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This was in a Vistek ad…some cool tips you may want to use.( r4 {; i ?1 O8 a
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Digital Black and White. g7 {" C* e1 o w3 m! c# }
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
/ m6 r5 V5 H& |+ H% } C4 u BUse the shadow and highlights tool in a RAW software program to3 V. H5 l$ ~8 X) }
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White% \5 _4 d% j. C* o' \' a
methods provided by RAW and you'll have a correctly exposed black
$ u9 q+ T" N) Y* e# yand white image.
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U" C) y' S% L2 T% J7 P( ~White Balance
3 P+ D. B# e2 C# F, D( U; hIf in need of a quick white balance tool, you can use a standard3 E+ N5 l# j, I% Q4 F# @
white coffee filter. Use the custom camera white balance while aiming) h) b2 H( P/ d$ D) _
the coffee filter and lens to the opposite of the light source to get white `' P* h6 t7 F M% Q
balance. I always keep coffee filters in my camera bag for
' T+ P* P/ R$ F( d3 m7 @2 psuch occasions.
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Pseudo ISO Boost
; B) X. ]5 \) N* Y6 j7 HIf you’re shooting in the dark at a concert venue and need more7 V* Q. J" q" |# a; x. L6 K8 X
ISO boost from your camera and faster shutter speeds - choose ' }& A" O* f* Z V
the highest ISO setting on your camera and underexpose your image
& ^8 h; e+ M. V3 C. U' A+ b7 Bby one stop. Then you can use a RAW processor to overexpose the7 H& y8 v% r1 \2 F
image by one or two stops. Image noise may be higher but this
: G7 V3 e) W. i; `works very well for concert, venue and event shooting. |
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