D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
! \2 _: c. E+ L* p+ o$ y2 rmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
/ c# I' i+ r3 i' R, t8 rin low light are just a few features that are glaring improvements. The D800
8 y) R( v! ~$ {) vallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
' S* ^/ v: T7 }image quality. When the 35mm format was adopted within the genre, it was
2 A6 ?! S9 q0 M8 \widely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
# q, w2 k4 Y- B) jthanks to the D800.
+ @0 f+ s4 ]% v8 p8 gWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
5 C8 S* Z% ?: f' X7 R$ B4 P+ ]* |range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
+ [4 |  Q* S- b. w5 }well as fabric and hair detail are superior to anything that has come before.
& d" p  l9 i, D  hAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
) b, ?* n6 ?5 @" Y& g" _has noticeable improvements in metering accuracy, while the larger LCD is
/ h  g. O+ Q1 B% O- Y+ Xeasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
- c# ~0 }+ x; }1 @( C$ k; {in such a compact package will open huge creative possibilities for my highquality
prints and video.
To me, cameras are more like paintbrushes than technology. The goal is
" f! O+ d9 P) B( Nnot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
7 I9 p( q' ]/ v4 I$ V( L& l' c! Elike never before. Subtle camera movements showed and differences of
% h) c, }2 E+ _. {; a6 ?acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
3 _1 q% |" W4 @: Gphotography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
' b5 b4 x6 G) QAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
0 A- x( E- K7 T& E# j; ~artistic and client expectations. The Nikon D800 will set new standards for
1 J2 P  c- j5 q3 p0 F4 c% Bthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
. E# {4 B- [7 }' Qcamera that produces images with such exceptional quality and detail till
  `3 N% A0 A4 _6 ]  R$ h4 vnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
) k7 t$ Q! J( V+ Gquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
. l1 v+ m2 \9 z* h0 e. earchitectural photography. From my hands-on experience I found that they
: ]( ?* V4 ~: R9 |$ t/ Iperfectly match with the newly invented system and produce breathtakingly
& B& [* o0 ?9 `6 v: ]clean, clear and sharp files. This camera gives me the photographic flexibility
5 I2 j' @4 v9 m( Rto work at unusual shooting locations and capture images in an exceptional
5 {, n4 i) l! rrange of light. It definitely takes my photographic versatility and image quality
8 g) I  p4 P& `2 @4 i* Kto a new level. What a new companion!
/ h! g& }) k8 B+ L* rThe D800 On Assignment
1 U, F: L# S2 q8 }. E: S+ ?: vRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
( A, @/ L+ g( L8 \4 F4 S& hWedding (U.S.A.)
+ y! K% }9 A9 P0 n7 iJim Brandenburg
1 q4 w9 s4 A( H6 z/ O3 x2 ~' rNature (U.S.A.)
Benjamin Antony Monn
9 l/ |6 Y, h7 B2 |Fine art/Architecture (Germany)
: B) t8 @; @. v& O* a2 ?" gPrinted in Holland Code No. 6CE11030 (1202/A)K

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