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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.
# U [4 e5 o, B: \5 F( }9 uIt was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.
& C- Q7 U3 V$ p5 \0 `4 b( J5 T+ JThe season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.4 `. u) c# Z5 ^- T7 _( }
The collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.
7 G9 W+ E7 B6 x+ _' @; ?6 DIn celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.& o7 r7 T: v( t9 B
The print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache.3 `4 r! N0 z$ X3 Q/ ~
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Christian Louboutin had enough sparkle on leather' S2 s4 f( \' y6 F1 A
; U: m' M- k% J" j& s One of her strategies is to buy old floor stock, for example
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: [! E: S: G; ~: }: F5 l q% E There is a surprising dearth of women designers in Milan and it shows |
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