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Speed and power, without compromise. That’s how I’d sum up my impression. p! ]0 v/ m& E% C* U$ X* x- {
of the new Nikon D800. Established medium-format image quality is6 D; R+ u, T3 p& T
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
3 z& ~) |1 e- d9 k1 f0 u( pmegapixels, the D800 produces unprecedented image quality and resolution* a! V7 n' l# v; D/ c9 \% O
within a body that boasts revolutionary technological advances. The 3D color' P4 q; Z' U/ `8 Q* W
matrix metering III, wide dynamic range and the improved AF performance
* x. D% w" U4 {4 qin low light are just a few features that are glaring improvements. The D800
9 \! Y7 e& E t6 `0 s( f) N2 W1 eallows me to concentrate on the light, the composition and my subject- T9 H) \- Q- K) o, `! ^) Z2 _
without having to think about much else. In years past, wedding photography+ U/ J9 Z; z7 d( b# m5 c% t( A
was traditionally captured with medium-format equipment for maximum
" M6 j$ E' y1 a9 w( Fimage quality. When the 35mm format was adopted within the genre, it was$ f( F; y9 B$ E- p
widely accepted that image quality was compromised in lieu of speed and
' G; S) G, Z+ k8 W) x% T. i# {0 zconvenience. Now, my wedding portraiture will have a depth it’s never shown
; O G5 C1 {# E @* _# ?1 A7 ybefore, and my style of shooting will be enhanced rather than compromised,
6 Q& ]; M) W+ qthanks to the D800.
. _( ^2 a! V4 k- pWhen I’m shooting beauty and jewelry in the studio or fashion on location,* K% {1 E! |9 F: O0 N9 ^
36.3 megapixels changes the industry standard: in image quality, dynamic# ?# Q, u, P" Z \' P$ V( H* A8 {
range, color rendering and the final print. The detail from the D800 produces
" R h+ u6 f. x6 _the look of a medium-format camera, but gives me the feel and response of a
& l0 |9 x2 U' [D-SLR. The improvements in rendering skin tone and specular highlights, as
% V. i/ }; O, v' gwell as fabric and hair detail are superior to anything that has come before.4 i1 M# w/ H Z
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
' U5 Y/ y$ o: e4 U& n# [ Yhas noticeable improvements in metering accuracy, while the larger LCD is" A1 p7 w" @* t/ f
easier to read. The camera body feels solid and ergonomically simple, while
- R* K/ S6 ~/ Q+ `9 C# ualso feeling lighter and smaller than previous high-resolution Nikons. New
7 q: ~# z7 o; _& ~" lcameras always inspire me to test and explore, and all the useful features& e6 D; U2 @ i6 N) a" G% [
in such a compact package will open huge creative possibilities for my highquality& u2 f1 t) W3 c/ Z0 Q1 R4 i* }
prints and video.0 O! b# ]) @' L3 g+ v) C: L
To me, cameras are more like paintbrushes than technology. The goal is: W$ `( r$ Y" H1 c0 L" {
not megapixels or technique but the image, and while camera models
& @6 l% W" h$ x" x* |are important, they are not the be-all or end-all. But after a lifetime using, }0 j, o3 i" b8 k1 m5 |
countless cameras, I have found a new best friend. It was not love at first. Q' J C2 T- z3 }/ i
sight. The sharpness and detail were initially intimidating, exposing my flaws0 v/ B+ ~5 J0 y B5 r7 n- j. E
like never before. Subtle camera movements showed and differences of) E- [4 M6 H% J" z: I# K
acuity between aperture choices on various lenses were apparent. But now I& G5 j p, N! `( s/ b
am enthralled with this technology. Why? Because the images almost feel as+ j1 ~+ x2 A+ Z) s9 @
though they were made with a 4x5 view camera! Special features like timelapse
8 _8 S3 T4 _) ~) \0 p# y |. |4 zphotography and the improved HD video quality and flexibility also add
6 W- {4 r' _- U) xtremendously to the camera’s personality. After spending a month with the* e5 U; k) j q, q* D
D800, I’ll never be the same again. Perhaps the best compliment I can express8 J8 O. \- F7 K, H6 K
is that now I will think differently about the images I make.
" j6 k1 ^# i$ P2 n9 [As a modern architectural photographer I am always looking for a lightweight,3 t6 f# v" X8 f. [
compact and reliable camera system fulfilling the requirements of my personal2 j" c6 P! T4 D
artistic and client expectations. The Nikon D800 will set new standards for9 X6 T, ~1 H: X6 X
the high-end 35mm D-SLR market. I have never worked with a 35mm digital* N R1 w9 c7 z( T2 p
camera that produces images with such exceptional quality and detail till5 G' J! E, z1 [9 w d
now. Particularly, the live view mode enables extremely precise compositions) z# H" B/ U' a
and easy focusing in dim lighting, which simplifies my workflow. Superior7 l6 u1 G% J% N& p/ R) T" b2 `5 ]
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
3 a5 M G1 c" P, @, [, |( O# [architectural photography. From my hands-on experience I found that they
. F" `* Y2 Z2 }7 w" l2 Z6 K" \% jperfectly match with the newly invented system and produce breathtakingly) [% c$ Y6 e: U1 T+ j/ T
clean, clear and sharp files. This camera gives me the photographic flexibility8 T U* h, Q, f
to work at unusual shooting locations and capture images in an exceptional. o( A7 _3 w m& `# d5 w! t) W: T
range of light. It definitely takes my photographic versatility and image quality
- v! g! d; J/ ~7 N4 ?to a new level. What a new companion!
& h; m+ F3 t9 g/ l8 Y! L+ gThe D800 On Assignment6 G0 m& d& P' n9 ^+ }
Rob Van Petten, l3 r, R+ i1 Y" d! T
Fashion (U.S.A.)
u& |4 s) M- s+ {- Q. iCliff Mautner
$ \2 d7 s$ u; \7 N6 ]Wedding (U.S.A.)
+ s3 a# }: V1 ]0 o5 _3 t! zJim Brandenburg9 c8 V6 j: r1 n/ i# b* k9 c
Nature (U.S.A.)/ ]- ^5 Q+ K9 E( U) a/ p6 F- v
Benjamin Antony Monn
% G j& L e) K1 }, h& IFine art/Architecture (Germany)( h6 p/ I0 _, a" t7 @$ n
Printed in Holland Code No. 6CE11030 (1202/A)K |
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