B&W shooting tips...

皮球

This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
1 r" F* m- N; ^! C' g2 c) mShoot in RAW and underexpose your image by 1/2 stop to a full stop.
Use the shadow and highlights tool in a RAW software program to
. Q9 O( s+ ~# }9 Orestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
; C) B* E( [; H+ |/ V8 [1 i. V# ?. gmethods provided by RAW and you'll have a correctly exposed black
# M( k+ t( q9 p2 F; Q* |2 Y6 B3 w3 r, Land white image.
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White Balance
If in need of a quick white balance tool, you can use a standard
+ m( S2 J! A* _2 ^white coffee filter. Use the custom camera white balance while aiming
/ M* S) X: f+ ~+ [. v4 kthe coffee filter and lens to the opposite of the light source to get white
7 s. [# A& c1 P3 ]balance. I always keep coffee filters in my camera bag for
" P1 K( c) ^1 _5 V) I! H7 C! f7 Msuch occasions.

' j- R  I# o( k" cPseudo ISO Boost
6 @: Q$ h6 ]# l( i5 ?0 J) N& wIf you’re shooting in the dark at a concert venue and need more
ISO boost from your camera and faster shutter speeds - choose
% K# V2 y( @/ l6 r; t  Qthe highest ISO setting on your camera and underexpose your image
by one stop. Then you can use a RAW processor to overexpose the
image by one or two stops. Image noise may be higher but this
works very well for concert, venue and event shooting.

NTSC

yliangca

操作性比较强，最好有图解，没图比较难理解。