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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.
" e. N% J0 O7 p$ a8 m+ \- ^8 PIt was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.: Z0 j: g' d! \$ a
The season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.
' Z1 j! h5 Y V$ E7 n, tThe collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.- {. z! g% w9 u# f% H0 ]. s7 M
In celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.
$ C- d: |3 r2 `9 _The print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache., v: |$ a: f$ F8 h# [0 ]; _
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% Y% z* @2 M# w' ^6 Q Christian Louboutin had enough sparkle on leather; y, u0 G+ ^) T' z
0 Z* U, L4 ]: A8 p1 @ One of her strategies is to buy old floor stock, for example$ z/ S. K5 }6 M0 E h. H
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There is a surprising dearth of women designers in Milan and it shows |
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