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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
\6 Z7 \- J3 J4 BShoot in RAW and underexpose your image by 1/2 stop to a full stop.
2 G! Q0 f' D: M" N" eUse the shadow and highlights tool in a RAW software program to
+ l: \4 T/ U. S8 R! _# ?+ v1 qrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
$ o. N# g- e9 x% z# Y) i: I/ Jmethods provided by RAW and you'll have a correctly exposed black
- D) Z# o5 f- T* O. I% m1 m. Land white image.
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- ~% T' f+ U+ {White Balance
6 m- i) i* H/ @: mIf in need of a quick white balance tool, you can use a standard9 ?4 i1 d% U' J% ~5 K
white coffee filter. Use the custom camera white balance while aiming2 y$ I4 F9 ~7 t6 l- T
the coffee filter and lens to the opposite of the light source to get white
- ?. R( l3 o" J) d$ S' X1 Kbalance. I always keep coffee filters in my camera bag for6 V" Q! G: C& O$ }' E' T
such occasions.; z. z0 e& T; m8 X) V# i' }
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Pseudo ISO Boost. y0 L% ~( n) h" x7 h, J6 F
If you’re shooting in the dark at a concert venue and need more0 \# L- z' f# P2 k5 X- j1 d" k7 y
ISO boost from your camera and faster shutter speeds - choose 7 K7 w9 H/ |/ V; g$ w9 w+ p1 \" B" J& |
the highest ISO setting on your camera and underexpose your image
2 e1 K: E8 a) b& D' F4 Tby one stop. Then you can use a RAW processor to overexpose the
* I* S7 R, D& A* n; }9 ?5 vimage by one or two stops. Image noise may be higher but this
2 a) [# `7 u4 _) N `9 s8 r6 Hworks very well for concert, venue and event shooting. |
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