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This was in a Vistek ad…some cool tips you may want to use.
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. `* i. h! A; _3 z9 `Digital Black and White: c$ @, w% S+ |# ]6 h. g9 x
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
. a2 O3 | A1 T' h. z" vUse the shadow and highlights tool in a RAW software program to
1 s4 n: u0 e- t0 b3 L5 ]& j$ D( n! |restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
& ]/ S/ V* c4 U- i; Vmethods provided by RAW and you'll have a correctly exposed black9 L& e+ E5 {8 e1 K6 F
and white image.
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, t/ x( D8 l: C( C5 k; n! h* gWhite Balance6 T' |6 R; z- a# v
If in need of a quick white balance tool, you can use a standard, F% ]$ O9 E9 I- Q1 s C! \4 l
white coffee filter. Use the custom camera white balance while aiming
. n2 f# y6 n# E: Fthe coffee filter and lens to the opposite of the light source to get white
2 ~3 V9 I/ q' B- ~9 l5 `: Fbalance. I always keep coffee filters in my camera bag for4 \# [6 r" C, e/ c. S( u1 A
such occasions.
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Pseudo ISO Boost
8 t1 q k9 D9 K: w6 C6 PIf you’re shooting in the dark at a concert venue and need more8 _$ I1 v: Z3 B+ c
ISO boost from your camera and faster shutter speeds - choose 5 J' U, l4 ~1 z. s
the highest ISO setting on your camera and underexpose your image3 V; K6 K$ E& R* x
by one stop. Then you can use a RAW processor to overexpose the, I" D8 a) l4 L# P$ a1 Z
image by one or two stops. Image noise may be higher but this q* r( J0 ^7 d3 j: B
works very well for concert, venue and event shooting. |
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