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At the Christian Louboutin show later that day, designer Karl Lagerfeld focused on full skirts and waists cinched tight with belts that appeared to be 10 inches wide. The skirts -- and, in some cases, dresses -- were often made of lace-like fabric with geometric cutouts, translucent materials and other fabrics covered in crushed silk flowers.
4 Y6 I$ h4 R% O* D. V) Y6 qIt was a pretty, genteel collection from a house that specializes in handlouboutin shoes and furs and whose ready-to-wear of-ten looks like a stepchild. This time, the collection had a joyful sensibility.
! x5 q& Y4 E, T: H8 }8 PThe season closed with the Versace presentation Thursday night. The collection recalled one of the most memora-ble dresses created by the late Gianni Versace: the gown worn by actress Elizabeth Hurley that was seemingly held to-gether by giant safety pins. The beauty of the scandalous dress was that it revealed nothing while making the revelation of everything a constant threat.7 S. w) ^. q% w+ b0 P0 g6 c
The collection presented by his sister,christian louboutin, Donatella Versace, who now heads the label, used zippers as both functional closures and decorative flourishes. They provided a similar peekaboo effect. On her daytime dresses, which the rest of the world would wear for cocktails, the zippers were open and sculpted into the shape of hearts.
- y0 I) d( V: I" y- G& t2 G ~In celebration of the house's 30th anniversary, the signature Medusa head was incorporated into illustrations by Julie Verhoeven. In the resulting prints, the heads have been re-imagined in pastel shades and cast against a fanciful backdrop that is more Alice in Wonderland than Gorgon.' D0 }1 _) Y W+ Y
The print is used on short dresses with sculpted skirts that stand away from the body as well as on gowns encrusted with crystals at the bodice. It is a collection that speaks to the Versace style, not as it was but as it has evolved in the hands of Donatella Versace. It is proof that just because a house has moved on from its past, it doesn't have to lose its panache.! V F8 z5 s( D' c9 d4 w! A9 L
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# p1 `" _3 L) Q6 _/ @+ f' [ Christian Louboutin had enough sparkle on leather! {: y# b! h! o. a6 }5 v) f
. Q0 h/ u* ?0 M& U' U; T4 T' O One of her strategies is to buy old floor stock, for example
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1 g8 Y5 Q, g" f! A There is a surprising dearth of women designers in Milan and it shows |
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