D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
+ Q' y% i1 P/ Ynow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
3 Q, ]; ?: Y0 {" W6 T4 xwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
  h# i% G  [: M- Kallows me to concentrate on the light, the composition and my subject
: z- \6 T' [: p2 nwithout having to think about much else. In years past, wedding photography
# Z/ ^* c  i9 I" `was traditionally captured with medium-format equipment for maximum
/ w9 G0 m. o  O4 v) X1 k- D! ~; P- kimage quality. When the 35mm format was adopted within the genre, it was
1 ]3 J; X2 Z7 P* Y+ E9 {widely accepted that image quality was compromised in lieu of speed and
4 J: m+ q8 w6 p, M: _% ~' e' dconvenience. Now, my wedding portraiture will have a depth it’s never shown
& m' ?: Z- ^( o" v+ k3 S2 e; nbefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
& V2 Z  b2 |; k$ C4 y' x( rWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
5 J- \* j& T" Hrange, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
& d; d! K( R+ o# E2 x  Cwell as fabric and hair detail are superior to anything that has come before.
  R0 h) w0 z: a3 ]  G8 eAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
. S; A' h* z( c/ H( b7 Whas noticeable improvements in metering accuracy, while the larger LCD is
: j( N% A- B1 m. Z( J+ W& x- z$ ceasier to read. The camera body feels solid and ergonomically simple, while
* g# u) `4 L# V" [6 \also feeling lighter and smaller than previous high-resolution Nikons. New
" Y% M) s! B# N" O0 B" r' C; vcameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
# q/ U" L2 o  U  {; T2 O$ X) O5 {prints and video.
* c1 {. d/ N; D* ?! ^. ATo me, cameras are more like paintbrushes than technology. The goal is
, c; H+ k8 g2 {7 {not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
) {) j  ]2 @2 P( ~- P2 {& _& dcountless cameras, I have found a new best friend. It was not love at first
- Y: G; j! ~) C$ |+ Y2 nsight. The sharpness and detail were initially intimidating, exposing my flaws
+ z* C4 g5 O7 r; U' llike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
( E1 m) a- O8 [$ n" N6 bthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
: R& ?! H4 s) b+ Q. ntremendously to the camera’s personality. After spending a month with the
% u/ B' v9 I) s% E* R  VD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
; w* ]  J7 x( v: h5 [1 FAs a modern architectural photographer I am always looking for a lightweight,
3 J# N2 w5 i" A" ^' Icompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
) D3 c- v% I5 j0 {9 v5 wand easy focusing in dim lighting, which simplifies my workflow. Superior
4 J. q- }6 e3 Y0 Zquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
' K5 ?9 h: I* B. _; y1 Varchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
* a2 L5 a& D" {( a7 @9 j4 _to work at unusual shooting locations and capture images in an exceptional
# ]4 X" b9 X3 N! }range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
3 {- P; }% R& ^The D800 On Assignment
- ^+ z, P+ M& HRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
; [5 s9 _! J: x) _Nature (U.S.A.)
, P+ u; X  L  I$ ]* h: LBenjamin Antony Monn
Fine art/Architecture (Germany)
( ~7 p" m4 O, W) mPrinted in Holland Code No. 6CE11030 (1202/A)K

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