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This was in a Vistek ad…some cool tips you may want to use.. |- {) k. B0 `! @
; r" I6 L3 }* [Digital Black and White, v. B2 M7 c0 q8 d
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
' J' I* d4 P9 k2 S XUse the shadow and highlights tool in a RAW software program to7 P0 T3 L) I' p5 F
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White4 \, M g! d) g A* u
methods provided by RAW and you'll have a correctly exposed black
* v5 ?1 r! \ Land white image.! S4 n$ |. L! ~6 p# \7 i2 L1 [7 B
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White Balance8 g% p O- `$ O8 n* `: {0 p
If in need of a quick white balance tool, you can use a standard: a4 G' p* L b3 ]9 [: k
white coffee filter. Use the custom camera white balance while aiming2 N/ W. J. D. G5 |3 G3 j
the coffee filter and lens to the opposite of the light source to get white
7 c S/ y. Q7 o* l+ Jbalance. I always keep coffee filters in my camera bag for
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2 k' u( c! p' iPseudo ISO Boost
( E+ p, @+ V* @9 SIf you’re shooting in the dark at a concert venue and need more8 D7 Q. L' w5 a. J" ^
ISO boost from your camera and faster shutter speeds - choose
7 l! I6 `' _2 [$ ^the highest ISO setting on your camera and underexpose your image
7 F9 w5 j+ i! k* e: K! mby one stop. Then you can use a RAW processor to overexpose the
& j1 @0 L$ }+ ?! c' R1 fimage by one or two stops. Image noise may be higher but this- a9 r' b0 G' n1 \3 \5 D4 B3 x$ }
works very well for concert, venue and event shooting. |
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