 鲜花( 5)  鸡蛋( 0)
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Speed and power, without compromise. That’s how I’d sum up my impression
+ m2 \- q- y& N; ]7 h( Wof the new Nikon D800. Established medium-format image quality is7 U$ J# W" Z3 g8 R& Z l
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
" m- n r4 B" fmegapixels, the D800 produces unprecedented image quality and resolution
9 _6 U6 _; n7 o5 g! a& Y Cwithin a body that boasts revolutionary technological advances. The 3D color5 Q. r0 K* K* A* z) ^6 g4 \
matrix metering III, wide dynamic range and the improved AF performance( U% }/ |, s1 V. r. q# U
in low light are just a few features that are glaring improvements. The D800( G) g. [' \3 R) [0 P
allows me to concentrate on the light, the composition and my subject7 f$ r/ o1 |) R z) [- \5 g7 I
without having to think about much else. In years past, wedding photography x. O8 a5 r. J: \: b: ~( O
was traditionally captured with medium-format equipment for maximum% @8 ^) h* Q8 F. A; S# B
image quality. When the 35mm format was adopted within the genre, it was! Y6 X& Z( q# K3 `; O
widely accepted that image quality was compromised in lieu of speed and
0 o+ M# j2 S0 X7 r8 xconvenience. Now, my wedding portraiture will have a depth it’s never shown( R6 B0 V7 g" e5 i6 e: P
before, and my style of shooting will be enhanced rather than compromised,
6 {( {# g y- vthanks to the D800.8 t- F/ f) V1 G
When I’m shooting beauty and jewelry in the studio or fashion on location,
4 s. J/ i! g6 s7 k. Y36.3 megapixels changes the industry standard: in image quality, dynamic# W7 B6 t" Y) h L
range, color rendering and the final print. The detail from the D800 produces. r( }$ v% |# E7 R3 ~
the look of a medium-format camera, but gives me the feel and response of a' T0 N& c2 K }: I/ g9 W. ~
D-SLR. The improvements in rendering skin tone and specular highlights, as. i, \0 x) S1 [( E- ~. A
well as fabric and hair detail are superior to anything that has come before.
9 I, ^' T( e$ EAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor4 m2 N) ?' v( v! t* w* G# `
has noticeable improvements in metering accuracy, while the larger LCD is
+ j: ~: J$ j2 T( Feasier to read. The camera body feels solid and ergonomically simple, while
) P1 M% }1 n" \; y w8 calso feeling lighter and smaller than previous high-resolution Nikons. New
8 \/ }' |3 |0 i3 Xcameras always inspire me to test and explore, and all the useful features O% M: ~' X$ M' V( x
in such a compact package will open huge creative possibilities for my highquality
3 X% @" J+ g5 G; Qprints and video.4 r T$ P' A$ @ P3 [; [
To me, cameras are more like paintbrushes than technology. The goal is. ^3 ^: U! `3 R) M5 a
not megapixels or technique but the image, and while camera models
! k* L' k h$ z3 L8 Lare important, they are not the be-all or end-all. But after a lifetime using, q, n& a5 y" _8 A2 @0 p! M: P: O
countless cameras, I have found a new best friend. It was not love at first
1 g& g: Q7 G: N/ E& `- asight. The sharpness and detail were initially intimidating, exposing my flaws
" O( ?& Z- K% S3 N/ m/ `1 N. K$ u4 Jlike never before. Subtle camera movements showed and differences of3 T5 E/ ` m/ k3 n0 I
acuity between aperture choices on various lenses were apparent. But now I
8 B* A& c0 p5 o. Y# qam enthralled with this technology. Why? Because the images almost feel as/ i, V/ X" ^1 O4 T3 k+ x9 J2 H6 n% z
though they were made with a 4x5 view camera! Special features like timelapse# m4 }) X! j9 N; _
photography and the improved HD video quality and flexibility also add
) N1 [0 [' B2 G! N" k) S* Ytremendously to the camera’s personality. After spending a month with the' Z2 P8 j. I4 k A2 n3 t# y- J
D800, I’ll never be the same again. Perhaps the best compliment I can express3 L) r: J3 M* M! E5 V" u
is that now I will think differently about the images I make.
; W% W, U$ W) O$ Q$ y1 V* p3 MAs a modern architectural photographer I am always looking for a lightweight,
2 W `0 Q. s/ E, Q \compact and reliable camera system fulfilling the requirements of my personal$ @" H& i$ S3 K4 g5 Z8 W1 W
artistic and client expectations. The Nikon D800 will set new standards for
+ I; d0 H- i/ W% qthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
0 x5 I% a4 y; l8 h8 w# e1 tcamera that produces images with such exceptional quality and detail till+ P1 M( Y/ c3 t" j
now. Particularly, the live view mode enables extremely precise compositions
' I- y$ U$ v8 O) b3 m7 ?and easy focusing in dim lighting, which simplifies my workflow. Superior
# F' Y' u! z d4 E7 aquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
; r; H( a5 O/ L" G( ^" Carchitectural photography. From my hands-on experience I found that they2 Y/ ?. D9 x+ n B
perfectly match with the newly invented system and produce breathtakingly2 j/ m9 V0 m) g7 P
clean, clear and sharp files. This camera gives me the photographic flexibility G$ E& r( Z& w, X- ?
to work at unusual shooting locations and capture images in an exceptional- p; d8 ]3 s! L' s$ j. I
range of light. It definitely takes my photographic versatility and image quality
& m$ M& D+ B# e9 bto a new level. What a new companion!3 C6 H& U% o- U) F0 w5 P
The D800 On Assignment+ ~. S5 v5 J# W- T& j9 I# P+ T3 ]6 s
Rob Van Petten
, _, X3 T2 T/ V+ ?: `" b% o, d& dFashion (U.S.A.)6 X( Y( o* ?% V' }+ \ n) j7 s4 Y. G7 T
Cliff Mautner
# J4 u) n2 m) ^Wedding (U.S.A.)
" w" z* |4 [4 @4 bJim Brandenburg+ K9 I7 x; P4 i1 T
Nature (U.S.A.)0 f8 N' g1 h4 l5 ?7 S c% D
Benjamin Antony Monn$ g$ p1 m2 p$ w, @4 Q* H$ Z
Fine art/Architecture (Germany) h7 F9 W7 d/ Y3 f. Z l5 p# Z H
Printed in Holland Code No. 6CE11030 (1202/A)K |
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