 鲜花( 152)  鸡蛋( 1)
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Randy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams& {" S$ A3 T& {4 v# L4 A; j, e
Given at Carnegie Mellon University1 o. j! o( s. a! d
Tuesday, September 18, 2007
7 f6 o2 X7 T c z3 L5 ?6 V" v) iMcConomy Auditorium' e* x" D j! ?5 G8 c5 {
For more information, see www.randypausch.com
3 Q9 f8 F4 e& T0 e8 [© Copyright Randy Pausch, 20071& z% S( a2 ?) L8 e
, m( | f# r ]Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:/ G( A& k* T4 [) S
Hi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled6 P- _9 ?) x. d3 i( f p$ c
Journeys – lectures in which members of our community will share with us reflections and insights
: @4 `$ r1 C# L3 D6 T9 N3 Y, Jon their personal and professional journeys. Today’s Journey’s lecture as you all know is by2 a7 `+ J" e$ {+ `$ b
Professor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky.+ |# f2 C/ r ]
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s
# y) a" i9 p' \friend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice% m! `6 r% }8 Y" G Q& ?; @
President of Global Brand Development for The Sims label at Electronic Arts. As you all know, The
. N) R: r1 {) U( C# R9 ^3 x5 ESims is one of the most, if not the most successful PC games in the world, with sales approaching
1 \3 S0 x0 d+ j0 rover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and7 c* J( }1 V7 \6 _" ? Y- |1 G4 Q2 j
Education at EA, bridging academia and Electronic Arts. His goal was to work with academics so
8 _' x# J, j8 jthere was an effective educational pathway for kids with building games as their dreams. It was in+ C. y+ k8 ?# R# b. E2 j: ^2 J: C9 e
that role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
* B' @3 i4 v/ Y' [7 mworldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite
5 x; z2 v& g9 |* F2 m) |. d6 ?1 Amagazine in the Southwest, and as CEO there, one of the things he started was school tours,
* g) O x+ J3 G1 ?$ e& Lbecause like Randy he shares a passion for inspiring kids of all ages to share their excitement for
" @* A9 S: n! D& G% |( P. oscience and technology.
. A& I) _3 J* ^! eSo to introduce Randy, his friend Steve Seabolt. Steve?9 s7 x) v" R. O; ]: r
[applause]
7 G5 O# z! M: q/ [4 _, Y2 qSteve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):. I( }* Q A* t5 x' r
Thank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
6 Z, ?6 j0 B2 H4 d& \1 x# P) t. gpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it
; o. [6 {6 ~, N# hwas 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.4 B: Y9 `2 b, f4 M
[laughter]' P7 Y+ U" |5 c4 H6 U
I don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from5 i- n' r; \/ z$ I; [: H9 B
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
7 c2 ^- v8 h0 g0 C% @20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.8 s) C' D& l" [! D! }# e
It’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic, T' T9 J. N6 K- I/ k* e- v
credentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I6 _5 e2 W) R8 F- g5 b
couldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m
5 W2 Y' C6 v, a: l9 b$ H; I- knot kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
1 S v+ |4 ~ `9 {scores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
4 x j8 l4 }* j) `– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four
9 _, {% O6 t" \( d3 f6 M( zweeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I
+ s% U7 ^+ u& a& z) ?7 V G& {6 isaid look – we have two choices. We can play this really straight and very emotional , or we can go- U: K0 U) p) r' C
to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called; R$ ?+ x. G ~1 t
him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,
" P" B; a+ `- Gwell, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To7 \( s! X# H! b K' Y
which he responded, we need to find you some smarter friends. [laughter] So you’re all smart
/ h9 ?/ G& o/ M/ @7 }, s) f3 Mbecause you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room." J) ]7 d- k. Z. ]* j
Randy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from4 i5 O4 |) O$ I0 W
Carnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year1 d( g Q% N6 T" F9 l
early. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design
8 _ E1 j$ }2 K4 X1 o; Y; }departments. He has authored or co-authored five books and over 60 reviewed journal and
, g* d. Q9 h+ T- E/ O. D0 cconference proceeding articles, none of which I would understand. With Don Marinelli, he founded
. [" l. }5 M3 q6 Nthe Entertainment Technology Center, which quickly became the gold standard organization for
: \9 I/ D% c# w6 K) etraining artists and engineers to work together. It is my view and the view of our company,
: L) j4 s) R% G8 J2 yElectronic Arts, that the ETC is the interactive program by which all others in the world are judged.' K! c1 N/ p" v& N, A% L c6 Y
I met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
6 m5 c/ O+ ~; k* othree years given the depth of our friendship. The ETC already had a very strong relationship with! o+ a0 X7 m0 D
EA and with Randy. And Randy as he always does, for those of you who know him well, wanted to6 K0 v* Z2 ]* x3 K- n
learn more, with his own eyes, about how the games business works, and how games really got0 R1 K& D( v% N( [
made. So he spent a summer in residence at EA, and I was his primary contact point. We were in$ P) n/ w, O+ P: }# P- H
my view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me
5 ~: z$ D) ?" C9 i' f1 r; ?! K6 Ywho went to the University of Iowa on a wing and a prayer. We spent a lot of time together that
; } r. R' A/ D% xsemester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white7 @# D2 }! y# y
bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more
" q m0 R* K5 H- F“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each
" }' [& _4 H7 o3 vother about each other’s very interesting, strange cultures to the other. Academic versus the
, n+ b1 m# i+ w; W* Z: Q/ l+ hcorporate world. And we developed a deep friendship woven together with stories about our kids,
9 M& T/ U% z% G. G y: N1 Four wives, our parents, as well as deep discussions about the paramount nature of integrity in
; w) Q. H/ U1 P. y0 z* reverything you do, family first, religion, our shared joy in connecting people and ideas, and; j3 O( y& Z$ ^* X( \+ a
deploying money and influence to do good. And the importance of having a lot of laughs along the2 Z3 n& k- E6 X$ i) A; L: J
way.* W9 f! b0 E* I$ I% K
Randy’s dedication to making the world a better place is self evident to anyone who has crossed
: ]% k7 @; K* a5 {* x; qpaths with him. Whether it’s directly influencing students, creating organizations like the ETC,
/ A+ y. i, q B. r& Gbuilding tools like Alice or doing what he probably does best, which is bridging cultures. As Ben+ k w, ?) X; j4 E3 J7 [1 U! W
Gordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,* c `' P/ `& |( c8 z' O- {
philanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he" n- E9 c- I7 M' _9 z
brings to students and coworkers on a daily basis.
1 |; D9 D: e& WFor those of you who know Randy, Randy brings a particular zest for life and humor, even while/ J/ P* \- b4 b8 I6 t: J
facing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,: X' [/ D' p7 S3 H: Y9 L+ Y
Logan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]4 w7 i' y( i5 {
Randy Pausch:
6 P5 D9 n8 _8 a& l4 ?[responding to a standing ovation] Make me earn it. [laughter]% ^+ M0 X9 |4 j3 Z3 V A
It’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the( }' m" I1 i y" B
Last Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,3 k9 G3 i( e0 x) o! y: ~) Y
I finally nailed the venue and they renamed it. [laughter]
% G7 J' m3 U- S! ~# _3 kSo, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad; ]! W" Q& v, S
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
9 r2 _/ V3 R- J" |' y) t9 sscans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good& m* M8 G: ]2 K* C
health left. That was a month ago, so you can do the math. I have some of the best doctors in the1 m+ i G Y w. W- E
world. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All4 O5 X2 p5 z4 o! N+ ^7 h3 O% U; {6 B
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to
) [3 u) V4 S7 K8 _: o+ T* ]* Orespond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t
; q/ k$ B9 M$ k) H% u, B9 D1 Dseem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
" I" G @. N6 P- _am not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,0 K" S+ c. `2 K& u
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a
( d3 _/ g7 n8 h( @8 Cbetter place for the family to be, down the road. And the other thing is I am in phenomenally good. e* {" z/ M4 {7 r
health right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact
# O) _7 h3 M; z7 o3 ethat I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the8 y: ] B% O4 O( R: ?* Q7 [
ground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and9 N/ ~4 W6 [' M8 {
do a few of those, and then you may pity me. [laughter]
8 ~# `/ P5 n2 j7 m/ r; q* OAll right, so what we’re not talking about today, we are not talking about cancer, because I spent a
* T7 {- {( X( N, J7 g' alot of time talking about that and I’m really not interested. If you have any herbal supplements or* F" r/ {9 u# g' O# q% }' V8 B
remedies, please stay away from me. [laughter] And we’re not going to talk about things that are
. a# i4 m0 _0 b$ L5 Z2 @3 i2 oeven more important than achieving your childhood dreams. We’re not going to talk about my wife,0 S0 j' w2 k$ K; ]( t. \3 y
we’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that
3 }- u; K6 a: n7 }7 ]& Owithout tearing up. So, we’re just going to take that off the table. That’s much more important.
- Z6 I/ I, ~* tAnd we’re not going to talk about spirituality and religion, although I will tell you that I have. o) L& m4 K2 f0 f* a5 ~) j
achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and' o7 A' c& I i, z6 ]
clapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about
, [* ]0 O$ e+ c& qthen? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that2 Z1 s n4 {. r# z% k
way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons& N0 d* T9 h E
learned. I’m a professor, there should be some lessons learned and how you can use the stuff you- X3 @3 s9 ?7 k. ~
hear today to achieve your dreams or enable the dreams of others. And as you get older, you may! o4 e& N/ E# E7 V; _
find that “enabling the dreams of others” thing is even more fun." ~1 J8 n! L1 U( M+ x2 J; Q0 _
So what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no* \) X/ X# @# ? D( H
kidding around. I was going back through the family archives, and what was really amazing was, I
( B; _" G" A8 J" w' scouldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
g+ w/ L) D* a' g6 L4 I. Ything. There was our dog, right? Aww, thank you. And there I actually have a picture of me
5 ], @9 m% N9 }2 `* wdreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
! h. t" n3 z0 J, [3 g4 O7 k e) }% n$ Vare 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.
9 J* H9 b+ t. i6 O/ A; D9 YAnd that’s something we should not lose sight of, is that the inspiration and the permission to
) [! w* [" X R. `8 K$ `dream is huge.7 {3 |+ K3 b8 f& j; ]3 n; o. T
So what were my childhood dreams? You may not agree with this list, but I was there. [laughter]% y* Y8 N8 M& o9 @
Being in zero gravity, playing in the National Football League, authoring an article in the World Book: W+ ]& K% K0 X" M
Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have% G g0 L0 B: b3 b
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big6 |, n1 @6 O/ u! |" D
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not
% K; @8 [- S2 Asorted in any particular order, although I think they do get harder, except for maybe the first one.
& p' x; h. y& S; wOK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an
0 c2 t: E2 Y* o% b; Oastronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have* }: C8 E b& W1 t& K, Z/ K# Y
glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.5 O4 @: @1 }0 _ n) V" j3 p0 G/ w
So, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation
! ?' h3 c3 T' Von a table top] But that didn’t work so well, and it turns out that NASA has something5 X) H5 z0 z. c* A. I2 l) o
called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,; \0 H V, v! t
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a
! |, [. [, O8 |$ U& urough equivalent of weightlessness for about 25 seconds. And there is a program where college7 L- y3 _7 @: I) _, h1 }9 a
students can submit proposals and if they win the competition, they get to fly. And I thought that3 H0 W% G: L1 t" ]% X
was really cool, and we had a team and we put a team together and they won and they got to fly.% o# i9 u$ R9 Q" S' V/ L
And I was all excited because I was going to go with them. And then I hit the first brick wall, because( Q* I! ^' _+ l1 J' {4 K' @" {
they made it very clear that under no circumstances were faculty members allowed to fly with the
& E1 V7 R# B% h% ^$ Y8 }" O% R- ^; }7 }teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
6 `! o( ]: ^! k `. ]- N% Icarefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns; D) d w2 ]% W
out that the students were allowed to bring a local media journalist from their home town.
1 o; |" O3 I, N4 t4 G% u[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a7 M) g/ n/ M" E: a9 e: P
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some
! n! O8 B6 b6 l: c$ ^1 Udocuments. And they said, what documents are you going to fax us? And I said my resignation as& V+ V# N$ {3 \# k- i. x% V, K
the faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t
, ]* L# ^7 `* J; X; z$ Oyou think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole* x" Q7 `5 B- v- @. m
bunch of VR headsets and all the students from all the teams are going to experience it and all those
. P8 ]4 F \$ Jother real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
5 N$ C9 o- C3 }# yoh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the* ~( L) ?7 l7 r7 K' Y1 f4 U( W
bargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring) i3 [( @5 }* U7 R; y/ U
to the table, right, because that will make you more welcome. And if you’re curious about what
: X/ G' a6 M; k9 l5 M7 vzero gravity looks like, hopefully the sound will be working here. [slide shows videotape from3 [) e H1 F* D! E+ @3 A/ D7 F
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,! N9 ~. W* m- W
as the people in the video crash to the floor of the plane on the video] So, childhood dream number" c T( J J+ e9 F, `2 R4 p
one, check.
2 x3 R0 r) W) u2 y* d7 W% |- YOK, let’s talk about football. My dream was to play in the National Football League. And most of
" j+ Q. S1 P' {0 r# u/ Fyou don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,1 Q+ b% Z( {0 S! R4 T: U* X @
but I probably got more from that dream and not accomplishing it than I got from any of the ones* f. f+ |, F& X7 {
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in
3 l- v; L/ y/ C G* \the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker7 f k. x9 |; J# h* p
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school." d, e( o, F. {, Q2 R
Like he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
' {! Z6 j$ Q$ W' V3 e1 rday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t% f' f* U0 Q! H9 H& Z3 Z
brought any footballs. How are we going to have practice without any footballs? And one of the5 s9 D1 j( z3 C/ e' h
other kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many
: ]; ~" y7 A( P8 Z1 E! z/ Pmen are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,8 w4 ?3 }) `- Q2 o
and how many people are touching the football at any given time? One of them. And he said, right,
" i; Z; y$ a5 {1 T8 Zso we’re going to work on what those other twenty-one guys are doing. And that’s a really good+ p8 ?/ b2 V& T( s6 X- D
story because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
6 I6 U/ D. l# s$ u! W( bto get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other! g" l- n- C, I. E
Jim Graham story I have is there was one practice where he just rode me all practice. You’re doing
i- u' f2 C. J) }5 _$ }this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups
- U" j8 R7 u# xafter practice. And when it was all over, one of the other assistant coaches came over and said,: i; X0 f1 O- U/ U0 E3 c' j
yeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He4 s' Y- ^1 p, [" r& p4 q! t
said, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave
7 f4 c/ O* {4 M1 lup. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing
2 o' O. b5 v, e9 {+ X! ?% ~' ysomething badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your% {6 L [: ]1 F! K& t2 T* r2 ?
critics are your ones telling you they still love you and care.
# ^1 P& N7 m+ d, ~0 rAfter Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of
& r/ |5 Q/ ]+ { E' a$ U( s' oenthusiasm. He did this one thing where only for one play at a time he would put people in at like# }2 K5 S9 W) {
the most horrifically wrong position for them. Like all the short guys would become receivers, right?" ]* I# Q0 b" A, j0 N3 l4 w
It was just laughable. But we only went in for one play, right? And boy, the other team just never& R0 A( E! R# U1 W9 X
knew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where
8 M$ }) X- X* t* ] C `6 Myou’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going
: {0 m- D" ?9 S \( h- Q% Yto clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this
4 M1 u% c8 |* o' ]' jday, I am most comfortable on a football field. I mean, it’s just one of those things where, you
- y' c, H* }1 ~know, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls+ s# q- t6 W+ a" _$ w3 P/ ?2 ~
with one of these things, and that’s just because, you know, when you do something young enough \- P: T4 Y9 }0 [7 K: a
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my* ?# h$ g8 ^1 C1 p+ |' ?
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
5 ~' R+ T" x, @valuable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great' n/ Z9 c+ a+ x+ _. c6 k/ l
right now.
6 G# n1 J# q/ Y, {, x, z) ? oOK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is, K5 ^% f) C1 I; H* Y
experience is what you get when you didn’t get what you wanted. And I think that’s absolutely% R6 \8 h( f3 o/ u( v
lovely. And the other thing about football is we send our kids out to play football or soccer or
' \* I( y9 H4 L; m4 C1 Bswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or
# v9 n" a D4 T6 v+ aindirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that2 o: ]7 k4 y9 D, z
I have a wonderful three-point stance and that I know how to do a chop block and all this kind of& d3 D8 Z7 y7 y; p9 a
stuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,
. E* ? m+ N: t$ w8 N" Dperseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important./ h n1 z6 p) x8 g% A
And you should keep your eye out for them because they’re everywhere.
) P* S6 F4 Q# h' h5 EAll right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had
% {2 _; H2 ?8 a4 c% |' Qthe World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these+ D4 n7 [& z$ ]9 \; ]' I
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,! k+ R+ ^% q0 j: m V0 T# e2 E- T4 D
but not like a really important one, so I was at the level of people the World Book would badger.
4 I; ~1 Q* w: }3 c* wThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing7 P) v+ m) T) a& q
virtual reality headset manipulating a 3D world], and there’s an article if you go to your local library
; ]3 `) }" c i' Mwhere they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And t7 [+ Y& y% i. P3 F; _1 p& y
all I have to say is that having been selected to be an author in the World Book Encyclopedia, I now
6 z' H' \. F x( w+ j! Obelieve that Wikipedia is a perfectly fine source for your information because I know what the0 I2 b6 q3 x8 V; K! U# e; x# K
quality control is for real encyclopedias. They let me in." \" H ^, ]" {9 P9 M
All right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you
+ y: \% e% U0 V: Mjust realize there are some things you are not going to do, so maybe you just want to stand close to/ l$ r: a G; C3 [& G8 @
the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of
# l# v3 r; C MCaptain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you- y/ ^. Y9 U# f* M4 E' }
want to be, and what I learned that carried me forward in leadership later is that, you know, he
4 \5 O' a6 D0 S( [# p' hwasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and0 D+ p F# ?4 \7 O
Scotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing: r# T" y# V; \0 L& O, k
and run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or
4 ~1 C* J* w3 w0 p: enot you like the series, there’s no doubt that there was a lot to be learned about how to lead people: e2 s4 X& Q7 u
by watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of- K+ d/ O; [+ X" o! j/ K- E7 X" _
Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing
% `7 }/ F" n1 P3 v- C' p; h[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just: K0 }9 E o/ P' U/ r( }- ~1 q
spectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of+ s# b: o7 } C) o5 `
cool.1 K$ ] A5 {) N! [$ Z, C8 t
So I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which* w. h5 `- |9 G7 Y8 B, c
I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author
) G( U8 W4 T, Lwho is quite good, and they wrote a book on basically the science of Star Trek, you know, what has) F9 g' P0 Z! @3 m" P7 o
come true. And they went around to the top places around the country and looked at various things' A7 D1 f# A, E |/ ^% q# T% v
and they came here to study our virtual reality setup. And so we build a virtual reality for him, it
$ P8 F5 Z: e5 ulooks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it; N2 I$ Q- d: X# s
in, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming.
0 D% J/ d, g7 W[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you1 ?% Q2 ]/ r7 L1 z
to see what cool stuff you’re doing in your lab. And that was just a great moment." J+ Z$ s% @4 n
All right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and
$ A, K ]$ t( g0 U/ oyou see the big buff guys walking around the amusement park and they’ve got all these big stuffed
# ^2 A- `( H( `animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
2 F1 Y6 s3 h6 l! O[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
5 A) D4 L% r! g4 H, A4 J& C$ p, gI’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just5 Y# T# d8 m: z
a big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally8 N. o/ H7 z$ ]
manipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid0 v' O$ ?1 n6 ?6 t
somebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this
; S" w: Z& C+ B+ _( lage of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them( i2 J4 L* z s% @6 e4 |
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them5 u- j/ d% C( |
back against the wall.
: T P8 f" f4 K' D0 J6 FJai Pausch (Randy’s wife):9 ?/ i0 ]# S( p+ z: s% V3 z
It’s hard to hear you. [adjusts Randy’s microphone]
% \% s# _ d0 \; ^% }: U# YRandy Pausch:, p- l G7 A( @7 J' p- V d
Thanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving
: X( R) y a9 s0 f/ R6 Struck, and anybody who would like a little piece of me at the end of this, feel free to come up and
+ W8 _2 L8 p D/ a% H$ Htake a bear, first come, first served.
$ K0 l B$ e& ^0 l5 ~All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero
8 a0 H7 u6 v( Q0 }8 U5 Dgravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family
$ ~( f" }! T& B0 V, y7 qtook a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s. b' `' ~6 ~) A- Y4 m( {
Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And
6 e6 S1 ^9 B5 a$ lthese are real vintage photographs, and there I am in front of the castle. And there I am, and for
- T, Z# z( O3 \those of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was
1 y1 C4 w& t: ?0 ?' Ojust the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,9 l- s% B/ W$ l W( L
I said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.* S% ?1 v. K) N6 K: p# S4 x6 Y
from Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
0 U! h; b2 ]* _# p" e1 J8 ^my letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest3 u c% c$ e0 H
go-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your" C s& h4 M7 N3 U# H! t# F7 `
application and presently we do not have any positions available which require your particular. Y& Z9 E4 d2 \( a; [" T2 ?( c
qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys# b5 Y! _! d7 W! V/ K
who sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are
5 `! X5 r, O# x" m+ S/ p* qthere for a reason. The brick walls are not there to keep us out. The brick walls are there to give us
4 u7 x4 G x) a' S0 v, va chance to show how badly we want something. Because the brick walls are there to stop the
$ A6 y3 y# `. J- N7 J, G1 S/ Fpeople who don’t want it badly enough. They’re there to stop the other people.9 \$ X% s8 _! q! x6 H" B
All right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
2 I3 q9 s( B* B7 RReality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared
" U) B/ x/ ?. t- @. xback in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew2 j# Z% F3 z# e3 {
my undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to
9 n: a- M! e2 ~! O2 Ddeath. And this icon in the user interface community walks up to me and just out of nowhere just5 A! V2 W l) N) x
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,
2 x4 W+ Z+ h5 C @: V6 Mmaybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
: ?) c n0 `4 L( p+ D" Y9 Fhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
5 @2 p" @/ m4 S+ t$ l( Ieverybody felt frustrated. And we literally hacked together a system for about five thousand dollars
+ |, k8 _' T" y, \in parts and made a working VR system. And people were just like, oh my god, you know, the
2 q. W6 j" y% L- THewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just/ v( l# ~. A5 R# ]
gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in
3 ~+ G* K# K0 T3 ?) Kvirtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know* U" s. }9 n: J! c7 v2 o- u
what he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m' H& m. g* h! A3 T( F
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
# o u* T6 _5 A) e6 j+ Aquestion, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little
& f5 Z# t! D* P; W. nmoment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
: E7 R2 C1 ^: r6 l" CAnd so Imagineering a couple of years later was working on a virtual reality project. This was top
9 u& Q3 M4 {% ^, e: L2 d& Rsecret. They were denying the existence of a virtual reality attraction after the time that the
; W2 V" T1 r- [( U; E1 [publicity department was running the TV commercials. So Imagineering really had nailed this one
. G8 B) e. H( {# `/ X1 Qtight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted9 Z* b3 Q7 w! f, k( S0 U8 c
display, sometimes known as gator vision. And so I had an in. As soon as the project had just, you
: \7 w, c5 b$ _( [" Q1 t9 sknow they start running the TV commercials, and I had been asked to brief the Secretary of Defense4 y9 v: g& I$ ^: e5 Q( a
on the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of
1 |* D; X3 Q: A3 A0 C* }Defense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m( T9 A5 o1 y% X" t& E
briefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the0 X' }9 y# m$ ^- l
best VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism& T3 G! ^4 }# [3 [6 W
stuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR4 s( C# K0 q2 J1 P* g$ L
department doesn’t have any footage for you, so I’m going to have to connect you straight through
* a+ K2 z% L R: Kto the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy% |. _, K! j" g1 B
who is one of the most impressive guys I have ever met, and he was the guy running this team, and
5 L: I7 O3 M! X/ C9 C# _it’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly2 V! n0 E: [2 W* o* c/ _& R1 Y8 n
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,2 A* ^: E4 n/ n
would you like to get together and have lunch? Translation: I’m going to lie to you and say that I/ U, `9 y& M/ d' q% l' u, J
have an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have
$ t- H0 s6 y) G9 Alunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all
7 u5 }/ W. J* W* B3 u+ A; n0 pthe VR experts in the world, saying if you had access to this one unbelievable project, what would' ]9 P! [" `3 {4 G: u9 H- K, A
you ask? And then I compiled all of that and I had to memorize it, which anybody that knows me/ [7 \# q; f) f+ @
knows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in
$ ?+ F8 r$ s; {5 I/ g( R# p$ Y; fdweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have
6 b& E" z1 O8 m9 ~thought he was talking to some phenomenal person, because all I was doing was channeling Fred9 N/ u; D- w f% H1 \. z9 m0 s
Brooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty5 ] ?2 k6 ^. |; s9 @2 {8 o$ @/ S
easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort
4 `1 d) Q- K& Eof, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.
. I( D: I% O" IAnd he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him) _$ H" }" h; _8 ?8 M3 e, s& i
about the possibility of coming there and working with him. And he said, well that’s really good# A$ v) K0 r# V
except, you know, you’re in the business of telling people stuff and we’re in the business of keeping
}% W4 @9 N3 osecrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I
, @: I( q3 H* |really loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just, o5 j& a* a7 C( F0 L+ ^1 w5 S
on what have I learned from Jon Snoddy. One of the things he told me was that wait long enough
- Y4 W( T/ {3 y) w5 n: Nand people will surprise and impress you. He said, when you’re pissed off at somebody and you’re; l& r$ N% J5 d! Y4 z
angry at them, you just haven’t given them enough time. Just give them a little more time and
) B* H; o3 r" ]. @they’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on- Q8 V( v [/ q# {( Q% {
that one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
5 z6 w( p& c, q2 |6 R+ ~; ysome people referred to it as the first and last paper ever published by Imagineering. That the deal
6 t! l9 u( e% f Vwas I go, I provide my own funding, I go for six months, I work with a project, we publish a paper., i1 `- A6 n* E: v {& Q
And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all9 D2 j- G3 h+ ]7 ]3 O$ Z
sweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns
) g- P: X2 X! `. sout that the person who gets his head on a stick is a dean back at the University of Virginia. His1 ?3 X2 r% i; O: p0 O
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting, x+ F1 d r6 p0 M7 J1 I
with me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to
3 b# d, H2 D+ F) vlet an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a
& q9 _1 q: T* J Q+ z+ @. O9 Lpossibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
+ k: Q( }6 f A0 Wsays, well it says they’re going to own your intellectual property. And I said, yeah, we got the
6 [& o* ^# R2 R ]7 Y! S/ l$ ?4 Pagreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,0 l5 ? P. x# B4 o* H4 v
but you might. And so deal’s off. Just go and get them to change that little clause there and then9 A7 s3 D" h0 O# {. X2 T
come back to me. I’m like, excuse me? And then I said to him, I want you to understand how* n8 v8 }1 \+ t# h! v) l& h7 ^/ w
important this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just
) X. t9 i. {9 Y, B1 _5 e( [9 v+ [going to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I
; a. T6 n/ T& U( P' Y5 Z" f3 smean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s3 K. x3 Q( d$ m9 j5 N/ C8 s
not going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And
P% ~+ A7 m$ j8 j$ bit’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.3 G, I" A5 i* D$ [" C7 A Q
Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
6 b |: M+ p0 l: }" Q[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?$ R6 e/ N. Z" P+ N5 e2 p6 m
Isn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true. ]6 j. s# o4 l! l; Z
I said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.6 t9 \7 h7 V1 Q' B
Coyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most% C. k. v$ ]( M) G( F
fantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,6 Y9 B8 K! |0 A/ @9 E! S. @
since I don’t want to have to back out again. So let’s start at the high level. Do you think this is a
9 ^; r1 k+ b& U% C5 h+ Q: A0 f5 }good idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.7 ~* h4 K5 y. Y$ M- z
All I know is that one of my star faculty members is in my office and he’s really excited, so tell me( l+ M* v5 C! `
more. Here’s a lesson for everybody in administration. They both said the same thing. But think
& {. z0 M/ k& h% ^& ~/ t% dabout how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I
; Q1 b2 x, V6 S+ F# w$ idon’t have much information, but one of my start faculty members is here and he’s all excited so I, h" o! B3 @1 N0 K5 L) I5 |6 F
want to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad3 c4 b/ Z5 ?" F i) d
way. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s
( f- Z2 I: s4 R2 |' Mwell that ends well.
0 r+ Q- w6 O4 b+ qSome brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely+ l% Q$ c2 o: m- I( f$ \
spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher
. F4 c7 L* d0 C' P! [$ i0 son Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.4 _( w8 `0 A! u9 `8 p" [# ? S0 j
And you would steer your magic carpet and you would put on the head-mounted display. The headmounted6 O/ Q3 m7 ^8 U6 J
display is very interesting because it had two parts, and it was a very clever design. To get5 Z3 K7 c& e; _4 e
throughput up, the only part that touched the guest’s head was this little cap and everything else
' l6 o0 I, b9 X6 W5 `clicked onto it – all the expensive hardware. So you could replicate the caps because they were
; a0 O( }( }2 u- E, Lbasically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is0 C, k$ l3 m# J4 t8 Q0 V8 f
I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular
. a' B4 q+ d' a5 a. P% \7 b/ rplace. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling& f7 U2 D0 z5 `' G( }
around on things the size of this room that are just big physical models. It was just an incredible8 n/ X5 I% r9 a! i
place to walk around and be inspired. I’m always reminded of when I went there and people said,* [& _1 o8 W) _* m- o- M4 E
do you think your expectations are too high? And I said, you ever see the movie Charlie and the9 u6 i- [( P$ ]: b
Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little8 |# s6 x. o6 W$ T
boy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever- U. n, S$ O" ]7 Q J# x
tell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get; |( U/ D. s$ _7 m5 ]& r
like saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever3 u: I# o/ n! N5 w5 }
after.” [laughter]
+ Q! B& m- ?: Y* }+ o! }5 DOK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I' W; ^- G% p- h. G) u/ Y% V5 P
stand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got& t2 ?4 y. M/ ^+ }# `& e
to be a part of it. But it got me into the place of working with real people and real HCI user interface
/ o4 ]% r) h* g- X0 G; Y v. Tissues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters
; d2 }& @$ z4 r; Y$ K9 b- R' v" R* bdegrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And7 z. J! X c1 i" o+ T' n' g
more than anything else, from Jon Snoddy I learned how to put artists and engineers together, and, [* A0 x/ S9 y% S1 ^+ U& b1 c. w
that’s been the real legacy.! m) O2 Y3 O6 u) ~+ S
We published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at
' E- p9 {3 m Z' cImagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of+ c- I2 g! M. _' F- y6 H$ M
first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH
+ Z! S* X7 x' J7 ycommittee, which accepted the paper, it was like this big scandal. Are they allowed to do that?
- u6 P( R/ {8 n; k! T. R, w! L[laughter] There was no rule! So we published the paper and amazingly since then there’s a
) H: `. y: U/ M2 x8 ktradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a* K) D0 x( W; |$ ]5 S# R
small way. [laughter] And then at the end of my six months, they came to me and they said, you
q, k% U5 Z D4 J% Gwant to do it for real? You can stay. And I said no. One of the only times in my life I have surprised
$ F5 |- G' S: [4 f |! y: P- mmy father. He was like, you’re what? He said, since you were, you know [gesturing to height of a
3 b8 V5 {/ V& O' Hchild’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of) h( T0 T9 Q. t7 G9 O, e" _
Maalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.; _5 j; K5 Q; v. T
Imagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the
5 j9 G5 y! }4 z; O$ |/ A0 |7 }; b; Cmiddle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK.
" `7 i, s! d: s; @3 T9 TAnd if they had said, stay here or never walk in the building again, I would have done it. I would; i9 d) ~; J) H# z; [
have walked away from tenure, I would have just done it. But they made it easy on me. They said: p( k0 h' h! D6 F: K# m9 d
you can have your cake and eat it too. And I basically became a day-a-week consultant for, B) Q7 e' x6 U4 J, }# w; u3 {
Imagineering, and I did that for about ten years. And that’s one of the reasons you should all
# @% }* Z% ^& @4 Q$ g. ~become professors. Because you can have your cake and eat it too.. j, b F/ v* v8 W9 W
I went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the/ ?3 B u- w6 [" ?
best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the& J! U5 f5 {# ^- U o
Caribbean. Wonderful at DisneyQuest.
* r/ \" ?2 w; I( ]' oAnd so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the: D4 t- Z% I7 O
question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I+ F8 R# T0 E. s5 I" s: A; i. ?
became a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I
. M- m% @4 n0 E" x V2 pdon’t know. That’d probably be a good close second. And this started in a very concrete realization
& Z( Z) _1 j) Z" I7 g9 ?9 e+ i& ^" U- |that I could do this, because a young man named Tommy Burnett, when I was at the University of+ } n) n% W+ j3 p0 ~
Virginia, came to me, was interested in joining my research group. And we talked about it, and he
" H( k$ a$ q9 R$ H# Ssaid, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.
5 r6 F, F5 J# `+ }4 h3 R. gAnd I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star
) U* K! Q0 ?( z- oWars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.
1 b6 @$ ?& I0 S# t O& `What year would this have been? Your sophomore year.
5 ^: |6 B3 T' U! p8 gTommy:, F; ^" l, `! }/ U# P8 W
It was around ’93.
M& q) E) F/ O, ~. L2 d3 aRandy Pausch:
3 E9 s( Y: r. P8 [- H7 IAre you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy, Z7 s$ J, a% v) `( E
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY# o6 }% o+ [ E8 M7 \
ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff
1 Y8 N+ J; @4 b. y5 o! {$ v7 a9 f4 mmember, and then I moved to Carnegie Mellon, every single member of my team came from Virginia
# U0 W9 j. A+ Ito Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all: a8 |& ~& Z) b. E3 e
three of those films. And then I said, well that’s nice, but you know, one at a time is kind of) ~, U& Q) z( r8 C2 v1 B6 R
inefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in; k6 @/ Y) H1 }: P& F* i
mass? Can I get people turned in such a way that they can be turned onto their childhood dreams?
$ }) X: h; F( D5 i4 y( jAnd I created a course, I came to Carnegie Mellon and I created a course called Building Virtual4 p7 O1 K/ P* q3 z I+ i# G8 y
Worlds. It’s a very simple course. How many people here have ever been to any of the shows?; ]) G3 L' t6 c6 h& k
[Some people from audience raise hands] OK, so some of you have an idea. For those of you who1 O; B/ |- `8 Z7 a3 k) Q. }" A
don’t, the course is very simple. There are 50 students drawn from all the different departments of
+ g5 w* z+ [$ I2 Lthe university. There are randomly chosen teams, four people per team, and they change every
3 s% A* x5 {+ i+ P! wproject. A project only lasts two weeks, so you do something, you make something, you show9 q4 U: T/ Y4 K0 c+ t; ~0 i# i; K
something, then I shuffle the teams, you get three new playmates and you do it again. And it’s
* A0 J6 V8 m. p4 ~" S9 K& P% oevery two weeks, and so you get five projects during the semester. The first year we taught this" b9 X3 T+ C, Y( ~ b
course, it is impossible to describe how much of a tiger by the tail we had. I was just running the
9 k' r% A0 t" w5 H' V |! Acourse because I wanted to see if we could do it. We had just learned how to do texture mapping8 e' v( `( s5 l3 x) J
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running' e+ ?7 d1 L+ x/ J$ J6 @0 o3 g
on really weak computers, by current standards. But I said I’ll give it a try. And at my new university
5 |- l/ f! Q' D' |- S. D[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all
- m. W5 d7 O2 X* x6 }these other people. And within 24 hours it was cross-listed in five departments. I love this1 `. }7 x1 p$ M, \8 ^6 a. p
university. I mean it’s the most amazing place. And the kids said, well what content do we make? I1 D6 L( C% W/ S6 M- v# {% c
said, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no% k: B) @3 G; r* ?7 u
pornography. Not because I’m opposed to those in particular, but you know, that’s been done with( E8 D( t/ Y$ y6 V% A
VR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas" u/ T, u1 g1 [4 h5 I
when you take those off the table. [laughter and clapping]3 _, U$ X; ^! z; H/ z
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two6 [% C m' j4 ^2 J# K' O# l
weeks and they just blew me away. I mean the work was so beyond, literally, my imagination,) _4 p( M* ]( r1 F: T7 s
because I had copied the process from Imagineering’s VR lab, but I had no idea what they could or0 Q, r6 }# p. I [! c' f+ U
couldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first
) ~8 k. \/ v6 O) yassignment, and they did something that was so spectacular that I literally didn’t, ten years as a
; N+ P0 F% L% mprofessor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van
4 J3 G4 X" M q3 VDam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I: y" Q" }7 {2 n2 L
had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]- k$ H- C: l( ]. w7 t
And Andy thought for a minute and he said, you go back into class tomorrow and you look them in
0 f! u& I$ s5 B' Vthe eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that
- F, q5 V% G+ d$ dwas exactly the right advice. Because what he said was, you obviously don’t know where the bar: G- L5 ~* Q4 j5 G* l) ^" G% v
should be, and you’re only going to do them a disservice by putting it anywhere. And boy was that
9 T) w; L! b) S$ F; ` D; \4 [good advice because they just kept going. And during that semester it became this underground
0 M: J( x6 G% v' _3 f5 {thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it8 o, B0 p" S% n( _; W1 D
was the day we were showing work. And people’s roommates and friends and parents – I’d never
1 x' W+ E" W. G- g* ~had parents come to class before! It was flattering and somewhat scary. And so it snowballed and- t6 F) Z k1 f0 W: H
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,2 o2 z; \3 }. A
it’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big
# \7 @6 }" i: C1 C$ [0 Lshow. And we booked this room, McConomy. I have a lot of good memories in this room. And we8 i X r. ~+ G9 \+ k5 A
booked it not because we thought we could fill it, but because it had the only AV setup that would
- m( K' F! c2 e# }5 z6 Q8 bwork, because this was a zoo. Computers and everything. And then we filled it. And we more than
6 \/ ], f9 R: B$ h7 ]$ Jfilled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris' ^* ?% `% B, M1 O
was sitting on the stage right about there. We had to kind of scoot him out of the way. And the Y# e. v6 A" f5 ]* H/ s
energy in the room was like nothing I had ever experienced before. And President Cohen, Jerry, F% Y" S6 U0 I2 j
Cohen was there, and he sensed the same thing. He later described it as like an Ohio State football% Z: c8 E6 d8 N l4 m1 Z- C& D6 _
pep rally. Except for academics. And he came over and he asked exactly the right question. He
7 j k( a6 K' U/ \$ d) E4 j& Dsaid, before you start, he said, where are these people from? He said, the audience, what
( k5 V4 M/ k9 {* A0 h+ Kdepartments are they from? And we polled them and it was all the departments. And I felt very
" j4 i5 h4 j% E0 J& Hgood because I had just come to campus, he had just come to campus, and my new boss had seen in5 [4 i% S4 j9 g0 u
a very corporal way that this is the university that puts everybody together. And that made me feel e! n" e5 F# Z
just tremendous.
+ N7 Y& n6 H1 n. Z, r* PSo we did this campus-wide exhibition. People performed down here. They’re in costume, and we8 j3 r3 }# H- G8 d5 I t6 [
project just like this and you can see what’s going on. You can see what they’re seeing in the head
$ k% k; B- p4 }, ]0 k0 tmount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]! M3 Z. w! y" t7 ]
This is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the
' b: j7 e: o+ N. W% ]4 Gmoon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can
# P7 K' s6 x3 g8 kget the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do! a! ?) e" ~( H) }+ I
our best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It M! E' G& H7 h; a4 b
was an unusual course. With some of the most brilliant, creative students from all across the
# [0 e/ S) b- C" \1 n* ucampus. It just was a joy to be involved. And they took the whole stage performance aspect of this R( K0 @: w% {0 X3 m: r
way too seriously [shows pictures of very strange costumes students wore]. And it became this9 T$ G4 p4 F+ [2 B$ F6 S# K
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids0 i" ~! h; Y# Q1 e
a sense of excitement of putting on a show for people who were excited about it. And I think that
4 U6 R6 [) v8 t( ^ ]that’s one of the best things you can give somebody – the chance to show them what it feels like to% Y( ~4 b7 F V- K% T- m% J
make other people get excited and happy. I mean that’s a tremendous gift. We always try to% m2 z% B8 e3 Q, ~1 M" m
involve the audience. Whether it was people with glow sticks or batting a beach ball around… or6 }+ ]# l( e2 m7 ?" f; T2 |
driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.+ o3 m( F) @* V# ]
This technology actually got used at the Spiderman 3 premiere in L.A., so the audience was3 m& F9 q, @+ Q$ i# ~4 b
controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from
7 {, }( G6 l3 @1 m& @& i2 Revery year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an
) Q9 j' w4 i" V5 z- U% B/ i nhonor it was to teach that course for something like ten years.: ]8 O& y, h7 v5 P# W" F* B. R
And all good things come to an end. And I stopped teaching that course about a year ago. People! m6 P2 v" F/ @8 B7 G9 x: P
always ask me what was my favorite moment. I don’t know if you could have a favorite moment.7 X0 B1 f3 Y3 U, H. a2 C, w
But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one
Y% p$ N/ S% @4 mof the rules was that we perform these things live and they all had to really work. And the moment7 y/ Y: @; g4 @* o3 i6 j G
it stopped working, we went to your backup videotape. And this was very embarrassing. [Shows
* _, f- I- }! f) B- Fimage of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller8 e* G% x- B% `6 w
skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was; ^; f( I* \. s, M! D
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk
9 m* j! S( Y5 R! R4 labout quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to
, c% s: B7 E4 N5 d& G! avideotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!/ i5 H& A( `4 Y2 y, V7 h
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of0 z1 z0 ^2 ], y! X7 D: ]5 |. J
this high technology course was a brilliant ad lib. And then when the videotape is done and the
|# F& ?( f) ]9 g, W7 z% Ulights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a2 k3 H/ A' k7 B9 x
fantastic moment.
' E2 g0 D* a1 \3 S& lAnd the course was all about bonding. People used to say, you know, what’s going to make for a
! `4 Y& G1 t; [+ vgood world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
2 b/ G& N g8 b- y7 eworld’s good just by the body language. If they’re standing close to each other, the world is good.
+ S+ D" ?& g k, p- A( |And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I
& D9 I, P3 n+ d: d" D3 `* [won’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped7 j2 v! T C2 _. v
down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you
: ^ s( W! m" e T: a' gwill get those arrows in the back, and you just have to put up with it. I mean everything that could
: N+ |; A8 d% }! i8 ygo wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun.
- ^' z4 ~4 T7 L. OWhen you’ve had something for ten years that you hold so precious, it’s the toughest thing in the2 E- O8 L3 w0 S6 U7 A) n
world to hand it over. And the only advice I can give you is, find somebody better than you to hand
8 `. T( c0 m7 w6 g9 ` _( s6 Hit to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have2 z) S' D8 |* M; v. a' x
to spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my
- M) [3 ]# N" p* c: w8 Ngreatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica
Y: H/ S7 {9 v9 J! L' SHodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this
, P! U% e5 e5 X) sover to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is
; N; @. y/ a5 Z0 F# b( c5 Cin more than good hands – it’s in better hands. But it was just one course. And then we really took1 r3 W6 g: S! a
it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
: g/ b* ~- N# W8 y4 agot together and with the university’s blessing and encouragement, we made this thing out of whole& N# A y& F" @
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go
$ k Z8 H. `/ knear this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology' g* u1 G4 W; V4 O) ]9 D
Center was all about artists and technologists working in small teams to make things. It was a twoyear Q! N/ a5 `$ q
professional master’s degree. And Don and I were two kindred spirits. We’re very different – O9 s& a3 {# o! J( `( @1 p) @
anybody who knows us knows that we are very different people. And we liked to do things in a new
: f% r( a% M- J) Y8 i8 Cway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to
% |6 b2 I3 j* ysay that I am uncomfortable as an academic because I come from a long line of people who actually
7 v5 k5 d' [2 P+ E. ?0 A. O# iworked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie( j2 K: r. j8 e5 W8 s
Mellon is the only place in the world that the ETC could have happened. By far the only place., h4 v# @ Q$ |, F
[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next
1 }, [. s+ P% \! b2 Fto Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the
# L" q& o4 M& S a/ Plabels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer
5 r7 T6 n0 q1 p9 ]3 T4 hto this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really
7 n6 o d2 N* ~2 E' }did play up the left brain, right brain and it worked out really well that way. [Shows slide of Don
4 H) O2 L$ z& o" Q; Y* P# xlooking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small
: }2 X4 ]( K9 q5 U, h8 toffice. We shared an office for six years. You know, those of you who know Don know he’s an
! x5 j& S9 }- M/ J, N$ q, L) |intense guy. And you know, given my current condition, somebody was asking me … this is a# O m. r* L5 `
terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said, M) {3 U( J( y V$ }
given your current condition, have you thought about whether you’re going to go to heaven or hell?( P' z1 ]% Q0 z% P( |3 [
And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.
; _! @6 N7 D8 G3 S+ [4 V1 JSharing an office with Don was really like sharing an office with a tornado. There was just so much
9 W7 [) ~7 S) H& v4 D" Fenergy and you never knew which trailer was next, right? But you know something exciting was
" w& x- P4 N4 \( r1 f6 Egoing to happen. And there was so much energy, and I do believe in giving credit where credit is1 u4 @5 E( H: _4 I
due. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets+ a5 n) X* O k4 }8 k
the lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share
8 u: w: n9 i9 s# f9 Aof the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great
% j" w; D+ M$ s# w/ Xyin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him
( _) M# a/ ?0 D/ n- kbecause the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk5 `, Z/ \: s* z% s5 H$ d# C
about that in a second.1 A# a8 _" g0 X1 W
Describing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
. A& U2 ?' q0 \) {% @describing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the
7 P! ?: E- I! S' T' j/ E2 Z# {+ J" qmistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation
; x" b% W/ @ } p+ c' c4 V2 ?about oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
& R8 _; P5 P% r4 b" Cpoint. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve3 |& W. s1 ], n0 D! ^
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only
1 H: A& Y Y5 kcourse each semester; audience laughs] The curriculum ended up looking like this. [shows slightly0 C W1 Z4 b, w) N8 h C& L% n2 `
more detailed slide]. All I want to do is visually communicate to you that you do five projects in
8 B& f' ^8 U! l/ m% ~# [7 J, o! ]Building Virtual Worlds, then you do three more. All of your time is spent in small teams making3 Z5 k( {- S6 C8 _0 G3 {! ]6 _
stuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s! w% t/ V: g4 \" C
a master’s degree. They already spent four years doing book learning. By now they should have
3 o0 Q8 I3 O1 g0 M4 Q u; Wread all the books.
% r+ {2 `( T7 p4 I- j& j# P7 YThe keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
1 b e0 w7 {% |/ d' Uhad no deans to report to. We reported directly to the provost, which is great because the provost
% ]: p9 I6 a. S' p K4 t2 uis way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.0 q$ `& b: u& r
It was all project based. It was intense, it was fun, and we took field trips! Every spring semester in0 [0 F! q% C8 S: W. S2 q
January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial
" g4 @6 o; ^! z/ V( M. M: C( eLight and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s- {* t% L g: ]/ J# w/ J8 _! H
pretty easy to get entrée to these places. So we did things very, very differently. The kind of
( z+ N: E+ s4 o/ Xprojects students would do, we did a lot of what we’d call edutainment.& T5 N9 [4 Z. ^/ Q H" C
We developed a bunch of things with the Fire Department of New York, a network simulator for% y# L, j2 J* T
training firefighters, using video game-ish type technology to teach people useful things. That’s not
- C& N$ e8 R7 U% zbad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve0 E5 E, U( K! P$ K/ T! J. B
got the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.
) j+ E/ [% J: v* e, K4 S[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written
, t- Z1 m& w) sagreements. I don’t know of any other school that has this kind of written agreement with any' D c( V& J6 e" l, o& I* r v
company. And so that’s a real statement. And these are multiple year things, so they’re agreeing to
: K& j. F, y$ y# Ehire people for summer internships that we have not admitted yet. That’s a pretty strong statement
. X! M7 s5 G. v. J' d8 L$ d8 b# j- Sabout the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful5 f7 P9 n4 l& M
complimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight
4 {9 I% H9 c5 \because he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already
2 l8 u4 V W9 J/ aon in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I1 V4 y+ o3 k: `( x4 Y6 w
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon
! f1 u" n u u: ]( Iis the only university that can do this. We just have to do it all over the world now.: F f% V5 M+ @' d. C9 o2 U2 W
One other big success about the ETC is teaching people about feedback [puts up bar chart where- x+ i0 S/ K" p+ |
students are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the9 _% } o6 A2 N4 K7 f$ k
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar9 V7 L2 i) P l
charts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put& M0 S% w9 Q& O8 l
that all into a big spreadsheet and at the end of the semester, you had three teammates per project,( a3 y+ k& ?1 Z* G* D8 E
five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a6 ]. D7 n/ Y/ _6 m' i$ c, P& O) P" W: M
ranking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard
% c7 J1 p2 b+ @7 l, Lfeedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and
0 m! R' s, i9 R/ Pwent, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in% l9 n/ _' K, t$ T
these meetings. And that is the best gift an educator can give is to get somebody to become self
9 `# [2 z; A% `$ E# p/ ?. f& @reflective.7 A1 V& ~! x# ^( D' }' Y \9 W" a7 q8 p
So the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very, c2 U5 C8 W' K) i" A
labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.. v! D. c" G; \4 h1 a
It’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.6 s+ R8 J7 p6 O6 |# Y5 |+ w
Scalable to the point where millions or tens of millions of people could chase their dreams with
: d6 U" ?# e" s$ u, q" c8 Dsomething. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on
* Z+ a! J5 P) ca Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a
6 v8 _# M% k9 B! U5 l7 Ynovel way to teach computer programming. Kids make movies and games. The head fake – again,& ~/ g% ^# @, h5 I# ?' ~! r
we’re back to the head fakes. The best way to teach somebody something is to have them think
7 b: G& t) E* c9 B% e/ O3 Gthey’re learning something else. I’ve done it my whole career. And the head fake here is that, D* v# J2 O3 f8 M, g+ c
they’re learning to program but they just think they’re making movies and video games. This thing- q1 F0 X0 U7 K. d: G8 I( k4 f8 n
has already been downloaded well over a million times. There are eight textbooks that have been
+ W' N% J5 K+ l% ]/ u4 s0 ?written about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The+ M$ t) p+ a& A& F# P) x$ C" Z
good stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get% f+ u7 Q9 q7 |5 p8 i/ O* d
to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having
" o& g$ n4 z5 w/ X+ k6 ffun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next! @: O+ A4 a! K6 @
version’s going to come out in 2008. It’s going to be teaching the Java language if you want them to
$ q; d4 w9 F. W5 C& }know they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And
8 s. k" x2 y0 i# f3 Y, w8 h" Q) dwe’re getting the characters from the bestselling PC video game in history, The Sims. And this is5 Y5 `% ]: H0 o$ `! Z, c
already working in the lab, so there’s no real technological risk. I don’t have time to thank and
7 k& d5 w5 ~+ `# b4 Vmention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be
8 Z, p7 `9 g, u( N" S5 }: Ubuilding this, has been building this. He is the designer. This is his baby. And for those of you who
' U" {' d, @5 A- i6 |+ [are wondering, well, in some number of months who should I be emailing about the Alice project,9 a& k' T [& y9 f# F6 c/ `% {
where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.7 c. b6 p5 Z/ E" q6 Y
Audience:4 M) w1 ]& _: s# F" t
Hi, Wanda.
1 a: v& ^1 L* Y* F3 d; S4 ~$ ]% ?Randy Pausch:5 A% S9 ~! s. s9 Y- P6 m
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her }9 z- B% B: z, y
Ph.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to) ]2 e1 h+ N& Q: w! M
middle schools with it. So, grand vision and to the extent that you can live on in something, I will
) D* }/ x/ P2 H5 G& G% D$ @: \live on in Alice.# x z; o; |& l Y7 O% Z: k, q
All right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
- q) R w# n; `- P6 T) ptalked about helping other people enable their dreams. Somewhere along the way there’s got to be
3 E0 y) W% Q# S$ h7 ]some aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors" ?$ y- }0 Y" {
and students. I was blessed to have been born to two incredible people. This is my mother on her
+ Y% f/ J) w/ X4 V70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]: T' @' H! [: b
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster
3 a( ~( r3 f2 Ron his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented
3 E% V: x& G) [because he did win that big bear the same day. My dad was so full of life, anything with him was an
- {4 l K( p$ s9 e/ ^adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,# D) Q. s# }) L" @0 X7 K9 R9 I
but I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things/ }8 d9 O( z5 b8 _( p- t
to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every }# L* e7 O( n7 @. n4 ?0 n, K5 s
year about 30 students get to go to school who wouldn’t have otherwise. This is something my wife3 K6 S+ }+ {! n5 k6 I# t
and I have also been involved in heavily. And these are the kind of things that I think everybody: F+ Z f8 A) T5 A g" Z
ought to be doing. Helping others.- E1 O G$ i4 v, F/ i
But the best story I have about my dad – unfortunately my dad passed away a little over a year ago. e# `: R: a& {& }
– and when we were going through his things, he had fought in World War II in the Battle of the
3 T: z. _ y) v ]( R* GBulge, and when we were going through his things, we found out he had been awarded the Bronze
4 \/ k4 X( c; N( X h hStar for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
8 p# Q. d% L) o. \+ _$ m9 p& dMy mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people
( ]* _5 l8 p. ?who love even when you pull their hair. And I have two great mom stories. When I was here* p0 q5 C& F( }, R! r9 ?1 p
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can8 Y3 J, W3 V' g* T) ]
definitively say is the second worst thing in my life after chemotherapy. [laughter] And I was
8 j& _6 t3 q1 a/ r8 f. kcomplaining to my mother about how hard this test was and how awful it was, and she just leaned- E+ B4 D. R" L- r
over and she patted me on the arm and she said, we know how you feel honey, and remember when0 s/ ]" h* ^/ U) W7 n
your father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother8 }! Q/ I" K2 S, T9 P& I# [9 ~
took great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
9 N L: r3 K4 W( i6 \4 i[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I6 m& s: d; E# p: c# M0 }/ P( ?
decided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an2 c, j6 Y1 P/ r* Z2 O1 u
elevator. And the great thing about this [shows slide of quadratic formula painted on wall]
2 y. B; E' }7 ]+ M/ X: X2 K' h, d[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And
2 _2 P6 P8 W2 k4 z, ?2 }they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And+ H, _% u. n$ Z
anybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me& ^, m2 z3 ^: o, P
let them do it. It’ll be OK. Don’t worry about resale value on the house.9 i i- n( b! W8 L+ S2 G
Other people who help us besides our parents: our teachers, our mentors, our friends, our
9 \4 y* }7 g$ v5 dcolleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
- C$ @- W) Z8 ?+ I8 _9 \9 y6 ?was on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a
& w1 J9 H: O- V6 mcentaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but/ O) Z& P$ t) S, V+ K
kind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching
5 P+ d4 A. v1 K6 O0 R& _2 Yassistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some
! S2 y& \& m- _& V3 Koffice hours and of course it was nine o’clock at night and Andy was there at office hours, which is
, m+ i, \$ y. c. P& C" l' |& zyour first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
0 R* R+ e; ]9 d5 y: c0 \I’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da4 M( p9 |6 m, [+ h1 i j" f
da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
p1 K+ F; f `3 Z/ i8 a* Xput his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame6 ]/ V4 R, |/ G, _. @1 c
that people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to" f' j' M( B/ M" X$ \
accomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t
) l, `$ ]5 _5 G. y& S& z1 R$ w1 d- fsay you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going
2 K7 c1 i m8 {# J6 q5 v* Oto limit what you’re going to be able to accomplish.- k* \2 p D. k0 y! F4 c2 s
When I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you6 _8 }) q. l6 {. U" y1 t+ ?
Andy stories for a month, but the one I will tell you is that when it came time to start thinking about; \3 u+ F/ \; \7 a' i
what to do about graduating from Brown, it had never occurred to me in a million years to go to" w7 k) N1 M& E( j3 f, P
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.
' Z! s7 e2 b' OWe got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.
" i, V$ ^; g7 Q9 [# D; N! R% w9 CBecome a professor. And I said, why? And he said, because you’re such a good salesman that any
/ r1 f. z& w( v3 N, u, jcompany that gets you is going to use you as a salesman. And you might as well be selling( Z) \4 k$ `1 t) G
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.! {* |- ^7 n1 F v$ @$ J( c) c
Andy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of5 j+ ] s" }4 b- N8 C% m! N
various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
8 l2 K: B$ @' `6 ^" r+ nhappened there. He’s probably watching this on the webcast going, my god he’s targeting and he7 j/ |9 Y$ V$ F0 I: J, R
still can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
: y; k1 N' P2 R* M9 owere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to) z( K! o$ M3 ]7 K3 o& w
endure that experience and I’m very grateful to all the people that I ever had to have worked for.% x7 N, i- f8 v( g( R. o, J4 ]' T
They have just been incredible.
$ y# W0 b- a; a4 U! N; rBut it’s not just our bosses, we learn from our students. I think the best head fake of all time comes
6 Z8 t& ^1 W+ w4 B/ Hfrom Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at) x) W& l8 l2 _& B( B9 p
Washington University, and she looked at Alice when it was an easier way to learn to program, and6 u2 y r2 D' B, g+ |
she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the
. c J2 P3 [; Q9 E; ]little toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the# O, H: b, K7 _( }& I
one who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work7 k8 N7 |" P! G: c9 D0 l* N
showing that, particularly with middle school girls, if you present it as a storytelling activity, they’re: m/ }& }7 l( Y1 K. E
P a u s c h P a g e | 19
5 X4 B, Y5 [; J& Hperfectly willing to learn how to write computer software. So all-time best head fake award goes to6 J$ M) |# \# q1 P" C. `
Caitlin Kelleher’s dissertation.
* h: g: L. I4 j/ \President Cohen, when I told him I was going to do this talk, he said, please tell them about having$ ~6 A. j; k% g0 v
fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish
$ C- W0 \1 d/ P0 U& N8 }5 [/ dtalking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m
( E0 Z l, [0 A5 O! B; phaving fun. And I’m going to keep having fun every day I have left. Because there’s no other way to
. b) U% l; e4 Splay it.! J) ~. F& t# r1 o
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide7 g) k b7 n. r1 D& @7 L; m
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m
) z) p" P& J1 k1 F. B8 d1 jclear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.; ~' g' L; a3 S
It’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
; m1 @: }$ y2 @$ z1 {, c6 Gother people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a. g! A& p9 `& i+ u" u0 {
group, how to care about people. M.K. Haley – I have a theory that people who come from large, g; ?0 I% C# b! m" H- w [
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a" a$ u; a! C2 |! x
family with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s
, |4 k5 m( L/ M( o8 K# Ekind of fun to do the impossible. When I first got to Imagineering, she was one of the people who- p- W% b' s9 a1 p. T" N
dressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?
3 B6 v# r" M7 X; k" rAnd I said, well I’m a tenured professor of computer science. And she said, well that’s very nice! P B, M2 G0 T. H% f
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]; s! V! s& \+ {& Q; e
And you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
) _( `# u2 s5 w& A% jcherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s
, J2 d y9 j2 Z0 g7 P9 ~ o2 Kjacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why- ?7 E$ y# S( {$ I
do you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
! w: [$ x0 ]2 U' t) V5 xwho were much smarter than me. And I said, because I can. [laughter] And so she thought that was
Q! O& K: u, ?, ?: r" la real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]1 O6 b% a2 m* Y9 _1 X5 q6 _
[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for0 u$ y6 g; A; n) Q5 [
the egomaniac in your life. So, I’ve met so many wonderful people along the way.5 p5 n* B, Z. ^* J) p
Loyalty is a two way street. There was a young man named Dennis Cosgrove at the University of
5 e! |8 \! g$ Q7 D2 N' kVirginia, and when he was a young man, let’s just say things happened. And I found myself talking
. f% d( A6 ^: {0 e" fto a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never
( ]9 u# f8 I$ F; M0 ?figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for
- S" E* E. L: qhim. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even
: b; j8 ~% h" P- ~1 H" B3 @9 v% ltenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I
2 u+ P$ z% x: A) Q) a' ^* Ethink he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.
" V1 z' S$ s7 u" d/ n4 [" gAnd the dean said, and I’m going to remember this when your tenure case comes up. And I said,
$ X/ Q- k! G7 a. [deal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
' `- ]9 B3 y& N" ]4 cBut loyalty is a two-way street. That was god knows how many years ago, but that’s the same7 V' [8 o! g% H8 O
Dennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only% J; l1 w. n9 x) y7 P$ G4 g7 T
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You* ?- ~1 v6 v6 u8 ` f' C
can’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would
4 _3 o& ]% j' Ibe Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living
) m5 Z1 ]! U! [% ]8 Nanymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by
3 K' S. l2 e9 D' t5 w7 f+ ~4 Kher, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
n: W: ^5 e8 l; ubecause Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
9 l C# e: g4 ]2 xyoung ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
( \! k/ ^% n2 W1 d2 Ycomes to men that are romantically interested in you, it’s really simple. Just ignore everything they) K4 X |, x1 Q& |
say and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to& T t% i/ V5 o, }% w0 e
my bachelor days and I said, damn. [laughter]! o) g" Y( i* Z$ V) P
Never give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
7 P* `+ A$ r& W9 k, X6 |eventually decided that it was getting really annoying to have me call everyday so they let me in. At a$ D% F) _/ `7 [* t( E+ L# @
Carnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate
& D$ Y- ~2 ~ N8 X) E/ \4 uschool, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you
& ]; z5 N9 \& Q, I( f. Aknow what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he
( e8 U+ t5 g# ]* b: p8 Khad kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had# `0 \1 t3 V& S& c/ h' n h
really gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me./ x& h2 T Q6 @! N/ B& e! e N' e
Which, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.$ Z8 C _& ]9 `# K+ }
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon.
1 p# Y j7 b; Z$ zAnd I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter
' d. n2 w' w& U3 h. E7 p& lon his desk. And I said, I just want you to know what your letter of recommendation goes for at4 f$ x j+ |& U
Carnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
# d( r5 N; n5 x7 t1 Xhe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the
( L0 R1 p4 o5 \9 C& |) r$ s1 r) Cway I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me.0 {! V: M! ~; k$ K9 |
[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,3 H" K0 l7 l2 Q4 \. S3 y$ C
I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,$ F9 s- k; F, @5 V9 Q u. j
go visit the other schools and if you really don’t feel comfortable at any of them, then will you let me. v# q* c5 ^0 U9 _7 b9 V. i
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and
7 q% R ^8 X) K% D5 _I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]" }- y- J0 ]/ T
Berkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
$ g. {/ O7 m/ r8 `% Vknow, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked/ f& p2 F. {$ q' S8 G( q
in Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his4 \/ c" M$ l/ l' W) [) ]
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So. J; H0 X# f0 i' a1 _ h" l7 O& {
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I
" f* q( E1 g6 v- jdon’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy,
$ o# `9 J' j, B% K2 V _2 cwhy are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since% p( V' U0 U3 _7 q- E
you admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious
- ]5 Q& b4 o) R/ {" e. B. \fellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a
3 E7 }. h4 H4 v5 |+ b ?/ l) w/ Vfellowship, money, we have plenty of money. That was back then. He said, we have plenty of
. y% {6 Q M( G4 Dmoney. Why do you think having a fellowship makes any difference to us? And he looked at me.
: ~& N+ g! e) h' M+ d% H, mThere are moments that change your life. And ten years later if you know in retrospect it was one of
3 v3 W: A# e$ {+ T- S' Q4 U, _7 ethose moments, you’re blessed. But to know it at the moment …. with Nico staring through your
2 G5 y# I+ ^3 ]3 Y2 ]P a u s c h P a g e | 21: F0 j- j7 Y# i" F+ d7 ]& }2 o6 T. C
soul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an6 g9 t# n f$ s2 |' x
honor. There were only 15 given nationwide. And I did think it was an honor that would be w4 Q: k8 q6 x3 a4 h8 C
something that would be meritorious. And I apologize if that was presumptuous. And he smiled.* D' B; A6 y. A+ c1 E# V/ [
And that was good.
5 k' B8 s9 h+ B4 P( j" Q+ zSo. How do you get people to help you? You can’t get there alone. People have to help you and I) {) f: k+ U# a# M- j' O! z
do believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being
5 E. d0 b8 V9 k: u( searnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
# R# f% r# K* l1 Q1 Q6 |; Y4 X- [is long term.( b& X, G0 _" @9 P& m# l
Apologize when you screw up and focus on other people, not on yourself. And I thought, how do I6 I5 N5 |9 O/ X/ k* q
possibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete/ v6 D; [9 G9 }
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]
+ ]- v; @9 S6 T8 r) z |& YSee, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus9 e, s, {8 F" Q1 Q" z N) }
on me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
3 S6 ?+ L7 h4 } ~+ L' W: rbirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled
, y' z2 B0 V' ]3 [% g+ ]0 M1 uonto the stage] [applause] Happy—2 G* e+ f& L) Y9 g( f4 v
Everyone:' u" ]9 _) e5 G+ E0 m4 q P5 v
…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy2 A4 _5 ]$ X* B( q* l7 A$ G2 ^3 G
birthday to you! [applause]+ g) ^ Y0 J3 X y1 {/ ~3 o
[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The- C+ ~% |6 t; {3 X& @3 q
audience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]
% @( U. [6 ]1 ?1 N6 g1 i$ |Randy Pausch:) W4 b; B2 L3 ]; p
And now you all have an extra reason to come to the reception. [laughter] Remember brick walls let
6 s2 C/ d" Z: M6 Gus show our dedication. They are there to separate us from the people who don’t really want to6 G$ P! i6 T/ q$ x' t e. u
achieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.- O. Z# J* U- ^# ~' x* o
[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was, n% `5 R. K5 l4 R
the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we: z$ [) g c# q i* W
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to7 ~/ x$ ^4 P! c+ W$ D
give eight million dollars to USC to build a program just like yours. We’re hoping you can help them% T' i6 r# {/ H
get it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And
$ B& U, }" a8 U @to quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we4 F3 o: g3 k, q: i
have a great relationship, personal and professional. And he has certainly been point man on
8 U$ d! D# k9 c& H b& B rgetting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it
/ w, [* B- E) m- Icertainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t1 g3 U7 T1 s$ A! D7 q- T+ P" b
have been the right thing to do, and when you do the right thing, good stuff has a way of happening. Q2 J) j9 ?' ^' r% B
Get a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or: S6 ?0 Y3 J$ A0 f* \# V( Y
it can just be one great man who tells you what you need to hear. The hard part is the listening to it.
4 B& i8 |" t Z9 V! v1 P8 Q h& vP a u s c h P a g e | 22
9 N5 }# j6 F& [8 y: K$ B* {8 T, ~/ ^Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed8 {- K z% s: s3 u1 O
to, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and4 l" R! r5 u5 S O3 {* m
use it.
' h) V: c! P1 W- `( U; sShow gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.5 F* F9 n& ~- p2 @+ d. Z
And one of the other professors at Virginia said, how can you do that? I said these people just4 F5 Z2 S. g$ i* `* i1 G. t
busted their ass and got me the best job in the world for life. How could I not do that?
3 T* {( a# Z0 y$ ]0 A' ~; M( wDon’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league
. y3 b2 A, |* P5 @baseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even
/ s5 I2 E# ^8 [ k) |' Rwhen the fans spit on him.# A5 P& c% P, r3 |6 Q
Be good at something, it makes you valuable.3 {( M4 |2 ], e: G: z! L; k1 a
Work hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,
4 r/ g1 p5 V' k/ R2 t; R* ^3 c9 Y) Jwow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
* @% z) N# z7 E" k- ^3 T) smy office at ten o’clock and I’ll tell you.- i5 f& ~/ A5 W+ }7 u' D, m
Find the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might/ l. K6 q" T8 E9 B7 ^" ?/ V
have to wait a long time, sometimes years, but people will show you their good side. Just keep: D% |. M% W3 E6 h
waiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,
$ l% p6 V5 F: A+ V, Q" R9 eit will come out. g5 J- q. x2 \8 `) S/ {
And be prepared. Luck is truly where preparation meets opportunity.
' N+ v. Y, X. d# iSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons5 ~! m( B' P l- W: S3 K' S, S7 z" M
learned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your0 i" i3 d; N3 l. W; y7 ~! d
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
! X; O+ `' f% H: Uof itself. The dreams will come to you.
* ]% R( e& E/ z+ A4 `: [! SHave you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,) E& G+ t8 l |* v
good night.. W+ G9 d4 Y/ Q9 {
[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit
% a, N- e, |5 b% W5 J/ h/ ]down in their seats; standing ovation continues for another minute]; J* A/ x: [7 ?5 E' ~" P
Randy Bryant:- q9 F: Z e* Y9 v' ^0 l- P
Thank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.8 C0 ~4 w o. `7 }. ?/ ?3 O
He had this theory even up to yesterday that there wouldn’t be anyone in the room.
* t* ~" S; L$ O3 g SRandy Pausch [from seat]:
; O& |, A. k, A9 e8 l4 p# VAfter CS50…
. G8 @+ f) d1 l( u' i3 w) y9 {Randy Bryant:; f7 c( O( f: u* E K J- J( x
I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy. b$ J ]+ ?; G
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
7 k& |8 M3 I( i9 j6 k6 O. Mfrom Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of% S* W. b: u3 y! _1 R y! O; D
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the; w* F- d+ m7 c. {
other Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased8 c4 l5 O ~2 A. K* o9 D1 V
today to be able to sort of run a brief series of ways in which we want to recognize Randy for his
7 f" F! n! |! ^( } ]- k9 u5 X9 e( Wcontributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we
* X9 N# S! z- q, xhave a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.
% \. ~, F) }4 y; I5 AI’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from
2 f* G/ ]7 ^( }2 GElectronic Arts. [applause]0 m+ {. Q8 R' }
Steve Seabolt:
% b1 Q3 T4 z. {' dMy family wondered whether or not I would make it through the introduction. [voice starts to crack
1 M( |7 h4 r% X- x: d+ G$ y! yup] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,1 k& r" a D, x9 r) `9 F+ g
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying- k2 e0 \9 c# m( ?
to encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t' J( o- c9 j, c7 J$ m5 c5 M
be a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,4 V4 m: k6 V" a% ^) q! m4 o/ A
and at the same time companies are forced to off-shore, there are fewer and fewer) a" x" `8 W" f# ^7 I+ d% w6 u& v9 [, }
students entering computer science. And the number of women entering computer science just
! {6 M) |' v& F7 q( Y F i6 K3 ykeeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so4 V$ X0 x/ m2 n" D5 B0 \ C
many more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the$ P' x N8 ~5 N# y% i
Randy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership5 @- B8 @, J3 @9 W9 q8 ] i# V$ A# Q
and contribution to education, computer science, digital entertainment, and his commitment to
4 h, j) J! b2 l$ ?- o" Kwomen in technology. This scholarship will be awarded annually to a female undergraduate CMU
5 s) N5 q) m0 R* Kstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in
) ~: C& Y/ m/ w6 fvideo games. Randy, we’re so honored to do this in your name. [applause]$ z- K3 C0 c0 L
Randy Bryant:- p8 _% R% {3 I$ O& x2 V
Next I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing
' R# n6 f1 W: Y5 s: T" a mthe ACM Special Interest Group in Computer Human Interaction. Jim. [applause]7 G: X: h: x- V* V% Z8 t8 y
Jim Foley:
6 W) n* Z7 }* Q3 z: F! O2 X5 v[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the
& M, x3 k4 _( m/ SAssociation for Computing Machinery is a group of about 100,000 computing professionals. One of
8 @( l$ H, n; Ltheir special areas of interest is computer human interaction. A few weeks ago, someone who’s a c. h; p6 T+ W( z, t6 r9 h- G
very good friend of Randy’s wrote a citation which was endorsed by a number of people and went to
# `4 [8 p! _: t5 G+ H4 }the executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this: ?2 ~" S F8 D6 }
special presentation. The citation was written by Ben Schneiderman and worked on then by Jenny1 |! j- ?/ ^' O) U$ w5 v# {* E
Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the
" [9 z2 D2 \& L, X# _/ l7 vexecutive committee. So let me read to you the citation. Special award for professional
) V& e* N6 |9 Vcontributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both
0 W1 U' b1 E+ {$ U- X8 W9 }mature researchers and a generation of students. His deep technical competence, choice of4 P, q* o) O1 S7 ^) `6 d
imaginative projects and visionary thinking are always combined with energy and passion. We’ve
0 Q- E5 l! [7 L7 k2 x5 r/ |# G5 Eseen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
6 X" @/ v# ~; t8 i, vprogramming language, he has shown that innovative tool design enables broad participation in
9 ]* K* ~5 v3 X& _programming, especially by women and minorities. Randy Pausch has vigorous commitment to- O* ^2 r/ Y4 d9 b" H* n; _
engaging students at every level by compelling and intellectually rigorous projects, and his appealing
6 M* x F# `5 M$ z! clecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]# |9 ]1 E2 Z+ p
His work has helped make team project experiences and educational computing research more1 U2 S( k9 u2 y' G- B
common and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
i( k# `2 s' U9 Y( X! X2 PTeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney
/ S' |9 h+ Z0 N' \3 p4 zImagineering and EA, Randy’s done pioneering work in combining computing interface design and
/ L$ \& a+ ~, |8 xemotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive3 Z0 ?+ z& |% V
council is proud to present to Randy Pausch a special award for professional contributions.
8 z! o% W+ o1 a. v! V+ G- |[applause] [Randy comes back on stage to receive award]/ Y0 [3 m, u: b% @
Randy Bryant:; `& x# B- z: x5 w2 _% j
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.% O( `# s, r, F
[applause]- l0 U. P+ ~, }# I% ^
Jerry Cohen:8 A, v6 Q( f- C+ u* v
Thank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You) c' P3 {& U; x' W
know you’re traveling heavy, buddy. Many of us have been thinking about and talking about how& [: f& D0 }+ m b' Y) t( N
we can recognize you on this campus in a way that is lasting and fitting in terms of what you meant9 I- P. k# L9 { n, `; F0 p7 |
to this university. A lot of people are involved in this. You thought the provost wasn’t paying
) [! D- x. l9 P3 G, Q7 Lattention all those years. [laughter] Actually, one of the ways we’re going to remember you is this
, E+ |4 ~) [9 q8 l0 n$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we% x! v/ b8 ?3 H1 Y @* K: d
really appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture
- ~/ q" b7 |; K1 S& Zthe kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a# O6 T5 a7 d# j. H
teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,( \0 r r' \( R
however. And there is a way to remember you every day, as people walk this campus. So we’ve
7 d' [: v. w+ \+ @ U+ ]come up with an idea. You’ve done great things for this campus and for computer science and for
; V1 M( A" T+ x+ b. Z7 g9 W$ Dthe world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve$ \7 f, n, d" L5 d& l
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had
* L7 }3 f2 R! ]7 ?enormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the0 Q) l# r" [! q4 P$ y% K e
following. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
' o( \9 t3 B6 J- I# K9 m6 i& yslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A' h' o: h* Y/ y8 Z" p+ U. ~
hundred million dollar building which will allow us to do the following. You’ll note, by the way, to. I. z G. d7 C4 q: y' {2 {
orient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern/ V1 \" T3 {! J+ u1 O
looking new thing, half of which has a green roof, is the new Gates Center for Computer Science.' c( E, l0 j4 ^; D% z; h3 j3 Q2 y Z
And we had long planned to connect these two physically, both to allow people to get down from
1 K+ V! J" l* s0 lthe cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well
& @( Q: R' |# Q- ion behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m
- ]* U$ a) g! u1 _' Cpleased to announce today that the bridge connecting these two will be known as the Randy Pausch
; c; x0 @$ l; ~1 y6 ~Memorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk+ b; y* `5 ^0 S4 F. X' t
today we’re thinking now about putting up a brick wall up at either end, and let students see what
6 x I- k9 k' [2 _: Bthey can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here
6 }1 a! t. g9 S* f4 j: t$ b( gwho will not know you, but they will cross that bridge, they will see your name, and they’ll ask those7 |0 L& G5 M8 p/ S
of us who did know you. And we will tell them that unfortunately they were not able to experience! h6 ?% X9 u' E: b+ Q0 {
the man, but they are surely experiencing the impact of the man. Randy, thank you for all that3 ^, P- Y( Z w
you’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and5 Z4 f5 Y# o) W; p
gives Jerry a hug]
& B# i$ a2 M, F$ H: ~5 w; jRandy Bryant:" p) Q# j9 K3 |! ~, ]! s1 e" a
So every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]8 W4 y/ X! b, M) e6 U3 d I# O
Andy Van Dam:
% b% N3 g, J! B i+ E& pOh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t
: C7 V$ e/ B6 u: Uknow whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure
7 X7 }- ^ V7 X ?and great joy not just to teach thousands of undergraduates and some graduates, but also to work" N: u) Z- o0 h7 C9 B
one-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud* ~& S' f, P# n. i
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed
# Z# f3 T# x h) w# _' U9 q. `great promise early on and a passion about our field and about helping others that you’ve seen
5 P O! G* v/ k. e+ o, ` t3 Xamply demonstrated today. It was matched by fierce determination and by persistence in the face4 Q9 u. I v+ T7 c1 k. @* e$ A
of all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights
4 y2 \6 u( o; b3 U) Jthis terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you
( D8 D& }9 G. @1 ~6 y, xremember that. And what happened to the elephant’s child, he got spanked by all of his relations,/ x% O; O2 Y7 s$ ~. w$ l
and you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,5 c- W# k' A: m+ _
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to, p8 N$ G: `8 Q" [& D2 C. z
the point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from
z$ @% s. z, Tstubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve
~# |) x& ~6 t- D; j- d5 Hseen that demonstrated over and over again. Now, having been accused of many such traits myself,
# G' Q" A U5 ?0 h8 S6 I, J+ nI rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I9 r5 ?9 C, ^! c* X
was a fanatic about getting students to speak and write correct English from the get-go. And Randy
0 g& A/ _( Z# ]% }: Mthe mouth had no problem with that. But he did have one problem. And I’m having a problem with
6 |& I" `& U3 B% g& d$ Emy machine here, here we go. [gets slide to project on screen]. And that was another part of my
* i* C* n& x8 A8 zfanaticism which dealt with having American students learn about foreign cultures. And specifically: M: c) p* D* y
about food cultures, and more specifically yet, about Chinese food culture. So I would take my
9 m. o& r' c! H W$ q! M6 c! Zstudents to this wonderful Chinese restaurant where they cooked off the menu using a Chinese0 d* T% _) K- j& N+ V0 X
menu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?* S Z9 R/ y/ j' _: \
[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
- ~: p7 s3 @) |! q' b4 ]: zthe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with1 l7 p& I( I9 D2 c1 A
chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And
6 J* W5 j* C' Nso it came time for graduation and I handed him his diploma. And this was the picture one of my- }+ f2 ~% B8 K
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and+ [/ N& T' q+ s, s# `: p0 z
gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
5 z$ ], E! ?' |- f; r9 xdiploma to show it to his parents, and there was an autographed copy of the menu in Chinese and
+ A# q6 ~0 q7 m' t1 I- I5 nno diploma. [laughter, applause] It was one of the few times I got the better of him, I have to
4 K$ G) B2 N2 A8 h& U$ Cconfess. Well here we are today, all of us, and hundreds and hundreds of people all over the
% z4 J- a/ f, A$ H* C/ g- k8 Pcountry, I dare say all over the world, participating in this great event to celebrate you and your life.9 o3 a/ p. g: n7 o0 o7 ~
Randy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
4 g/ g5 }* Z8 }* k6 v1 h3 Bacademic, especially as a mentor to your students. Your Disneyland expeditions not only were
( z5 Z b& m' F# ]unique but they are legendary. You have more than fulfilled the terms of Brown University Charter,
" K/ p4 W0 |. N- j3 Pwhich are: to discharge the offices of life with usefulness and reputation. Your utter devotion to
4 |- n7 `2 K5 [ i* tyour family and your career are exemplary, and continue unabated as you cope with the immensity
3 g; m6 q3 M/ E6 ~7 |of your situation. You exemplify undaunted courage and grace under pressure. The most terrible
: |8 W: J$ f( xpressure one can imagine. Randy, you have been and you will continue to be a role model for us.
$ s- k' R f5 ?( w2 } [[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
# ] p9 n6 @8 g! `# myou privately and in such a public way how much we admire, honor, and indeed love you. [applause]
0 P$ r) z7 p/ a: g- l+ Q# U[standing ovation]
' l4 U4 P2 m2 ^: @. W$ B9 x6 y8 @7 \) w/ T$ Z) B
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