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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
; u8 c6 A( x1 `- O# j7 dShoot in RAW and underexpose your image by 1/2 stop to a full stop.
. d1 ~0 K+ y0 V% [9 N6 M6 Z3 hUse the shadow and highlights tool in a RAW software program to$ @6 y: b/ r" f& Y. i0 g$ L
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
2 I6 [- D- w* j. jmethods provided by RAW and you'll have a correctly exposed black
! j, r9 B8 ^1 z' J) ^7 @+ E- T- nand white image.
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- @2 ~- n0 R/ K2 e h. n* F8 ^White Balance
9 h; E+ O* h5 ?; w1 OIf in need of a quick white balance tool, you can use a standard
, C7 l5 B! p# L% Iwhite coffee filter. Use the custom camera white balance while aiming8 u3 J9 s- K2 J
the coffee filter and lens to the opposite of the light source to get white
/ y s0 E1 y0 j4 Mbalance. I always keep coffee filters in my camera bag for
M( x7 j: {- `# ?7 `# l& b; \such occasions.
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Pseudo ISO Boost! R' n V: T$ F* B: e+ A
If you’re shooting in the dark at a concert venue and need more
& b9 |; X) v- }& f2 q0 N BISO boost from your camera and faster shutter speeds - choose
' E$ Q: }9 I+ F) W2 A- a, Jthe highest ISO setting on your camera and underexpose your image
+ h- Q2 K. b! f3 ]' o- e- cby one stop. Then you can use a RAW processor to overexpose the
/ Y1 E- a: g! N- ~* g. Wimage by one or two stops. Image noise may be higher but this2 I5 U$ d& V; N3 P, K" G- B
works very well for concert, venue and event shooting. |
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