D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
% A; N, N0 S7 _5 l  Rof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
. {2 O9 i$ e1 _% a6 g0 cmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
: Q6 G: T: M* ?1 O' }$ d# O- sin low light are just a few features that are glaring improvements. The D800
" D5 x6 a; F. ^allows me to concentrate on the light, the composition and my subject
' k9 |0 b& B* b7 ~! vwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
2 i; d6 ~+ s4 }9 \! s; ywidely accepted that image quality was compromised in lieu of speed and
2 g- ~+ o9 d6 F8 Tconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
( l" M$ }# u1 X: S8 x- I% |. X  n) I* Qthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
3 r4 w! R3 h: @* d% i4 v36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
1 S- k" K. t  f* O% _! c4 Ewell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
( s: ]6 ]5 r) falso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
/ [) e. `8 \2 ^% t+ K$ |To me, cameras are more like paintbrushes than technology. The goal is
% d$ G" S1 y" s% b& \not megapixels or technique but the image, and while camera models
) @2 k  \) ~7 e1 Care important, they are not the be-all or end-all. But after a lifetime using
- U1 D8 S' a- ]' J0 Fcountless cameras, I have found a new best friend. It was not love at first
5 Z& ~2 D2 ?& Nsight. The sharpness and detail were initially intimidating, exposing my flaws
! I: m9 l0 Z" i( ylike never before. Subtle camera movements showed and differences of
acuity between aperture choices on various lenses were apparent. But now I
0 i% K9 Q1 A0 q, H0 m* R3 Cam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
$ M( G& \) q" ^" E7 Vis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
6 v& Q7 l6 d) S' V, {7 e' bcamera that produces images with such exceptional quality and detail till
" ^( p2 g0 C9 b  [; X9 j: d( ~" Tnow. Particularly, the live view mode enables extremely precise compositions
; [9 Y5 I& z, P  P/ O) q* tand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
: k4 x& i. x) E1 Carchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
+ j# b; ^- g0 S+ O$ m3 Qclean, clear and sharp files. This camera gives me the photographic flexibility
( @8 O" w  h- q  D+ Uto work at unusual shooting locations and capture images in an exceptional
range of light. It definitely takes my photographic versatility and image quality
9 P( r& y2 j6 Y( [to a new level. What a new companion!
/ ~! W# g# w3 ]/ ~1 R5 H6 F0 s3 nThe D800 On Assignment
Rob Van Petten
: v/ G& H. G5 ZFashion (U.S.A.)
# a' h3 S) v8 D5 {. u+ dCliff Mautner
( s" m7 F5 M. T% C3 R. bWedding (U.S.A.)
Jim Brandenburg
- N6 S; r$ Y7 cNature (U.S.A.)
, z! O! z1 |4 M1 tBenjamin Antony Monn
Fine art/Architecture (Germany)
( l/ ]  s$ ?! `7 @) JPrinted in Holland Code No. 6CE11030 (1202/A)K

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