D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
- [5 l0 x! P+ A1 R+ Hof the new Nikon D800. Established medium-format image quality is
2 K( p/ I; h  B+ i9 P4 {now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
  D/ z( w; V! tmegapixels, the D800 produces unprecedented image quality and resolution
3 g) _' i9 E  E# Zwithin a body that boasts revolutionary technological advances. The 3D color
9 G: t) o9 Y( |3 H/ r. k* [matrix metering III, wide dynamic range and the improved AF performance
9 q* B5 G) M) bin low light are just a few features that are glaring improvements. The D800
. p# [  m* J* {8 Z4 Ballows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
2 q7 L9 c& r) H. M+ c0 X1 wwas traditionally captured with medium-format equipment for maximum
; h& R9 s( Z" K4 qimage quality. When the 35mm format was adopted within the genre, it was
" f& \  H4 P: Y6 a+ Owidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
& C5 [8 \8 o9 ~& ~8 nbefore, and my style of shooting will be enhanced rather than compromised,
& U7 U5 E6 L3 g) L+ z2 O, Rthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
% X" b; R% {" k" ~range, color rendering and the final print. The detail from the D800 produces
$ Q2 T7 y. p0 M/ Jthe look of a medium-format camera, but gives me the feel and response of a
: K7 n0 y& H! [+ i5 `- KD-SLR. The improvements in rendering skin tone and specular highlights, as
% o. m+ M- X* G* y8 @well as fabric and hair detail are superior to anything that has come before.
, P( n0 ^" L4 i2 b# TAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
! t3 {4 ?$ G( d6 Fhas noticeable improvements in metering accuracy, while the larger LCD is
' B5 @5 y1 D/ S  F( ]easier to read. The camera body feels solid and ergonomically simple, while
" K6 l+ e( z( Kalso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
3 v; p1 a* r1 C4 q, Lnot megapixels or technique but the image, and while camera models
/ ?3 S" {( Y# Qare important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
2 l! c3 H6 q- h8 X( Jacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
0 e' R6 b) @" S9 L) X. y# |4 Pphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
4 c4 M8 c1 m- C. |3 ?( enow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
- t: q1 p4 w6 I  A& {& ~7 `- narchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
$ h  P. N) m9 n) U# k7 _clean, clear and sharp files. This camera gives me the photographic flexibility
! B' q/ q9 }$ v, vto work at unusual shooting locations and capture images in an exceptional
! H0 a; P, ~3 t7 l1 Vrange of light. It definitely takes my photographic versatility and image quality
& ?& Y+ t8 h% `+ W/ [) sto a new level. What a new companion!
3 p! K! _  }6 p3 E0 v/ J' j/ p6 K4 vThe D800 On Assignment
8 s% `8 g; {6 |% Y' IRob Van Petten
: ~: Z- D8 n, ^2 D6 I5 w& E! MFashion (U.S.A.)
) Y9 a* w7 d. I' r1 G- C+ O: lCliff Mautner
/ A; [' z) }: F& K) u' p$ L$ l8 UWedding (U.S.A.)
" I8 h0 I9 e  t  D  {9 IJim Brandenburg
2 h: U/ W+ Z3 V, ~Nature (U.S.A.)
/ U+ ~: W6 B4 v: ~3 r5 eBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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