" U% f2 }* F0 Jsomething badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your1 z# \5 x( N# Y
critics are your ones telling you they still love you and care.
% F: u0 B* Z/ j1 V" tAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of I5 N: e, F9 I2 I
enthusiasm. He did this one thing where only for one play at a time he would put people in at like5 l# _/ d) S7 q' L& X. }
the most horrifically wrong position for them. Like all the short guys would become receivers, right?
8 B6 }6 X4 w5 N: S& z- y- p7 mIt was just laughable. But we only went in for one play, right? And boy, the other team just never
& E, F, z2 \8 R2 }* ~knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where/ |: H" D! M2 f A5 {, b5 H
you’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going2 P2 R5 R q6 E7 Y) I8 x
to clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this Q. u: M( O" `3 K( V: y
day, I am most comfortable on a football field. I mean, it’s just one of those things where, you
( j9 U [3 Y% O% V' Pknow, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls$ |( [4 Y( @+ {+ r% x/ o. f% k" ^
with one of these things, and that’s just because, you know, when you do something young enough; z5 J: R3 b% h1 |8 G
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my
4 ]) ^( n" t/ b7 P7 Y# Xlife. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
3 R' U- r7 ?8 _5 Kvaluable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great
3 i7 W, o* m; l; y5 f( @right now.+ v3 P* @2 f0 D( G/ j
OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is
* m u- l8 U6 t$ n) Fexperience is what you get when you didn’t get what you wanted. And I think that’s absolutely
% _' a4 m1 G9 z! `4 q) [lovely. And the other thing about football is we send our kids out to play football or soccer or
: Z/ _8 \* i6 n0 o4 x* lswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or
8 w) L- a- n6 ?, W( dindirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that
`! c6 w3 o5 }9 r! C9 U, DI have a wonderful three-point stance and that I know how to do a chop block and all this kind of
; ^9 [& {) q) E- vstuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,3 v; K4 B; G0 F% k1 y# v6 u
perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important.
" M. f1 o" \* ^# NAnd you should keep your eye out for them because they’re everywhere.
, @: e' T$ E! F2 K, `1 I cAll right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
o0 O. E, c+ O' z' athe World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these- a: N. [4 A6 C
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,1 v4 F+ X5 w7 Z
but not like a really important one, so I was at the level of people the World Book would badger.% j8 z7 r' G- A9 d! X
They called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing" o. _0 r f7 j2 j: V) t Z& u, X# v
virtual reality headset manipulating a 3D world], and there’s an article if you go to your local library9 c* l6 z( x2 J/ R% o' c& h' V; `# i
where they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And
; g! ?3 Q" X {8 {7 Z4 R0 Aall I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
$ _ Q7 D% Q# v6 D. D6 S Ebelieve that Wikipedia is a perfectly fine source for your information because I know what the9 W6 Z% s [/ W% i# G
quality control is for real encyclopedias. They let me in.
; e& Y& f# s7 O: f; UAll right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
! A. P2 S% i- S! n$ bjust realize there are some things you are not going to do, so maybe you just want to stand close to
* o! O N' i0 O8 x7 ^, gthe people. And I mean, my god, what a role model for young people. [laughter] [shows slide of' w" S% F: m" c7 ^6 N$ j
Captain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you
: |4 t% b: w# k6 ], m1 |& [want to be, and what I learned that carried me forward in leadership later is that, you know, he* _' \4 X: G; u t0 o) I, ]; C0 l
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and2 M" {3 {# g/ c
Scotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing& b5 Q# R. w$ h* N
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
. _7 a! ~* V) M- C# }" onot you like the series, there’s no doubt that there was a lot to be learned about how to lead people/ w/ G* p- x$ z: ~
by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of0 I# }( W* m I1 v B' a! S: F
Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing' f! o+ P# r/ \4 N% i. ^
[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just% L* u7 ]; z+ O4 w9 i0 D) l( L' a
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of. W J, r! T" H! c' |4 U+ J5 m( w; M
cool.
0 q* c9 n f% G8 _7 X3 Y& jSo I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which
! E! @0 u# c4 W. _I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author
+ B* \; H; V9 _6 q+ Cwho is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
5 K5 t0 d% a" C' r4 E. Acome true. And they went around to the top places around the country and looked at various things
l3 |) Z( R. Y7 \ N! f. uand they came here to study our virtual reality setup. And so we build a virtual reality for him, it
( r- f. j9 o6 r) O8 Plooks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it
3 g- p2 V9 v- x7 [, J; X2 Jin, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
* `% N+ \' x( C7 ?" R' `[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you
* W* F5 h8 }: Y- Y" Xto see what cool stuff you’re doing in your lab. And that was just a great moment.
, ~, |. S/ W( M7 V3 lAll right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and
' K! y; T5 X) S2 ]( @: Kyou see the big buff guys walking around the amusement park and they’ve got all these big stuffed
. ~' ?" E8 k; s) N# ?. Q9 T: `animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
4 _/ `3 a3 Q4 q* K. k[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
( O7 P; T# D* S2 V6 TI’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just
' m/ U# [- j% i. T- Aa big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally G) R" ?! g' x4 [% T7 z8 \
manipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid
0 U2 A5 Z! _% A" L! U' Qsomebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this
& ^: N' r8 f- R( p& u& H. U4 z; Tage of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them8 {0 s- L7 d& V( K7 d5 o
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
7 k$ E5 T8 G3 s; ]% |( n- Bback against the wall.
7 t: _+ g2 q% j( {Jai Pausch (Randy’s wife):
) {2 l3 s9 `) p( jIt’s hard to hear you. [adjusts Randy’s microphone]$ E6 Q4 K9 i* S! B e) ?& M& ?% A
Randy Pausch:, i5 b) c9 B. ~9 \9 D" A4 y6 S
Thanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving
1 g( D$ N4 V3 M7 S5 ?) y# v) z9 etruck, and anybody who would like a little piece of me at the end of this, feel free to come up and
/ G+ ~$ a' M0 j. Utake a bear, first come, first served.0 S6 _) y% D d3 N# ?6 X
All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero p0 j0 U& ?/ l% k' ~0 g
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
( r$ }- k) b2 U+ Ptook a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s9 Q3 U2 a( n6 [. R$ M
Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And
' ~! b I& C( A4 v( Cthese are real vintage photographs, and there I am in front of the castle. And there I am, and for
: i' Q" x6 y n. l5 Dthose of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was
4 h8 M9 C" U: j4 q- Q/ W" rjust the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,
5 H. ^' w, t5 kI said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.
! p4 d- |, ^, v4 Y9 pfrom Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
3 b8 [* I% u" h+ P( O6 h) @; @my letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest
7 \ z# d- J, x! w9 igo-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your0 D$ X) Q) `1 O! U9 z( o
application and presently we do not have any positions available which require your particular& v8 x0 E- q7 M4 T8 X: K8 Q/ m
qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys
* v: l$ j& X# U2 owho sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are& y2 U9 {2 D2 q* A1 q
there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us
; W, e* |1 P9 ^* Ra chance to show how badly we want something. Because the brick walls are there to stop the2 \% j$ F, j0 }' a1 \/ R% b
people who don’t want it badly enough. They’re there to stop the other people.
. X0 `! W: M1 i1 s/ t- l5 s* rAll right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
V8 F: @ y. h& k! Y# uReality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared5 z8 {" ?% l% r$ n
back in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew: P( W+ T) e9 G* c) w3 ^
my undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to1 q9 e. J, m' h0 l8 c
death. And this icon in the user interface community walks up to me and just out of nowhere just: ]8 A% U% C* r/ p+ c* V
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,
- a8 u0 b8 i4 C% N2 L* k. Cmaybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
& v+ i, C% G* f1 G0 T; @1 I8 |: k! thit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
" ?* f- u% A% {, }6 f. ^0 yeverybody felt frustrated. And we literally hacked together a system for about five thousand dollars
& w; |7 t8 }) { n; [in parts and made a working VR system. And people were just like, oh my god, you know, the
6 U2 E1 C/ |3 W6 j" t) T1 zHewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just8 P- d" d, ?/ `
gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in
5 x4 H _8 \. l3 A/ _virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know
. ^3 e8 v6 V3 L$ h) ^) Y6 `what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m- T( G5 i- q2 I( J: E
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
2 O, X: l' \" xquestion, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little
9 t1 Y8 f% r3 F# \moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
3 f, j7 g& Z2 Q4 U/ OAnd so Imagineering a couple of years later was working on a virtual reality project. This was top
. m1 N; A* |8 I) v- hsecret. They were denying the existence of a virtual reality attraction after the time that the
9 T9 m6 Z7 k$ q( Upublicity department was running the TV commercials. So Imagineering really had nailed this one% G7 U7 _, m! L2 l3 v2 T
tight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted
! n- }! m& l" H& y7 ydisplay, sometimes known as gator vision. And so I had an in. As soon as the project had just, you5 z) c' n* m. s1 W( [( H* i
know they start running the TV commercials, and I had been asked to brief the Secretary of Defense
+ ?7 |+ y' ]( d4 p0 {; s) ?on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of
) X# t2 k, W: a' b9 S) u) Y$ `' ZDefense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m, U5 T- C$ o* h- y' p {1 K) k
briefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
D3 g- ^) L! H& B: mbest VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism
2 z* i4 k! K/ e/ { d3 zstuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR/ l; K* x6 C. W! f7 }# K. W
department doesn’t have any footage for you, so I’m going to have to connect you straight through* A# m- i2 r# t: N! W" q! O9 p0 E- [
to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy
9 A0 N* F( m. E! K0 Rwho is one of the most impressive guys I have ever met, and he was the guy running this team, and
" h, q/ y. W3 n8 l) ]it’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly
9 [0 l. l- e! Y0 \) i* Zand he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,
z% V+ n0 ^" c# p x! owould you like to get together and have lunch? Translation: I’m going to lie to you and say that I( t# [2 z8 w7 X" e" ^
have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have
& P) E6 q! H! }3 }$ nlunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all$ p7 b7 U7 g9 I, u' K5 P
the VR experts in the world, saying if you had access to this one unbelievable project, what would
* O" u0 X- w8 X7 Y8 ^you ask? And then I compiled all of that and I had to memorize it, which anybody that knows me
1 j! E b+ {" l9 J* z% `0 cknows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in4 I2 C' ?7 E2 M# q
dweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have
/ F- o5 k, T9 G! D! cthought he was talking to some phenomenal person, because all I was doing was channeling Fred
7 v# [8 N. c# A2 h) E) JBrooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty c* A; `- {% B) M
easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort4 h+ K0 |* B* D8 E9 y$ ^, M$ x" ~
of, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.
. F0 G- w. p( I- o" N) z# E3 BAnd he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him
) x2 y5 i7 J+ a5 k& a+ ?about the possibility of coming there and working with him. And he said, well that’s really good; `* F$ f; ^* l; X
except, you know, you’re in the business of telling people stuff and we’re in the business of keeping/ P, `& M9 y2 t5 t
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I& ~& c& Q- U1 X6 _
really loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just* b3 _0 w2 M( Q6 v
on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough+ i6 F; K( O8 n
and people will surprise and impress you. He said, when you’re pissed off at somebody and you’re, U m: l* J- p+ P, a+ j
angry at them, you just haven’t given them enough time. Just give them a little more time and5 @ z& q) j, v& a6 o. c
they’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on
4 ^, r3 o+ K5 H, l/ G8 ]that one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
( {6 n( H% X% Zsome people referred to it as the first and last paper ever published by Imagineering. That the deal6 V( j' n& a' @( n0 ?0 O( }; a6 C
was I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.- ~+ i; t9 K" Z# E
And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all
( }' | L/ a( ]7 C6 C0 v# ]; K$ wsweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
\+ [7 g8 J( S2 A. r8 Qout that the person who gets his head on a stick is a dean back at the University of Virginia. His( V6 N: Y4 y. ]
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
3 ]3 Y" s+ N& d" k, a1 h* g7 C Bwith me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to, ^5 m6 R+ `+ \# j
let an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a
. k6 N; T2 z/ E9 I9 {% J: [possibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
) j3 M& t$ S9 b8 Asays, well it says they’re going to own your intellectual property. And I said, yeah, we got the) S3 j' F" c" y8 s1 a9 M- Q0 `: {
agreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,
! \: o- |. c! n, gbut you might. And so deal’s off. Just go and get them to change that little clause there and then
. V0 E9 b: L4 L2 a. C R$ ccome back to me. I’m like, excuse me? And then I said to him, I want you to understand how' O& T m3 H3 y7 Y; O
important this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just9 D# k: k r; Y T- _! s- b. r( x
going to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I
1 O5 R' y4 X& L" M6 |5 Rmean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s
[. V! \% j: u5 e' I! u" p+ `# ynot going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And9 {) P X* d" M; L6 b% W7 `
it’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.4 y7 a) n+ Y9 G9 Q: j& ^4 r" K0 D
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
5 a: V4 X o0 Z) j[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?- Y+ v* D4 U; |
Isn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true., \ e) r0 }. Y* p+ y
I said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.
) @4 u. A& m: | J- D {: e" d1 fCoyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most- j8 C% P$ z" |( b6 _4 e8 V+ k
fantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,
. V- r. m# P2 V- ^2 Ssince I don’t want to have to back out again. So let’s start at the high level. Do you think this is a0 G" u) T7 B' { Z" |7 l
good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.
5 j! N# |4 J8 B* iAll I know is that one of my star faculty members is in my office and he’s really excited, so tell me6 n% J% y( O- v8 R5 s
more. Here’s a lesson for everybody in administration. They both said the same thing. But think
" Z1 \/ Q+ b0 s5 Qabout how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I
, f q- f# f3 V7 B' E; qdon’t have much information, but one of my start faculty members is here and he’s all excited so I
3 I5 U( K! \5 K. w. b. m: Y& lwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad
~, @* o& z7 a4 nway. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s: @) `! `4 _9 L) |
well that ends well.
+ q& S1 s7 d5 P3 f: d+ ~/ ^ DSome brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely
2 V5 t: a% w0 J! Q- L6 ^spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher8 ?# ]1 \& Q. Y. k0 k. B
on Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.
; V% p; v5 p4 O. o* q V4 WAnd you would steer your magic carpet and you would put on the head-mounted display. The headmounted
5 ^' _5 {" I6 `" b) ?display is very interesting because it had two parts, and it was a very clever design. To get$ W) a$ ?/ \/ X( m2 o$ X, i
throughput up, the only part that touched the guest’s head was this little cap and everything else
- ]2 g# z3 b# wclicked onto it – all the expensive hardware. So you could replicate the caps because they were7 d* b% z/ T% R! u3 \3 R7 r
basically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is
7 s" T2 u: r* t* r9 V* n# fI was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular( U, P, q! ]6 _- T
place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
, W0 A9 k& m4 {3 |) Z% j- ?4 [around on things the size of this room that are just big physical models. It was just an incredible8 U/ k A) [1 j3 m; g
place to walk around and be inspired. I’m always reminded of when I went there and people said,' I; v% I1 t0 S* f! S8 _ \
do you think your expectations are too high? And I said, you ever see the movie Charlie and the5 j1 [0 }( ` w4 `* E
Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little
! h+ p( N+ }& U) m! A8 gboy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever8 g: {0 K) [: A s9 _
tell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get9 o9 x8 ^( e1 ^& U- I
like saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever' H/ q, P2 s% X. O# |3 |6 g
after.” [laughter]* d$ n2 }: q2 h3 L" j
OK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I
% e3 C: C) ^6 p Z& H- A s% Cstand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got+ d4 ] e+ W1 ^5 G1 _
to be a part of it. But it got me into the place of working with real people and real HCI user interface
0 w8 B$ i9 f* r6 {issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters/ ?6 V2 A* A0 _6 `$ B8 _: g$ L/ v
degrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And, m Z D3 x. Z* a) F
more than anything else, from Jon Snoddy I learned how to put artists and engineers together, and
$ m- R+ W/ O& |4 Dthat’s been the real legacy.
6 h+ c# r8 d- x; }! E; q, C b/ }We published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at
: p- b1 D$ v4 E* s+ p( AImagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of
0 C0 {- S' \& Y6 H) D& k9 _- O) ~' |% ?- Lfirst page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH! B, E# g+ g% \! {+ O6 S* c ^0 h
committee, which accepted the paper, it was like this big scandal. Are they allowed to do that?8 V# b0 z# G) w1 |! l1 O. s' M
[laughter] There was no rule! So we published the paper and amazingly since then there’s a
+ W7 m/ g0 `, {& ^. X9 d% I$ G1 I3 @tradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a
8 x7 Y2 g: t/ F& ~+ H! z1 V' f; |small way. [laughter] And then at the end of my six months, they came to me and they said, you4 b5 R K/ W8 y# O0 b" n3 V/ `5 n5 ~0 Z
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised
' Q. c# M& i$ O* Xmy father. He was like, you’re what? He said, since you were, you know [gesturing to height of a2 E5 T* t( K! h/ D
child’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of6 u& w; M3 C, f# @* a8 {& D$ n
Maalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.
; l1 F& t' l* ~$ E LImagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the- }1 H( t7 j5 s" D$ b
middle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.4 K1 k' \ \7 i: p P3 M
And if they had said, stay here or never walk in the building again, I would have done it. I would9 h! h5 y, K0 U
have walked away from tenure, I would have just done it. But they made it easy on me. They said" j" V5 ] h8 u" H' b7 o1 ?2 V
you can have your cake and eat it too. And I basically became a day-a-week consultant for% M, q7 {+ a7 K4 j2 K
Imagineering, and I did that for about ten years. And that’s one of the reasons you should all
U: ]' f3 A: a- v: J1 Z$ p7 ~become professors. Because you can have your cake and eat it too.
, e; w# c7 o, R1 HI went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the$ c8 ]! H# e& P! f% r
best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the
/ k; y; d# H! J! j3 D8 ICaribbean. Wonderful at DisneyQuest.$ T- x! Z: h5 i8 T% F" l
And so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the3 t5 {- U9 E9 P3 r# R
question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
# x \% m$ X; ~1 n9 ]% v* zbecame a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I
5 g) F. W' l# Y9 e) y/ K. E: t- Fdon’t know. That’d probably be a good close second. And this started in a very concrete realization
, p: z8 U3 O! S B9 B" {that I could do this, because a young man named Tommy Burnett, when I was at the University of) V" l) k+ y* G+ A) X% n$ f
Virginia, came to me, was interested in joining my research group. And we talked about it, and he
( i3 Z5 G2 h8 E! ~said, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.
0 c2 F) R1 P& T* d& f% u9 ^' WAnd I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star/ y, p4 F# f$ L& |0 |2 t
Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.2 @/ J) {/ M5 J5 W7 \! t
What year would this have been? Your sophomore year.; T6 U8 c" d S9 b* X4 l
Tommy:
7 }7 h7 Z5 D8 p, ]' u" x6 l4 zIt was around ’93.
$ T+ {8 @1 L$ b( CRandy Pausch:
" r7 F( H$ W7 e' l# G8 t( @4 wAre you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,: q b8 h$ k' {" h* k, P
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY
" k. n# j4 n% u. S" {( Y! T+ tARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff
! Y. q9 g. D- S1 ], ^0 Zmember, and then I moved to Carnegie Mellon, every single member of my team came from Virginia
: F2 \( r" ^/ x( w" t2 I. xto Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all9 E. p$ q+ [' b: E2 S- v$ A
three of those films. And then I said, well that’s nice, but you know, one at a time is kind of
$ }) R2 v' K/ X$ g4 n5 w& a! \0 Binefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in
% @2 ?6 i, b9 ~! n+ E5 K/ P* b7 wmass? Can I get people turned in such a way that they can be turned onto their childhood dreams?
) B5 O# g9 j# p: ^1 l/ ]& f6 oAnd I created a course, I came to Carnegie Mellon and I created a course called Building Virtual
8 u0 C# P9 U+ J. q/ \Worlds. It’s a very simple course. How many people here have ever been to any of the shows?
. ~6 q9 P# g8 F- ][Some people from audience raise hands] OK, so some of you have an idea. For those of you who. F( a, [. J0 y* T( ]! d- F
don’t, the course is very simple. There are 50 students drawn from all the different departments of
5 P4 |) \1 S7 P. v& Ythe university. There are randomly chosen teams, four people per team, and they change every
5 z2 r5 \% |/ zproject. A project only lasts two weeks, so you do something, you make something, you show
; ?9 _" o; p1 Q2 l5 fsomething, then I shuffle the teams, you get three new playmates and you do it again. And it’s
* E1 I! A5 n/ P( v& E/ \every two weeks, and so you get five projects during the semester. The first year we taught this
8 i4 Q/ `" k- wcourse, it is impossible to describe how much of a tiger by the tail we had. I was just running the9 l3 b7 t9 i X+ V+ q
course because I wanted to see if we could do it. We had just learned how to do texture mapping/ u! N# t2 t: c( X+ w, g/ R# y! _
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running
7 u* i: }( R6 P! Hon really weak computers, by current standards. But I said I’ll give it a try. And at my new university
! t7 J* s) X; Z[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all
) r6 f, c% L' v/ `& Sthese other people. And within 24 hours it was cross-listed in five departments. I love this( ?* O! ^8 U& I& C: J& C
university. I mean it’s the most amazing place. And the kids said, well what content do we make? I
# v5 D) s, s! `) @ G5 Qsaid, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no. S$ T+ t0 P; @, D
pornography. Not because I’m opposed to those in particular, but you know, that’s been done with4 V5 g0 V5 F w) u
VR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas& H" @, O, R. G1 q1 E
when you take those off the table. [laughter and clapping]! M% S. F4 j! P# `& D/ J
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two) f. R0 V2 R& G
weeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
' D: t% h( n8 J/ ^4 O6 ~3 tbecause I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
2 L7 y, \ O% Z# H! P% h: ocouldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first
t/ e+ a S* u, W& m# o1 [assignment, and they did something that was so spectacular that I literally didn’t, ten years as a
2 \ M4 m" T- W8 tprofessor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van
3 v8 m) G, s! A: WDam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I
+ ]+ f# U: M: O( Q; R* g- @: Z8 Khad given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]' @0 b& w5 ?+ _( q; Y; F6 N+ O# F
And Andy thought for a minute and he said, you go back into class tomorrow and you look them in+ g0 f: y) B$ R l y$ X* ^4 u6 E
the eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that
! g$ F0 t' y' C6 I# G* ~5 |9 ]was exactly the right advice. Because what he said was, you obviously don’t know where the bar
{ Q4 |* z e# p5 g }- _5 O3 jshould be, and you’re only going to do them a disservice by putting it anywhere. And boy was that
1 ?7 q2 d9 f' ?' Egood advice because they just kept going. And during that semester it became this underground# e! x' ]7 S) x7 N
thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it! H3 j; l9 P( h
was the day we were showing work. And people’s roommates and friends and parents – I’d never
! c# D7 C$ |/ c; V2 ? r* Lhad parents come to class before! It was flattering and somewhat scary. And so it snowballed and
; E3 K Z/ X6 C( l! k* a9 w* D# Xwe had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,
; i/ x1 i4 l& a5 C# R/ c% G5 \it’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big
/ Q1 v+ z. H+ Q( s9 U% F2 wshow. And we booked this room, McConomy. I have a lot of good memories in this room. And we
- U+ x- }5 X0 v$ C" ^: L* K( Rbooked it not because we thought we could fill it, but because it had the only AV setup that would' r. `3 z( a! \/ e& G
work, because this was a zoo. Computers and everything. And then we filled it. And we more than" P! D6 B! v; x- x
filled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris
: n; Y$ o9 N8 k3 i. vwas sitting on the stage right about there. We had to kind of scoot him out of the way. And the9 K6 Z2 Z" f5 D
energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry. Y1 P3 t* `! l9 W4 }+ N3 u* W; _# L
Cohen was there, and he sensed the same thing. He later described it as like an Ohio State football
" |6 k* F- I; Y, O7 tpep rally. Except for academics. And he came over and he asked exactly the right question. He
) O* n% e8 `+ g! Z2 w5 g% Esaid, before you start, he said, where are these people from? He said, the audience, what' G& ?3 y% k5 Y
departments are they from? And we polled them and it was all the departments. And I felt very
1 _) Z( v5 D3 `% l$ G' Ugood because I had just come to campus, he had just come to campus, and my new boss had seen in
$ X% t# \: |: R8 ^6 Na very corporal way that this is the university that puts everybody together. And that made me feel
q# T- Q i: a) U( C. k7 y2 p9 njust tremendous.
* I2 ?9 A" ~/ w! u* X9 MSo we did this campus-wide exhibition. People performed down here. They’re in costume, and we
' a1 ~1 w4 t0 f$ Q; d4 Xproject just like this and you can see what’s going on. You can see what they’re seeing in the head4 v4 C* S4 F8 I
mount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]
, d! e( }3 m9 C( S- U6 XThis is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the2 {: ]" }# S$ k+ q2 J$ z: I
moon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can
, G# u; I. e* Z0 H* H- wget the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do' A. a9 _2 C5 f8 P
our best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It9 n' b! g$ @" E
was an unusual course. With some of the most brilliant, creative students from all across the6 F- K% |# b1 D# s1 g; J7 i
campus. It just was a joy to be involved. And they took the whole stage performance aspect of this
/ N4 J/ Y6 K7 P, i% ?1 J9 Xway too seriously [shows pictures of very strange costumes students wore]. And it became this% B+ O& S& H2 ^$ |1 q; U5 N; f/ E
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids
, s5 W. F" j7 Ya sense of excitement of putting on a show for people who were excited about it. And I think that
+ D) e8 T4 u+ _" O4 uthat’s one of the best things you can give somebody – the chance to show them what it feels like to
% Y7 f" ~, g- h: ]1 ]3 ~$ Tmake other people get excited and happy. I mean that’s a tremendous gift. We always try to2 d/ w& ~3 r3 p! v
involve the audience. Whether it was people with glow sticks or batting a beach ball around… or
6 f) _7 g& [2 i. ^. |driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.9 j0 n, D1 A* Y- B$ F
This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was- w% r/ q# M1 ~# q
controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from
7 z: m# f8 o1 i Kevery year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an+ X+ x! Q; H3 r
honor it was to teach that course for something like ten years./ N/ `8 _# h( q4 e$ i4 u
And all good things come to an end. And I stopped teaching that course about a year ago. People3 j* I" O" ~. ]3 s
always ask me what was my favorite moment. I don’t know if you could have a favorite moment.
& F' [" J6 F8 u" j3 hBut boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one
. q; d) M3 q0 Y. s' b% d* Lof the rules was that we perform these things live and they all had to really work. And the moment
5 ?# ^9 P: Y4 Kit stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
7 r7 p0 U) y; U7 N2 g$ fimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller6 _2 @5 x3 L' F
skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was- Y$ `7 K& L0 D; C7 C# W, f* Z
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk) E1 {% `1 ^- n$ q8 u8 x% s; B
about quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to' j) b; U3 I( u: p
videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!4 i# Q. ]6 i# F' U( M
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of
+ t5 H) m& m' T" sthis high technology course was a brilliant ad lib. And then when the videotape is done and the7 R' D Y+ i" V7 R
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a5 l9 L# V. K" P$ M& B( s: d* ]
fantastic moment.
0 p' P! j* S# p3 L# qAnd the course was all about bonding. People used to say, you know, what’s going to make for a
3 s+ B5 j6 g0 x" I- Agood world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
3 N% K# N! N; dworld’s good just by the body language. If they’re standing close to each other, the world is good.9 `% Y* t, d+ L5 ?0 [1 N: e1 v7 n
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I4 l, _, S' M7 B; m6 G' T3 Z
won’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped
3 A3 s; H/ ?( Ddown from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you
2 B& u& ~* x0 l0 ?' n- a$ kwill get those arrows in the back, and you just have to put up with it. I mean everything that could
, v6 y2 E! k6 J# d8 k* ^go wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.
& `3 k+ W( ]0 p3 Y( HWhen you’ve had something for ten years that you hold so precious, it’s the toughest thing in the
: K. p" N3 K9 H. Q! z: Q# cworld to hand it over. And the only advice I can give you is, find somebody better than you to hand
9 H% k3 ^+ e, s, a6 z5 lit to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have: S9 C7 A; H- E' r4 w
to spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my( T$ L- t3 e, b$ y
greatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica. |3 ]! }3 W8 h1 c, F( ?' D
Hodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this
~% m5 ~4 X8 `2 `+ d+ r ?over to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is: H `% I' j3 |
in more than good hands – it’s in better hands. But it was just one course. And then we really took, \8 S: d& O' G( f) R6 F7 T
it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I7 r$ g- O, l9 p7 ^ n
got together and with the university’s blessing and encouragement, we made this thing out of whole: {; ~- n/ S! j, d9 r7 b
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go
3 A0 T$ y: r9 [, xnear this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology
% w, l! {7 b# x: e7 PCenter was all about artists and technologists working in small teams to make things. It was a twoyear
& w1 ^ z1 y' T/ Y( }$ Z3 y, wprofessional master’s degree. And Don and I were two kindred spirits. We’re very different –7 P) ~7 W3 Z/ a- c3 S, n, k9 t
anybody who knows us knows that we are very different people. And we liked to do things in a new5 m8 v3 _# C0 ]6 m, `4 D9 O
way, and the truth of the matter is that we are both a little uncomfortable in academia. I used to
& h. U+ M$ |* ^( k' B/ X! csay that I am uncomfortable as an academic because I come from a long line of people who actually
* c" H/ T: J. F, J" Y G/ kworked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie. _; I1 F5 x- Z
Mellon is the only place in the world that the ETC could have happened. By far the only place.
* _* v7 F+ L9 |. y/ D/ G' }[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next
" i% ~% j' q- Nto Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the. V8 _2 V* o% d& j! q- W, B
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer5 s% m2 m" ~7 A! y( u8 g3 g* ]
to this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really
* v' y9 o% q) k B2 e9 K- }did play up the left brain, right brain and it worked out really well that way. [Shows slide of Don
+ a3 I* D4 y' B% {+ [looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small
9 U {6 ^( X; \7 Y. N& V5 Joffice. We shared an office for six years. You know, those of you who know Don know he’s an
+ N6 L7 t1 S5 K, X6 {# N, }intense guy. And you know, given my current condition, somebody was asking me … this is a2 @2 Y5 c' M( \1 t' x( _
terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,
. I# ?3 b1 `8 z3 ~; V; l" egiven your current condition, have you thought about whether you’re going to go to heaven or hell?
. ?# z% x' _2 i6 y1 {& \8 }And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.1 ?! Z5 l" p4 f0 C: L) J( ]
Sharing an office with Don was really like sharing an office with a tornado. There was just so much
S- D9 r3 O* h6 q O( w: k6 W. F& s( p' d4 fenergy and you never knew which trailer was next, right? But you know something exciting was- \' w! n6 W' ^, ^, I! u
going to happen. And there was so much energy, and I do believe in giving credit where credit is
1 [, z2 E! O V/ N1 O! Tdue. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets* L, L1 K; d7 h2 W# H& t
the lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share
& P) I+ i; u7 dof the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great; B1 S3 l& V4 L% ]
yin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him
; y6 x% l% I6 F7 a9 d+ qbecause the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk
6 W5 e) T7 o: N- W2 u7 R/ ] }" Eabout that in a second.
- a7 |" |" h' dDescribing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
5 I4 k' W1 S" t1 G" b3 k+ Z; C$ adescribing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the- Q6 M+ r/ P: m" D- C& S2 B
mistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation
. z" G* X1 l) b1 S! h0 `2 Tabout oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole8 Y- b6 ~8 w! I; W/ @
point. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve
' l+ u: }- d: [, P8 l( E- j$ uever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only/ u8 s1 n s# x
course each semester; audience laughs] The curriculum ended up looking like this. [shows slightly
% N' V" \! X7 }- b; j+ omore detailed slide]. All I want to do is visually communicate to you that you do five projects in0 _2 i0 R. U9 n& z
Building Virtual Worlds, then you do three more. All of your time is spent in small teams making# N% ]% p" m+ r6 P
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s
5 u+ c0 a8 w4 K3 C( W. t7 v7 Va master’s degree. They already spent four years doing book learning. By now they should have7 O/ y( y) `$ `( K$ t: ]
read all the books.
9 T, c( D& N) UThe keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
3 m( k* f0 U. w! lhad no deans to report to. We reported directly to the provost, which is great because the provost% b1 x+ \- S x) K' K
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
- D1 V" d3 g) w" ]It was all project based. It was intense, it was fun, and we took field trips! Every spring semester in! Y' K& R" n5 {* L; a
January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial" \: ^7 N3 N L1 r6 V& H% ] |/ Y- o
Light and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s( H* A# t9 S2 I( a" F+ r
pretty easy to get entrée to these places. So we did things very, very differently. The kind of! Q) _* S& y1 R, ^# [1 x; C
projects students would do, we did a lot of what we’d call edutainment.
8 D4 \( S* [! G3 q- jWe developed a bunch of things with the Fire Department of New York, a network simulator for9 m0 Q/ \0 L9 D/ [) {; |
training firefighters, using video game-ish type technology to teach people useful things. That’s not ^% s" Z0 N3 ?. v3 l6 V* k W
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve
D$ N+ S+ D6 Mgot the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.
' F3 C- T' C0 j& G2 p( f/ A& J1 _/ G[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written8 m( a( M7 v& M9 {8 g! `* V
agreements. I don’t know of any other school that has this kind of written agreement with any
) m% ?& B' E Z9 Q" v* Rcompany. And so that’s a real statement. And these are multiple year things, so they’re agreeing to
% P* P* h: `8 M( I' dhire people for summer internships that we have not admitted yet. That’s a pretty strong statement1 ~2 k. H+ n6 p# w
about the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful8 e& k' X; y% ], \* w! w4 ~' M( i
complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight% R, E' {+ t6 x; x
because he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already5 Z8 A- @/ p! x& `. S+ `
on in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I. ~. Y& w; d9 p( E, I1 Q# `! i
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon. p3 A" u1 |5 @, [$ t
is the only university that can do this. We just have to do it all over the world now.: r7 `1 J9 o9 Y" {- X' b
One other big success about the ETC is teaching people about feedback [puts up bar chart where
% H1 H8 S2 S1 G/ G1 d( N- ~$ qstudents are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the' d0 X& P/ P: m- S6 Z$ |" D) k
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar
$ D3 f% z7 F( l2 E2 C% s. Y# Scharts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put
* ]5 \0 p+ z1 i6 N l5 I- mthat all into a big spreadsheet and at the end of the semester, you had three teammates per project,0 H( @% e, H: L- P. _
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a
. I& k. g- Z: w3 c% Jranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard
6 g6 t6 I3 y' B( E; J2 q' t. cfeedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
4 Z; z5 |, b$ `went, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in
$ P1 u0 U; X2 T8 W. w' b8 j* P) Tthese meetings. And that is the best gift an educator can give is to get somebody to become self
; s% T, S- \) I* l3 M. r" a) Dreflective.
4 u& _9 y; x$ b. JSo the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very
4 B$ m% ?- R) d! E/ E7 O" Mlabor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.: m3 G }3 h2 k6 e+ \
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.
8 r1 Y6 b9 E# C8 K) O4 }Scalable to the point where millions or tens of millions of people could chase their dreams with
; Q- p: ~6 p4 I/ X3 ?. o% Asomething. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on: r3 D' M2 @( S! G) e
a Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a
, G8 n7 [" h$ y Z* _) ~# O2 ? O2 wnovel way to teach computer programming. Kids make movies and games. The head fake – again,
' w9 U$ y$ Y" m2 X8 S! F* m+ gwe’re back to the head fakes. The best way to teach somebody something is to have them think
# O4 N# @0 d! u. V$ Pthey’re learning something else. I’ve done it my whole career. And the head fake here is that( G8 y" q0 |3 }8 V
they’re learning to program but they just think they’re making movies and video games. This thing
( Z3 M" c' P( f. u$ a! m! fhas already been downloaded well over a million times. There are eight textbooks that have been
; e; \' M M0 c9 f7 vwritten about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The
1 `; s- A8 |: q- u5 v1 ggood stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get
# C- J/ n* z- J7 xto set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having% P3 j* z: e, [) O# ]3 J
fun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next
6 c- I/ {: D- U" P# O6 J8 uversion’s going to come out in 2008. It’s going to be teaching the Java language if you want them to
$ c; ?* Q% c" C! s& Nknow they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And
4 e# b- R3 q4 j+ n% y, m' j5 K/ gwe’re getting the characters from the bestselling PC video game in history, The Sims. And this is
- l. G( v5 }9 V8 \ K- Dalready working in the lab, so there’s no real technological risk. I don’t have time to thank and8 y* W, v r0 K! t+ _% X9 s
mention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be
, q: H; e5 N: C; _building this, has been building this. He is the designer. This is his baby. And for those of you who
3 v1 g# A/ p: O7 a$ {2 vare wondering, well, in some number of months who should I be emailing about the Alice project,& J, H+ C* `$ b; s+ O! o( i' p
where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.4 J6 z5 K: @1 O0 Y) {( a' Z- N
Audience:
4 h9 F' }" ]' |# M) V- Z1 @5 [4 w0 [Hi, Wanda., q# L' E, I# r6 _
Randy Pausch:* P, B$ }0 L/ _8 U) H. |
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her8 P2 |4 C5 @: _1 w4 v* l
Ph.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to+ J9 V F( R6 a# k1 C$ E
middle schools with it. So, grand vision and to the extent that you can live on in something, I will! ^- ]3 C4 l% e7 h. J1 M) R
live on in Alice., _$ P6 F9 [% q6 P' D. Y
All right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
' k$ t# V' B4 r- qtalked about helping other people enable their dreams. Somewhere along the way there’s got to be) q5 H; k1 W& {/ a7 Y; G1 x" r
some aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors- E5 x r! D' e r% K- x7 `
and students. I was blessed to have been born to two incredible people. This is my mother on her
& n6 ?1 Y$ {6 [, H$ w70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]- l2 L7 ~7 ~0 F7 E l% v
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster2 s7 A& v8 I7 u& l# T
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented% O9 L q. b. O- |* ^+ G
because he did win that big bear the same day. My dad was so full of life, anything with him was an. W6 ]. Q( }* r! w$ C9 ^3 ?* _# M
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,7 H n; n2 w5 V
but I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things3 u/ ~, O) I( s
to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every! B+ x( @; x4 t: ~! W
year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife
3 y9 n6 p |* d2 } Land I have also been involved in heavily. And these are the kind of things that I think everybody
( o+ N: \0 L- B$ @ought to be doing. Helping others.+ \/ d3 m& u9 R! L
But the best story I have about my dad – unfortunately my dad passed away a little over a year ago
9 l8 J3 c" `# n3 N+ {– and when we were going through his things, he had fought in World War II in the Battle of the
9 ?8 a# o, y+ P* |. X' c1 |9 @7 KBulge, and when we were going through his things, we found out he had been awarded the Bronze
2 k. {+ Z% ?0 b$ \9 u7 |Star for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
8 _" s- w3 Y; TMy mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people7 _, E8 d& ~" }. ]* T1 m
who love even when you pull their hair. And I have two great mom stories. When I was here
: t7 h# @0 z+ {) b- tstudying to get my Ph.D. and I was taking something called the theory qualifier, which I can$ v, J! I+ c7 D# y
definitively say is the second worst thing in my life after chemotherapy. [laughter] And I was$ V- b" ]2 x- Q
complaining to my mother about how hard this test was and how awful it was, and she just leaned
: E3 k* g6 r7 k' _over and she patted me on the arm and she said, we know how you feel honey, and remember when
$ l9 w1 p) b# |2 F6 t3 e# Kyour father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother: M# @3 K$ z0 p' W* _6 J: g
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
- _) F6 E. {" P/ E[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I0 T1 y% _+ p2 K) r* f0 i
decided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an- C& X2 d7 C! x4 j$ M1 y
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]( s" l0 }' E* ~4 W$ X
[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And9 C& q2 b {. o/ w
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And; M/ L5 ]0 Y! f# Q+ P; S
anybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me
: P& t% y- a7 }% t2 R2 Z6 ~! clet them do it. It’ll be OK. Don’t worry about resale value on the house.
$ h) H& O, a; Z/ kOther people who help us besides our parents: our teachers, our mentors, our friends, our
7 \6 h D5 d6 I. i* {colleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he' m( `- K( x3 H; t4 e7 Z6 S
was on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a1 O% @" u0 y) e
centaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but
/ J1 I* i8 E8 x) O2 |+ Bkind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching
6 J/ ~5 l9 W! Y; v3 l7 Y) qassistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
4 \7 S' }. W# R ~" a0 Loffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is
. g* p! S- }- B4 Nyour first clue as to what kind of professor he was. And I come bounding in and you know, I’m just; y, K" k2 }" \- V4 S3 E" l
I’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da
; l/ B( Q U; u8 ~! {- |da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
* p: E& w( H' g2 B' N& |6 o7 Uput his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame
) z, o0 J1 x, \that people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to
; }* ~, D/ u7 Q1 s/ Z; t% V; Daccomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t) B4 M9 S' ^: n: R6 p( u( x
say you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
) y. _9 P1 P$ L1 k7 yto limit what you’re going to be able to accomplish.5 b- @1 B b! e; {2 y* H- g7 k. m
When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you
$ ~# e H3 U: E( @- r! oAndy stories for a month, but the one I will tell you is that when it came time to start thinking about6 s; O% t: m2 K& Z. T9 Q4 M
what to do about graduating from Brown, it had never occurred to me in a million years to go to2 \, u* }# w% [% ~* m$ P
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.+ ^9 B7 O1 c( @& e
We got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.0 J, [( C& V: l: b# D1 g1 R, s2 \
Become a professor. And I said, why? And he said, because you’re such a good salesman that any
7 d y! ?4 \- _* H% w/ R4 Hcompany that gets you is going to use you as a salesman. And you might as well be selling5 |" E6 g4 e9 J# m: m
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
& J- ~& y5 }5 h' v- zAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of
$ O1 j% `9 Z9 @& [' d Gvarious bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
+ Y4 ~7 B T% n2 P3 s: \" ^happened there. He’s probably watching this on the webcast going, my god he’s targeting and he* q8 f' ^, L7 v, O1 g
still can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
' ?, b# s, [% g$ h( Q& t/ Z7 e) x3 Jwere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to
' j5 Z2 R) c4 r" ?9 n2 j5 i# D1 pendure that experience and I’m very grateful to all the people that I ever had to have worked for.: d7 N" F) B9 c: }- y+ H$ u, Y; z; O
They have just been incredible.6 w0 H9 O1 H& _ Y' t2 E
But it’s not just our bosses, we learn from our students. I think the best head fake of all time comes/ g* A: s5 {, M$ S* D- G! D
from Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at: o3 w: L1 I2 k) k, }% Y" r
Washington University, and she looked at Alice when it was an easier way to learn to program, and, w: x6 M- J% G
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the
. H0 O5 s- V, Plittle toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the* m' y: S1 s/ V5 q( c
one who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work2 R7 l+ y3 N0 ^/ q! R2 o- Y. `
showing that, particularly with middle school girls, if you present it as a storytelling activity, they’re9 ?2 g0 Q8 Q& @, W* x( D, i9 b
P a u s c h P a g e | 197 @3 Q: Y( |; O+ S; P6 S
perfectly willing to learn how to write computer software. So all-time best head fake award goes to
+ Z: m( {% W. H6 Z, N8 }$ @Caitlin Kelleher’s dissertation.
- Z$ x4 r, t3 u" ~, N; [President Cohen, when I told him I was going to do this talk, he said, please tell them about having- K3 ?" E( q, K1 y6 F: R
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish% Y! _/ w1 P( I
talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m
7 D" W& S& d! t# J( dhaving fun. And I’m going to keep having fun every day I have left. Because there’s no other way to
0 i" o. d J4 gplay it.! g: w8 A$ i& o
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide
( y( J, Z* q, e; @+ Pwith an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m) ~5 K* X2 k& r& e% ~
clear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
! v" K- W/ K5 ^; NIt’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
6 C. u- W' Z4 @6 I/ Zother people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a: p) }) `8 v! F& ]) M5 a. d. P9 g
group, how to care about people. M.K. Haley – I have a theory that people who come from large9 i6 a8 M6 C! [0 a
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a
/ }/ i4 h0 |* z, M8 Xfamily with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s% e5 i3 E m' b% Y
kind of fun to do the impossible. When I first got to Imagineering, she was one of the people who( M- {* Y) c/ E3 G: U' |; g
dressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?
! G/ b# c* n& e4 tAnd I said, well I’m a tenured professor of computer science. And she said, well that’s very nice
% U# l3 [5 r$ l6 `0 _Professor Boy, but that’s not what I asked. I said what can you do? [laughter]
- R7 ^9 D( d& L5 N7 u& sAnd you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
5 k: |' N ~3 a0 O3 h/ T/ gcherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s
) ?. _9 T3 r5 c" `% ujacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why0 e. z; }1 ~$ b) J- b6 }4 z
do you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me+ g% o. X9 H6 a$ @. S
who were much smarter than me. And I said, because I can. [laughter] And so she thought that was& i: n; j0 h9 l+ h3 s6 n' p
a real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]
8 a1 n- }; E: i% S9 E- H[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for% l4 G2 X* s; i
the egomaniac in your life. So, I’ve met so many wonderful people along the way.
9 V% _9 L9 U6 C6 d" v+ vLoyalty is a two way street. There was a young man named Dennis Cosgrove at the University of
+ N5 Z4 Z* {# H4 K6 i5 \+ fVirginia, and when he was a young man, let’s just say things happened. And I found myself talking$ l' q2 }; \* a* c* M
to a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never
# j, V; x" ^" {/ afigure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for9 L7 ~( s2 c# Z+ \/ H
him. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even R' X# F; |3 l" o! v: x4 l
tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I H; F9 ?, D$ W' f) |% c
think he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.9 I) B" x5 ^1 ^% r0 [+ V* Z
And the dean said, and I’m going to remember this when your tenure case comes up. And I said,
+ |( O+ N0 l8 w4 W* @! cdeal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
* l, r |3 o+ t9 ^! Z9 lBut loyalty is a two-way street. That was god knows how many years ago, but that’s the same, e4 I# i8 q' G- N9 Z& n/ x
Dennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only9 Z" f/ e5 h2 `8 J
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
6 d0 N) H4 p& F- R: ?: ocan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would p5 F: N, y [/ `
be Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living- ^! U" i. a/ B [5 u( k
anymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by
x/ N+ e# B; v+ iher, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
, k u' x. U: y. {) e3 ubecause Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all4 F {2 D3 E) z/ ? @* R8 Q/ l" i
young ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
' x8 w# E" b2 r( y1 Icomes to men that are romantically interested in you, it’s really simple. Just ignore everything they2 O$ {7 `! ^8 X+ T
say and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to
" C7 M# Z. M4 z; o, umy bachelor days and I said, damn. [laughter]/ W0 K3 `1 ~: h4 ]$ ^* K/ H
Never give up. I didn’t get into Brown University. I was on the wait list. I called them up and they( g2 |" l- h' a" I" R0 A5 G, a
eventually decided that it was getting really annoying to have me call everyday so they let me in. At
, s6 [+ C: X u( N. n6 E$ RCarnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate" }7 f! V: p, Z g, u$ g
school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you+ @ i' A% o5 n, T: |; I
know what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he3 s4 Y/ K' k0 d' _, ?$ G" a
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had
# E2 @- q+ F+ C9 l5 Ireally gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.; S4 Z# x: I( b c9 B
Which, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.! e K+ T4 G7 t4 T- v2 x- _
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
5 G) Q- p- {/ ZAnd I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter) r( C6 F; ^8 W, w/ M+ q$ c
on his desk. And I said, I just want you to know what your letter of recommendation goes for at% _' ?) T: T, n+ o! u0 Q* \+ E
Carnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
6 o3 `$ [; c+ `4 C4 u- Ehe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
- t, O2 ~, D8 m% c% qway I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.
/ E) L. P2 v# N$ a# Y& b[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,
) H _5 O2 S8 W" Z; q' BI’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,
8 x) Y' z- B& e+ dgo visit the other schools and if you really don’t feel comfortable at any of them, then will you let me
& Z! C) `9 I/ o) Z7 h+ Dcall Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and; c* X7 c3 H+ ^; m: r2 ?5 `
I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]0 O' k' v$ M1 c9 {6 f: `8 G% V
Berkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
' t1 t" ~' R: [4 p9 q6 ?) j( { `know, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked
. H9 C; T0 C3 c( {7 L5 e& `' }in Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his
& c3 m/ M' p$ X+ ?6 J eoffice tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So
0 w) [& L, }2 KI’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I/ h7 k3 A+ w# V5 A. K7 J
don’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,
: Z' m* k# |$ e, lwhy are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since
4 N5 U$ _/ |$ [8 n1 Uyou admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
( i {, ?( L: c8 Y/ z* q, W$ Wfellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a: d5 R' J% H. H
fellowship, money, we have plenty of money. That was back then. He said, we have plenty of- |: j' ^; y* q, v+ D
money. Why do you think having a fellowship makes any difference to us? And he looked at me.6 x* K% } B4 s, L1 J
There are moments that change your life. And ten years later if you know in retrospect it was one of+ q% t$ G6 D: F! i8 z3 [7 A4 }% q7 Y
those moments, you’re blessed. But to know it at the moment …. with Nico staring through your
6 N8 X O- i) U& IP a u s c h P a g e | 21
7 Y& u1 ?; Q7 Esoul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
; j* h; Z* { ` C1 l. ohonor. There were only 15 given nationwide. And I did think it was an honor that would be+ A9 b( m9 k2 {, I* ^$ y
something that would be meritorious. And I apologize if that was presumptuous. And he smiled.
" F: [7 r% H h8 i/ I) m" ]/ rAnd that was good.
+ @1 m4 m* K# p" w9 {' bSo. How do you get people to help you? You can’t get there alone. People have to help you and I
6 Z( F, y$ \ @. wdo believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
, E5 `$ Y7 w: Z! L! _. Qearnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
% I$ z" i3 A) mis long term.- F# ]# Q- R/ ~3 \, [% P! D
Apologize when you screw up and focus on other people, not on yourself. And I thought, how do I
0 x0 J: O# v& b0 e1 k6 d E3 _possibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete1 F% W8 c3 D* W: g) D* A
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]2 p. S2 a+ a9 p/ c! e$ ^$ X8 n% J
See, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus
! J$ a |( h8 k% e) I, T' N% B7 N& J( Von me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper1 E( H; O. M. `* Q) P" q p
birthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled0 M$ z# O+ |7 O% Q0 g8 k
onto the stage] [applause] Happy—( I6 d( z) i' Q& v+ Y. d/ r
Everyone:
9 f" T/ t5 f1 F4 L; n, Z…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy; r$ H+ K; t) m- t; p! w: k+ c
birthday to you! [applause]
/ x2 E+ Z% l/ b G# x7 v# [ ` b[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The
; s" L5 X m" m) Baudience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]/ u2 {) U% m( s
Randy Pausch:7 h2 e" ~. j. _$ [. V$ z' D6 u
And now you all have an extra reason to come to the reception. [laughter] Remember brick walls let& [( ^6 C7 b) X- {0 J0 s
us show our dedication. They are there to separate us from the people who don’t really want to. I: W$ g- y# f1 R1 v
achieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.
" \0 R( o ?+ m[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was
- x, T3 E! R. Y/ F5 p, ithe big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we
- A3 R8 V: m$ Iwere the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
: ~1 ]# p: Z0 Bgive eight million dollars to USC to build a program just like yours. We’re hoping you can help them7 Q- u. N' w( [3 N! }( x! Y* z
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And1 }* X$ g1 r# Z' N2 f* _
to quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we' x" X5 C4 S4 Y! S
have a great relationship, personal and professional. And he has certainly been point man on
* k5 a. B7 h( x9 q- tgetting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
+ e) ]! e# Z) P7 c+ a2 g8 gcertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
$ D1 h- x) f; W9 f/ ^1 Phave been the right thing to do, and when you do the right thing, good stuff has a way of happening.
' w, P. h# Z3 l; F% k l- }" VGet a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or' ]- Y1 y e* a
it can just be one great man who tells you what you need to hear. The hard part is the listening to it.
. ?- b8 E: u: L1 `& t/ g% x8 hP a u s c h P a g e | 226 H( T0 l0 J; C7 \# U
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed
5 Q4 W+ y3 g! I0 a; t1 L+ X# c/ cto, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and
4 x" C K: E3 C) z* G4 quse it.6 m2 i' U0 X) s: K
Show gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.3 @4 J% w5 q7 F* E) v# C
And one of the other professors at Virginia said, how can you do that? I said these people just' @( S2 b/ X: V3 m. d" J$ ]2 x
busted their ass and got me the best job in the world for life. How could I not do that?' k9 L& ~6 E7 J. ?" E, q( l8 M, I* @/ Q
Don’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league: }% \6 L4 b7 D
baseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even _# x3 Z1 h7 Q9 `$ x& K
when the fans spit on him.9 c6 l1 F: o/ T# E# F
Be good at something, it makes you valuable.2 E9 x% V6 _/ I
Work hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,
) @5 l V$ J! Z* T4 N# n: a6 |wow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
, l! C! P$ |' H( fmy office at ten o’clock and I’ll tell you.
, G8 n3 {* Q& q" D+ \Find the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might& P* b9 z- G2 q& |, q
have to wait a long time, sometimes years, but people will show you their good side. Just keep
; t. `& _9 O4 }3 Q6 A+ x' i" O* @waiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
4 W% r8 I6 {' l3 ^% `: ~% L# tit will come out.( V8 O, v! P3 [3 ?7 g7 L
And be prepared. Luck is truly where preparation meets opportunity.
% p# i# K- @/ Q! E4 X* dSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons
; n& O/ ~- s7 T! A1 J% u+ F2 Vlearned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your _ n5 o! K. ]
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
. q( J8 y* J6 s) tof itself. The dreams will come to you.7 A& f z4 Y ^4 P& y
Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,' K+ x. {8 v" @0 b8 ]+ X
good night.% G' j4 C: a/ i" O
[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit
* O) h4 m6 f8 e# c) I; O1 c& rdown in their seats; standing ovation continues for another minute]. C5 ]1 @, w8 V$ l4 z c
Randy Bryant:- d( }7 D z) \0 `6 i8 N7 \
Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.- ]: d2 g# G. I. Q- t
He had this theory even up to yesterday that there wouldn’t be anyone in the room.4 v2 X5 a; g5 p% a$ p
Randy Pausch [from seat]:/ t0 i2 t/ `# P7 I) l
After CS50…' a5 Q$ ? }( D
Randy Bryant:) F3 S; A) V! G" f: [6 ?
I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy9 T+ ?1 }/ }, ?. w, e" c
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
) q4 S/ W; R5 Z4 j. i* cfrom Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of: U& x, b5 o. f' N! N5 r* g
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the3 W+ v' Q9 `% ~5 Q9 r
other Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased: X3 H9 K& u! R' u9 h+ N4 @
today to be able to sort of run a brief series of ways in which we want to recognize Randy for his) @ K3 O: z& g1 E5 t: v
contributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we
- r% H U2 P! ]( H. `& ^3 thave a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.7 K0 ~4 f% z1 X7 ]; V: I
I’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from
- m6 y9 o" g# P3 E( O' EElectronic Arts. [applause]
! z4 Y( O. s4 w& ?% }5 m. pSteve Seabolt:/ w3 l& E5 d" X% @$ a2 H. L* ^
My family wondered whether or not I would make it through the introduction. [voice starts to crack* ~% j+ F2 i9 a3 t0 A4 p
up] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,% u: K+ S2 b# I/ X
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
+ j3 u5 ?! ]. @: ^0 k3 d" `) ^to encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t
H. f1 ?0 a; p" Fbe a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,
* H! S& _% c( E: Q3 ~$ Kand at the same time companies are forced to off-shore, there are fewer and fewer- Z' m: o6 L0 L, A4 C) r! q
students entering computer science. And the number of women entering computer science just# \7 R7 l, T0 v: V$ j3 K
keeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so
+ |4 K! l7 A% F" `! zmany more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the
" r7 K7 ^- D+ ?4 C8 i$ wRandy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership+ W! P3 t/ ?0 d6 i! g- x' d# @, b4 t
and contribution to education, computer science, digital entertainment, and his commitment to# z+ W* W% R: s
women in technology. This scholarship will be awarded annually to a female undergraduate CMU
' i9 d A" y" f' K0 bstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in
/ d) e" f% \8 e& X; q* Fvideo games. Randy, we’re so honored to do this in your name. [applause]
: X7 |- \: Z t, g( k1 g1 ]Randy Bryant:
: m# @( U/ x$ d& ~; a& UNext I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing
$ r% k5 m, V( Gthe ACM Special Interest Group in Computer Human Interaction. Jim. [applause]
6 C# |5 }; L: AJim Foley:
& }* W; E0 H- e+ {: I5 y[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the
+ n2 Y& i0 T+ T1 t9 C: w) s: PAssociation for Computing Machinery is a group of about 100,000 computing professionals. One of
. |% |5 H, V. T3 L Ttheir special areas of interest is computer human interaction. A few weeks ago, someone who’s a
6 p) b# `# ]- ^# I) q' Uvery good friend of Randy’s wrote a citation which was endorsed by a number of people and went to
3 L! I: f. n# L# i" R! Othe executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
. T. i8 \+ X( H) h1 [special presentation. The citation was written by Ben Schneiderman and worked on then by Jenny
, `# Q8 t+ Y5 M5 ^) @Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the
* C/ M( ^# E& ?9 Texecutive committee. So let me read to you the citation. Special award for professional5 q4 I( [( T, k4 B( c
contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both
5 n7 j. Q2 a ~( y" Imature researchers and a generation of students. His deep technical competence, choice of
5 n# S- {1 R& P) cimaginative projects and visionary thinking are always combined with energy and passion. We’ve7 q& `7 l# h( L. s: I" {
seen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
5 z' B) ]' `) V3 r2 W! bprogramming language, he has shown that innovative tool design enables broad participation in5 j1 C. c! v7 ~+ X! X/ G- v; H
programming, especially by women and minorities. Randy Pausch has vigorous commitment to) O+ e# I. T; N
engaging students at every level by compelling and intellectually rigorous projects, and his appealing3 d! \& o$ J; G5 k! X& d
lecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]
" w0 D7 B- U4 m/ q8 q& jHis work has helped make team project experiences and educational computing research more; |/ i+ K4 H% R7 \! j. k- Y
common and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
- k& J0 O* A% b- I* T% ~- ITeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney# X5 D5 s0 V8 t" m
Imagineering and EA, Randy’s done pioneering work in combining computing interface design and
/ g; ^! k2 m, p& c) Y5 D8 aemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive# _' ^% b3 ^/ O; T8 j/ p
council is proud to present to Randy Pausch a special award for professional contributions.
6 W5 x# B e$ }% d[applause] [Randy comes back on stage to receive award]
2 K7 ]2 N- P8 O, {4 G1 T: sRandy Bryant:
+ h p, p+ y# ^- A3 F. G: }Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.
2 N3 X( U& y' p. _9 h[applause]/ p9 K" G+ F8 m" q2 x; m$ F! N
Jerry Cohen:+ {9 k- x( ]/ N! L5 Z
Thank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You
7 V: B6 Q$ d$ wknow you’re traveling heavy, buddy. Many of us have been thinking about and talking about how# o1 j7 f1 T, g* q- ^; d: B
we can recognize you on this campus in a way that is lasting and fitting in terms of what you meant i$ m. h" y1 L6 o8 U3 c
to this university. A lot of people are involved in this. You thought the provost wasn’t paying. @- c* u! }" Y# J5 K
attention all those years. [laughter] Actually, one of the ways we’re going to remember you is this
- V1 a& N' Z C0 s$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we' ]5 p, N, @9 H2 Y8 @
really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture. W' {1 W5 V F
the kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a4 ?0 ]: d8 m0 Y- i! O9 P
teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,9 y, ]9 _ m: o4 ~9 D9 @
however. And there is a way to remember you every day, as people walk this campus. So we’ve
3 o' z4 m) y6 \" ~$ @come up with an idea. You’ve done great things for this campus and for computer science and for
+ ~$ V/ C/ C# C j; Wthe world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve
* b' ^: ]& C& _2 v/ a( Vdone to connect computer science with the arts. It was remarkable, it was stunning. It’s had, p+ a' t9 T; n
enormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the
A4 w% D# U& u+ bfollowing. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
6 t# c: [8 {4 J' u$ |+ E ]) hslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A
$ ?. V$ B" j* S- Q; X! qhundred million dollar building which will allow us to do the following. You’ll note, by the way, to
% G; R7 R! L+ Z0 X' R$ s9 Aorient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern
0 {6 D+ r x5 p7 g) `- T' u3 j6 Ulooking new thing, half of which has a green roof, is the new Gates Center for Computer Science.! G0 F& @3 K# l0 ^
And we had long planned to connect these two physically, both to allow people to get down from! j& b$ p* X4 @' W
the cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well) D) p+ Q6 I6 J: I
on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m2 |3 Z+ s+ a2 j7 y. Z
pleased to announce today that the bridge connecting these two will be known as the Randy Pausch
8 W) e6 \5 o& ZMemorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk# o* m6 o# @) T* s6 I" g j) Z
today we’re thinking now about putting up a brick wall up at either end, and let students see what4 A1 Q. p% u* e/ K! x
they can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here) U9 @: q h5 R0 m# Z3 L0 ~8 s
who will not know you, but they will cross that bridge, they will see your name, and they’ll ask those' ^' ]5 }# d: E) _
of us who did know you. And we will tell them that unfortunately they were not able to experience5 R8 J( u q' P% b& O
the man, but they are surely experiencing the impact of the man. Randy, thank you for all that
( u9 z" x6 a3 n& M9 eyou’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and! x1 Q; C J- v; ]9 \3 j
gives Jerry a hug]
2 u9 @8 f( f% F# [- M. F! _! e9 r/ GRandy Bryant:
7 O4 I- r" p5 e6 mSo every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]
* y8 U% c0 {8 g2 w/ l3 q. E4 o' EAndy Van Dam:
9 a# x' b1 B/ y0 b5 }$ l) COh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t) G4 F$ ~6 a! \; P d
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure4 h- _" s. ^7 D8 ]& o5 I" S R$ M
and great joy not just to teach thousands of undergraduates and some graduates, but also to work
+ \9 W1 @) t/ g: `# W* g; \8 @, Xone-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud: q* ]( E8 E0 D
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed
% I* K1 m' c5 ~9 \2 D, rgreat promise early on and a passion about our field and about helping others that you’ve seen
5 R2 N$ G. s4 M' a/ M) P$ ?amply demonstrated today. It was matched by fierce determination and by persistence in the face
, @( V! t9 s+ A+ J3 D; t) gof all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights% l$ o" j/ q6 M }# W
this terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you8 E- y1 W+ i. ~3 H6 e
remember that. And what happened to the elephant’s child, he got spanked by all of his relations,
6 N% |" j/ v+ `& Q9 n# Kand you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,
: R" v4 q" V- @0 z6 |which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to5 p* z- z2 F# M( |# g
the point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from
$ Q) g4 n2 Q1 m# p3 p* d2 e% Lstubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve4 z5 `' z, T$ m# x5 z
seen that demonstrated over and over again. Now, having been accused of many such traits myself,
% g7 A' s% H) l0 n/ H! C, bI rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I# D, R$ {# }- w" n3 u' W
was a fanatic about getting students to speak and write correct English from the get-go. And Randy8 O8 a; f) s1 C+ K5 G' |! c
the mouth had no problem with that. But he did have one problem. And I’m having a problem with# C' K* S3 C5 n; o" l/ W" l9 _
my machine here, here we go. [gets slide to project on screen]. And that was another part of my
9 n$ M2 |3 \! v$ W* ]2 F/ Wfanaticism which dealt with having American students learn about foreign cultures. And specifically
0 E! a7 Z% l3 s+ f# Labout food cultures, and more specifically yet, about Chinese food culture. So I would take my* L: D! c, p6 X- x% Y7 K- a2 `
students to this wonderful Chinese restaurant where they cooked off the menu using a Chinese- B- \, t# E j% \2 s
menu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?) Y* w L( E. Q* E' j4 X* Q, p
[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
: k+ E$ N! |+ e' Gthe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with
$ u, L" H5 X1 q9 l i, ]chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And
0 {: i' y2 X5 h9 Xso it came time for graduation and I handed him his diploma. And this was the picture one of my0 D1 a; g: J! ?8 j( S8 }5 f2 L
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and/ U5 h- u, Q. X1 A S
gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
' E; ^4 v- M5 t: h5 {- y' i- \diploma to show it to his parents, and there was an autographed copy of the menu in Chinese and
* s9 j8 Y8 M. \% e; n) mno diploma. [laughter, applause] It was one of the few times I got the better of him, I have to
7 [5 r8 e# q. P! t& E! ^" Yconfess. Well here we are today, all of us, and hundreds and hundreds of people all over the) t0 y. Y3 ^, |
country, I dare say all over the world, participating in this great event to celebrate you and your life.0 U8 ?4 z1 G- g6 `- ^# [# p
Randy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model$ j: x( M. y( L: y+ n
academic, especially as a mentor to your students. Your Disneyland expeditions not only were
$ c6 B" N* ~, M* {unique but they are legendary. You have more than fulfilled the terms of Brown University Charter,$ b# f/ E P5 H) h# k
which are: to discharge the offices of life with usefulness and reputation. Your utter devotion to9 A$ A' Q. w& L6 C# x
your family and your career are exemplary, and continue unabated as you cope with the immensity
$ z7 u/ |7 V+ wof your situation. You exemplify undaunted courage and grace under pressure. The most terrible0 n* Y& q2 I6 L
pressure one can imagine. Randy, you have been and you will continue to be a role model for us.
& e, C4 n6 h% E8 U9 `[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
7 s7 i% C) [- e+ r2 ?( _4 ?' ~you privately and in such a public way how much we admire, honor, and indeed love you. [applause]
7 z) o! ?; G; `$ {: X) _[standing ovation]
! N! d1 s/ Q1 s, j
. Q% b- b5 l. y L+ N[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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