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This was in a Vistek ad…some cool tips you may want to use.
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: A A4 B, l: o+ HDigital Black and White
[7 o2 M: k0 ]; i* RShoot in RAW and underexpose your image by 1/2 stop to a full stop., g. |7 X" h' e% ?4 E/ t$ H, f0 i" P
Use the shadow and highlights tool in a RAW software program to
6 x& Y `$ B' h" f! grestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White2 X5 `: ]( m2 i8 W
methods provided by RAW and you'll have a correctly exposed black
: w+ y1 p7 a( ~and white image.& T$ B8 H9 A2 u. z k. r ?4 ]
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White Balance; P2 R1 S( N" x! c
If in need of a quick white balance tool, you can use a standard& k" I* k- S" J; s! c/ ?: k
white coffee filter. Use the custom camera white balance while aiming( ^' }' e! s' U; l W6 w$ N
the coffee filter and lens to the opposite of the light source to get white) n* f7 X4 w J2 S
balance. I always keep coffee filters in my camera bag for
% H8 M9 ~- D1 `: d$ Csuch occasions.8 b i* E1 K j) |# A C2 s
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Pseudo ISO Boost2 o/ |4 Q, Z5 i: s% P0 X' I3 E
If you’re shooting in the dark at a concert venue and need more
' K; R# C( P* ~1 v* \% C9 Y0 @ISO boost from your camera and faster shutter speeds - choose
8 H2 z& C& M7 Q% X% G, e1 jthe highest ISO setting on your camera and underexpose your image: w' ?8 c5 ^; m$ \+ W# u
by one stop. Then you can use a RAW processor to overexpose the+ ~* _# W# k. C- {% y* j3 l
image by one or two stops. Image noise may be higher but this" F$ u* d5 G' [& M6 v8 r% ?# }
works very well for concert, venue and event shooting. |
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