D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
/ h- p3 x* m$ B+ H3 hallows me to concentrate on the light, the composition and my subject
$ v4 ]/ F" T* m. J& zwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
- |+ c, i6 @# p) eimage quality. When the 35mm format was adopted within the genre, it was
/ x; j4 x8 k4 t3 |& H0 c/ Y3 h9 Lwidely accepted that image quality was compromised in lieu of speed and
0 g+ E- `: E, J( e0 q! N3 d) }convenience. Now, my wedding portraiture will have a depth it’s never shown
) J8 ^, \1 f5 {before, and my style of shooting will be enhanced rather than compromised,
9 |* W: m/ V- U. W8 ?) r) {thanks to the D800.
2 h4 a! C) b) S7 `9 H, b1 BWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
! _, m% e" a' \. F: t8 d6 tD-SLR. The improvements in rendering skin tone and specular highlights, as
4 R/ J9 b9 n& Bwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
2 l% h6 e5 |/ @1 z  v4 Ghas noticeable improvements in metering accuracy, while the larger LCD is
( t7 y' h" f. K5 beasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
! t6 C4 T1 ^9 p; U4 QTo me, cameras are more like paintbrushes than technology. The goal is
5 q1 X. W* i& unot megapixels or technique but the image, and while camera models
5 m; u" r) _" ~4 Iare important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
' ?8 ?0 v& r2 A" [1 ~like never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
- o) [, F& b. B* n- r) O$ @5 ~D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
7 s9 d+ _& E, [7 `+ cAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
- L3 `+ @' [  s" ?( [" yartistic and client expectations. The Nikon D800 will set new standards for
" `$ `: w; K6 I* bthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
* `. R) N) T3 ?1 B1 M7 H" Q1 qcamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
* P$ K4 k( ^# o, I6 G1 j9 k% J. S% Fand easy focusing in dim lighting, which simplifies my workflow. Superior
5 H' A" ]0 t( d. H3 m* P8 C# P- m/ Squality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
9 O# {5 F+ I( o% {architectural photography. From my hands-on experience I found that they
- ?. v# M9 \: uperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
0 j  P3 d# c7 J9 rto work at unusual shooting locations and capture images in an exceptional
" `4 ]4 t* W, E8 T. irange of light. It definitely takes my photographic versatility and image quality
+ d8 m3 ?. p; R; H6 Dto a new level. What a new companion!
, l! t/ A8 [5 AThe D800 On Assignment
Rob Van Petten
9 m" n% r! A# z( b9 i1 YFashion (U.S.A.)
; A3 x! m* N" i5 e1 o. b. n+ ?  fCliff Mautner
7 |% m: R* N% C1 O& {' D. s; l8 `Wedding (U.S.A.)
- X( r- N7 m3 \Jim Brandenburg
Nature (U.S.A.)
- y8 Z, V) Q1 `+ C0 tBenjamin Antony Monn
. }6 f7 i5 W, X, |Fine art/Architecture (Germany)
8 C3 b% s9 V6 h7 N# e4 M. s# a8 {  }* GPrinted in Holland Code No. 6CE11030 (1202/A)K

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