D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
4 H5 s6 @, k1 Cmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
! O$ v0 k6 E. I* i9 s, A, {3 dmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
  r% c2 J/ p- r" q, D0 l1 K3 I2 `- Uwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
: S3 f, ?( p/ [9 D4 W* ^widely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
! X1 u* \! ?0 \8 U5 P# O9 ]# obefore, and my style of shooting will be enhanced rather than compromised,
. c: `3 D2 S+ ]+ i7 sthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
0 |. {, R  v0 U' }' |8 ~36.3 megapixels changes the industry standard: in image quality, dynamic
$ v, }5 b% b3 G! [4 Drange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
* @7 L1 D9 {7 {7 `  pD-SLR. The improvements in rendering skin tone and specular highlights, as
  V; ?& Q3 F  D. P( S3 X5 ~1 Ywell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
7 `0 ~# [$ L5 e& |8 heasier to read. The camera body feels solid and ergonomically simple, while
' ?+ S2 n" m" D( p/ [3 Malso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
5 G, M5 q9 A" h$ BTo me, cameras are more like paintbrushes than technology. The goal is
) p, u6 h9 _; Cnot megapixels or technique but the image, and while camera models
# j' d& E$ G- d, k7 vare important, they are not the be-all or end-all. But after a lifetime using
8 Y+ f" Z; b9 n( U# F7 Tcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
! L6 g2 I3 w! h0 Iacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
3 X. v/ R; t1 V; g* N' B8 ~0 utremendously to the camera’s personality. After spending a month with the
7 k  Q$ z( _2 q! @% d3 h' G2 ]/ GD800, I’ll never be the same again. Perhaps the best compliment I can express
0 i- O! T! {6 ?/ Iis that now I will think differently about the images I make.
( R) {: M' q: ]. m/ VAs a modern architectural photographer I am always looking for a lightweight,
& e& a4 t. [! \' \1 Ocompact and reliable camera system fulfilling the requirements of my personal
: y  K0 b3 y" H% a/ Q6 s' |6 v$ partistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
1 _/ V9 Q' `" q$ T0 `5 v4 N& rcamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
. o# N) i2 p0 u1 ]and easy focusing in dim lighting, which simplifies my workflow. Superior
' ~' ]- E$ S. ~6 p6 W( a8 aquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
5 K/ ~+ T6 Q# |9 i3 R" ?perfectly match with the newly invented system and produce breathtakingly
  q& N2 a0 b$ d( B! gclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
5 D' ?) @; A, n& Rrange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
2 M' x& E" q8 W) B! S" EThe D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
1 ^; D2 w# x- G  ]- bWedding (U.S.A.)
  W" y- w  |. n+ u7 SJim Brandenburg
Nature (U.S.A.)
) q; S- q+ o, A% \7 I2 }Benjamin Antony Monn
; [$ F2 T! [  j% b. IFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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