D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
, J: x7 D. Q% X. v* m$ A$ C- zof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
/ o, X3 [% {& R, E- emegapixels, the D800 produces unprecedented image quality and resolution
2 M, y& P: {$ x$ w. y5 Dwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
! b+ _9 ?" W% k& iin low light are just a few features that are glaring improvements. The D800
allows me to concentrate on the light, the composition and my subject
8 V2 z. S3 \% j8 y+ q+ Wwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
: O; I6 d# ~' T' D% qwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
$ D1 `  u/ e6 b3 o' p: B5 ethanks to the D800.
! D4 ^  o- Y8 |When I’m shooting beauty and jewelry in the studio or fashion on location,
; y( ?+ r$ U$ o2 N# a1 x' ?6 W36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
6 t3 M9 s8 Q1 ^D-SLR. The improvements in rendering skin tone and specular highlights, as
" J+ ]6 U4 x! t) Cwell as fabric and hair detail are superior to anything that has come before.
9 l, [# h1 R2 ^" D2 x6 sAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
! z' C4 ^8 F9 p4 J+ zalso feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
, O4 [7 H) C3 Q6 Z; Rin such a compact package will open huge creative possibilities for my highquality
prints and video.
2 c0 W; X0 ]5 _8 ?  f* O' UTo me, cameras are more like paintbrushes than technology. The goal is
- t5 d; Q# J% e' d6 `5 Z3 unot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
/ Q( O9 L* Z1 [4 q" K# u% s. vcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
* l& i- L8 I3 K2 g; y: Xlike never before. Subtle camera movements showed and differences of
9 p3 E& N; ]0 r" L) i9 u2 I  C: Cacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
: k! O* {8 z% C- p- sthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
8 ]/ x$ u! {6 d' D2 ^9 ~; Vtremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
( O. D1 C; q: R& K! V9 D) GAs a modern architectural photographer I am always looking for a lightweight,
! W' e' o0 \8 O# \- Kcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
4 M0 L/ F0 T3 w1 i3 K1 |now. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
/ F; V. A. |+ j' w5 u% |perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
' K! q8 L! m- ]8 o5 u; y# z5 Lto work at unusual shooting locations and capture images in an exceptional
9 a) z$ M4 e) I! m* ~4 _1 irange of light. It definitely takes my photographic versatility and image quality
& p. ]3 T* C( e3 c8 _' h& R, B- Hto a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
, J% J4 H6 Q) B9 \Fashion (U.S.A.)
Cliff Mautner
" w3 O+ g! C$ S* F0 s1 e- g7 kWedding (U.S.A.)
Jim Brandenburg
0 Q( `, d" U" [- r9 I/ m+ G6 L. FNature (U.S.A.)
4 O0 {: Q/ O' Y/ |7 sBenjamin Antony Monn
) u; B* v( u- G5 G) g0 [Fine art/Architecture (Germany)
9 l  w, v3 n) HPrinted in Holland Code No. 6CE11030 (1202/A)K

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