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This was in a Vistek ad…some cool tips you may want to use.9 h! h0 s( x5 A+ c6 i$ G
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Digital Black and White! }3 H2 }0 l6 G3 M( s6 h9 s
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
, \* _& \/ g7 i/ gUse the shadow and highlights tool in a RAW software program to
2 ]5 ^+ G# j" Mrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White3 \$ k) ]5 g% l7 ~9 H
methods provided by RAW and you'll have a correctly exposed black$ k1 \, L; g; i' M# `. d4 e1 o7 G
and white image.
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+ n- s6 J- C+ q: d! B5 rWhite Balance
; V: `) T. B: u* SIf in need of a quick white balance tool, you can use a standard; v2 ?7 \' D* \# L- \
white coffee filter. Use the custom camera white balance while aiming8 A$ c& K- ]+ d* k: e
the coffee filter and lens to the opposite of the light source to get white1 {) ^& ~! j, S& J, c$ a+ W% X# O
balance. I always keep coffee filters in my camera bag for1 ^7 U& j _ P. x: h2 l
such occasions., s" N- X8 A$ i1 {; V! M2 q# O
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Pseudo ISO Boost
# F! D, U* u& Y. EIf you’re shooting in the dark at a concert venue and need more
! u6 m, N! Q; V% G4 r6 N% S. qISO boost from your camera and faster shutter speeds - choose & _: f3 C# C; z1 m+ E, C, |4 {8 P
the highest ISO setting on your camera and underexpose your image+ i- R; i. [& Y# J* n# S: I
by one stop. Then you can use a RAW processor to overexpose the
! q, Y% S* L A4 E- _4 \image by one or two stops. Image noise may be higher but this( ^* T! h. S) W% M
works very well for concert, venue and event shooting. |
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