D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
7 t2 q6 l6 f6 G# P- ]4 n4 A9 Znow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
) }9 u% o- O( U- i& Pmegapixels, the D800 produces unprecedented image quality and resolution
* }. E) I; n' U5 V0 _% g+ twithin a body that boasts revolutionary technological advances. The 3D color
0 x# P; y4 n/ x- ~4 C- Umatrix metering III, wide dynamic range and the improved AF performance
. ?2 X. N% s3 vin low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
3 k8 ]0 X6 l; B3 Pwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
6 G: @, k/ ]+ ?) P% [' z, econvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
: Q3 l# i1 i7 {2 M9 Ithanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
7 d% c9 S, Y8 M3 e0 q+ I36.3 megapixels changes the industry standard: in image quality, dynamic
+ f7 `3 t/ d; b& N8 yrange, color rendering and the final print. The detail from the D800 produces
/ q3 B# \5 |* k2 |) A/ qthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
, t0 O* g  X3 ~8 ], b, ywell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
/ x6 J/ b2 c7 J' C; W* B, Xeasier to read. The camera body feels solid and ergonomically simple, while
( _" ]9 Y. p8 s$ e# Yalso feeling lighter and smaller than previous high-resolution Nikons. New
( ^& b9 P$ f0 L! U. ]5 icameras always inspire me to test and explore, and all the useful features
7 j- a6 y5 ?# x+ O/ E9 H2 Vin such a compact package will open huge creative possibilities for my highquality
& V+ `( ?8 S  X, e! [prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
0 y3 m6 V. _, Ynot megapixels or technique but the image, and while camera models
. l9 p& g- e$ n' y" Ware important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
5 T- I9 U' G" z' a) zlike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
9 O: u0 r5 i- E5 d: Lthough they were made with a 4x5 view camera! Special features like timelapse
' o" [) V* `# [+ bphotography and the improved HD video quality and flexibility also add
( i: _1 t% c2 ttremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
$ u1 ~4 @$ H" vcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
- j$ U0 D" W; Acamera that produces images with such exceptional quality and detail till
7 f5 K  v4 P$ z5 S9 Xnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
* Z( Y- y/ @+ g* E+ E( `quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
: L: f4 w6 L! l- qperfectly match with the newly invented system and produce breathtakingly
- U2 e6 t$ k$ K+ C' A! I" ~clean, clear and sharp files. This camera gives me the photographic flexibility
, J, ~2 c/ \. D0 [3 j1 j$ ato work at unusual shooting locations and capture images in an exceptional
. q# a: Z! X% a) l' q6 U6 {range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
: D& x7 h3 u( g1 m+ K3 u' MRob Van Petten
0 S) a  H( u0 x. [& n2 Z& G. z( ]Fashion (U.S.A.)
Cliff Mautner
1 C3 H# U3 C& h) qWedding (U.S.A.)
/ Q# Z' P$ k0 GJim Brandenburg
' _( k1 z, t& ?% W0 ~* [Nature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
  e9 v# c7 S; E- [Printed in Holland Code No. 6CE11030 (1202/A)K

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