D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
. l; g7 C4 W7 f: b6 o+ L" `7 j, eof the new Nikon D800. Established medium-format image quality is
. ^9 N/ H0 \$ {  J: u* onow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
$ V  Z, n3 _' h. `9 I/ `within a body that boasts revolutionary technological advances. The 3D color
) o. F, b  y* L# q* tmatrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
: R. h* V2 G2 E* T; u! j& h, n- h$ Wallows me to concentrate on the light, the composition and my subject
$ r9 A! d) L! hwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
9 B( P' C& C" w' e5 U  E) X5 S  mimage quality. When the 35mm format was adopted within the genre, it was
) l2 p8 T2 o5 `8 X' ?4 F# c4 R, N% iwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
& Q( v" J$ M7 S  d7 _before, and my style of shooting will be enhanced rather than compromised,
4 U- y: I' y6 ?( e+ l7 S3 p% Qthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
% I) P* J- k, a36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
. ?: C9 r% v0 R; \3 }the look of a medium-format camera, but gives me the feel and response of a
5 }* U/ a4 g4 P1 A) X2 qD-SLR. The improvements in rendering skin tone and specular highlights, as
- T, _; I" J; C9 {well as fabric and hair detail are superior to anything that has come before.
% t) ~& I0 y  xAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
  e9 A6 X/ d# X4 R) D" Jhas noticeable improvements in metering accuracy, while the larger LCD is
  |+ S6 F" @. P9 H8 neasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
: x. _. Z" ~; Y; y) ^cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
$ B/ G) |5 ]6 m; L  k3 q- C: C; }To me, cameras are more like paintbrushes than technology. The goal is
# u$ f  s2 D$ `0 J& c$ S( r9 ]not megapixels or technique but the image, and while camera models
& h% X0 ?6 t$ A. Gare important, they are not the be-all or end-all. But after a lifetime using
# ?% Z4 f7 J/ z( j! q5 \3 ?6 icountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
5 W& y' \7 C  O# h. D. O" _acuity between aperture choices on various lenses were apparent. But now I
# p4 e( e! P! E( k( {1 n) mam enthralled with this technology. Why? Because the images almost feel as
though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
2 U, y- g( G0 s) Q! E& oD800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
$ B! p; c/ y+ i5 S; Aartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
$ f; K: m5 Z6 _! Q0 n$ A7 {, n2 kcamera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
6 q' R0 }1 @8 p/ n! z4 T. W1 |and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
' q& E/ i; Z( i: dperfectly match with the newly invented system and produce breathtakingly
3 P, A3 V; R1 L7 f& iclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
  G% N+ R# V& F3 ~3 d, qrange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
" u% ^4 ^) a, R: J# wThe D800 On Assignment
6 u6 E1 T1 C- K0 i) x+ p3 c0 ARob Van Petten
Fashion (U.S.A.)
Cliff Mautner
0 S/ ~, L$ E- G( t. W0 V( J1 Y# KWedding (U.S.A.)
: u% [9 [' s" S/ yJim Brandenburg
) a0 {% R) a' p4 I/ ?8 kNature (U.S.A.)
Benjamin Antony Monn
. y9 f% n* X" n5 y" |2 _Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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