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This was in a Vistek ad…some cool tips you may want to use.7 S* O+ ~' x; X5 }# @# O
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Digital Black and White
& P2 u+ U8 j; ^/ V" zShoot in RAW and underexpose your image by 1/2 stop to a full stop.
: b6 M+ V8 O5 i; tUse the shadow and highlights tool in a RAW software program to
5 N& `; |: v4 h* K3 n* k" ?2 y! irestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White$ x' i2 M0 d! X+ X$ L
methods provided by RAW and you'll have a correctly exposed black9 S8 b. I7 t* t, n+ w, a
and white image.0 x# P* _ G- Z
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White Balance9 s9 ~0 N$ T% c; c
If in need of a quick white balance tool, you can use a standard
% f8 Y% i2 z/ g/ k$ hwhite coffee filter. Use the custom camera white balance while aiming& n! ~9 {; R( j* }) L; J- ^% G
the coffee filter and lens to the opposite of the light source to get white) _* O+ Q# E- p
balance. I always keep coffee filters in my camera bag for
: j# _7 y( \7 g5 j3 t6 x Zsuch occasions.* _& L H# n, c- v" g
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Pseudo ISO Boost
1 z! b7 v- L: M% P( p( r) O2 X0 dIf you’re shooting in the dark at a concert venue and need more2 X2 t! _1 w2 t& _* z8 }8 z
ISO boost from your camera and faster shutter speeds - choose $ u* K1 A( L, T& Y
the highest ISO setting on your camera and underexpose your image
1 ^3 H; f2 |# Iby one stop. Then you can use a RAW processor to overexpose the
3 ~4 e* K; A8 S7 ^+ C5 nimage by one or two stops. Image noise may be higher but this
3 {& O2 V U, A4 Oworks very well for concert, venue and event shooting. |
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