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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White+ M( @7 M2 [0 r7 ^" \- K
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.! M& u: l& ~; b$ Q
Use the shadow and highlights tool in a RAW software program to
Y2 G9 y; a) L: i6 J2 lrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White' ^* `& V5 u5 v- M
methods provided by RAW and you'll have a correctly exposed black
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White Balance" b1 v! w' L% U$ A$ ?. L
If in need of a quick white balance tool, you can use a standard7 q; I2 m0 F0 m$ D# W
white coffee filter. Use the custom camera white balance while aiming+ I& D0 Y+ N% p) S% c% C& i4 e
the coffee filter and lens to the opposite of the light source to get white. D8 Q- Y3 n8 X1 b- I
balance. I always keep coffee filters in my camera bag for
/ h# x4 i0 S: K, G' ksuch occasions.
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6 D0 X/ t b* v. u6 h1 Z" n4 a$ bPseudo ISO Boost
# `: a; [5 n$ aIf you’re shooting in the dark at a concert venue and need more
; S/ T- F8 \: w2 L( j- bISO boost from your camera and faster shutter speeds - choose / Q- v( ^3 _6 }. \5 F
the highest ISO setting on your camera and underexpose your image
. e2 K# M9 M \8 Qby one stop. Then you can use a RAW processor to overexpose the
i+ t% h6 m- [, D; Limage by one or two stops. Image noise may be higher but this
& a* A0 m# I3 a$ y/ G: r6 ?works very well for concert, venue and event shooting. |
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