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This was in a Vistek ad…some cool tips you may want to use.
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% d5 B) t7 b" |, c S6 L( `* y: M2 e+ L. JDigital Black and White
0 D% M) s- j/ s% |Shoot in RAW and underexpose your image by 1/2 stop to a full stop., `% D5 G9 Y2 ` J1 k* f
Use the shadow and highlights tool in a RAW software program to
9 G, U+ B4 X: s1 F. w6 vrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
' J2 H* g3 N2 r+ a2 D7 Z# P( Zmethods provided by RAW and you'll have a correctly exposed black
X. {; Z/ {! O) @* w: m0 vand white image.# A0 v3 O. a4 L6 u1 Q2 v: \
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White Balance; o" t5 S% `( o& `: Z: b
If in need of a quick white balance tool, you can use a standard
# {$ n. p; N: H% Iwhite coffee filter. Use the custom camera white balance while aiming
3 e2 N( i5 M1 Q5 K7 @# M$ M( Qthe coffee filter and lens to the opposite of the light source to get white9 ^7 } V: W1 X" t
balance. I always keep coffee filters in my camera bag for9 o) s: h T5 D' P& E- e0 ^0 i2 M
such occasions.4 |. Y0 ? c( t0 k9 P2 g
* B O4 E, `1 [1 D4 ]Pseudo ISO Boost/ ]8 ]/ x8 [% |. R8 D# S
If you’re shooting in the dark at a concert venue and need more7 D, r$ V9 Z; i" @; l; ]
ISO boost from your camera and faster shutter speeds - choose . G0 \% [2 [ D
the highest ISO setting on your camera and underexpose your image% Q9 ] Z" S8 n. P" ^3 F7 n
by one stop. Then you can use a RAW processor to overexpose the
) B* _' [# V& ^. j$ l" Y$ ^* ?- \9 @image by one or two stops. Image noise may be higher but this
& s1 _5 X& p9 O* ~. k. @5 q9 s& lworks very well for concert, venue and event shooting. |
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