D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
: a. B! r$ M3 f1 [  anow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
1 c6 E9 o& {& g  t3 i- c+ ~without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
6 F# @! u3 H( w2 I8 Cimage quality. When the 35mm format was adopted within the genre, it was
! V% X$ d3 d( D4 ~+ Swidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
( }2 T* X; n) _- X, V1 ?before, and my style of shooting will be enhanced rather than compromised,
$ [# q+ ?$ u6 q7 ^/ {7 _- |$ l. Wthanks to the D800.
" `8 M$ O- ^( V) ^. `When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
( m3 ]3 C7 `( S6 X7 `" jrange, color rendering and the final print. The detail from the D800 produces
# ^* F# r' M- `" hthe look of a medium-format camera, but gives me the feel and response of a
8 a% Z/ n7 G" X! \) Q) UD-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
) \' A! D( t% m' g* P$ L% M+ _" VAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
( A' d9 t0 Y- z  d/ ?9 @5 z+ e# Walso feeling lighter and smaller than previous high-resolution Nikons. New
- ]$ R) M# t; J; ~  Scameras always inspire me to test and explore, and all the useful features
2 C" M1 X. A1 G$ }8 Y% H4 K! N7 Tin such a compact package will open huge creative possibilities for my highquality
6 [; y( E2 N( N* x+ @( W/ zprints and video.
, c) [' O0 \4 V" _5 C* F; C5 |9 _' uTo me, cameras are more like paintbrushes than technology. The goal is
  I& W) {+ [4 lnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
, u9 B. J- @& M# Csight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
! P; R' J# u1 c" z4 vacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
7 y3 h/ c: l0 z  }$ ^7 J) [tremendously to the camera’s personality. After spending a month with the
/ s4 H2 O5 _1 `0 c* U! fD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
/ u  z4 ~1 I9 `7 i# k: L8 v. Iartistic and client expectations. The Nikon D800 will set new standards for
6 c' y6 ^5 ?! \0 cthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
5 y3 N0 w/ e, C8 fnow. Particularly, the live view mode enables extremely precise compositions
  w+ _5 M' A! e7 hand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
% _2 G( C4 D# f& d$ Jarchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
4 b0 M1 t  @5 V- R2 U! A8 Lclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
, @$ b2 s5 o) lrange of light. It definitely takes my photographic versatility and image quality
. \( p$ @: i+ B% d- Ito a new level. What a new companion!
! b1 y6 A* g* j) N7 a) T2 ^The D800 On Assignment
$ o) j" e0 ?% O( O; _1 x' M2 `Rob Van Petten
4 ]1 ?, i" q: |  S- d+ BFashion (U.S.A.)
! j0 o$ I, h0 S7 QCliff Mautner
2 g2 A# y/ N/ T. D& }Wedding (U.S.A.)
; b% R0 ~! U, g+ w8 a6 b' T$ jJim Brandenburg
. B, R! b# @: MNature (U.S.A.)
Benjamin Antony Monn
Fine art/Architecture (Germany)
$ ]5 ], p& n  @4 i, a6 BPrinted in Holland Code No. 6CE11030 (1202/A)K

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