D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
) J& N3 y" ]% H8 n' gof the new Nikon D800. Established medium-format image quality is
. c# D! a" M3 R9 ~( ?now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
% m; l. O# M) k& umegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
; B$ S$ z! T0 Lmatrix metering III, wide dynamic range and the improved AF performance
, }" \1 B( F! R! s' b7 nin low light are just a few features that are glaring improvements. The D800
) |3 J1 @' z4 h+ E& Gallows me to concentrate on the light, the composition and my subject
: m& G( G+ m5 J) C! j* gwithout having to think about much else. In years past, wedding photography
" D/ c7 f! `8 E" [1 iwas traditionally captured with medium-format equipment for maximum
& X. b7 o/ o8 bimage quality. When the 35mm format was adopted within the genre, it was
6 R$ @' l5 J$ `/ C+ K% Mwidely accepted that image quality was compromised in lieu of speed and
: F- c+ T# n& ^7 B% T5 [convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
5 Q/ g6 o2 v1 u' k3 N' qthanks to the D800.
7 a' c3 o6 f( Y6 N3 ~: o- T* Q+ gWhen I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
1 Z6 v7 S* R6 }5 @2 H; SAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
" e9 Z, Y+ V  o/ \: oeasier to read. The camera body feels solid and ergonomically simple, while
/ j' i+ N) m  w1 k4 P6 n( yalso feeling lighter and smaller than previous high-resolution Nikons. New
! X5 E$ ~9 M; F" Ocameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
! X7 b: t6 L0 O: k* z/ Aprints and video.
1 a/ \+ z1 X7 ~9 {To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
& R/ [4 g3 e. x  L+ q  V& u" aare important, they are not the be-all or end-all. But after a lifetime using
4 ~: c' F2 W+ Q* E8 r& C7 ~countless cameras, I have found a new best friend. It was not love at first
$ ]$ d  W0 e( {2 @! D/ Y7 Bsight. The sharpness and detail were initially intimidating, exposing my flaws
# q( T( m+ [. Z- Dlike never before. Subtle camera movements showed and differences of
, u+ E; W# ^3 W, ~+ kacuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
9 Y9 ~+ e. }: A8 e  P6 athough they were made with a 4x5 view camera! Special features like timelapse
  L( e2 K% q$ d& j+ f5 i- l) A/ kphotography and the improved HD video quality and flexibility also add
4 v- u+ ?1 j& ?! h- b' S8 btremendously to the camera’s personality. After spending a month with the
  G, m# I  ]/ H1 A- a. v* bD800, I’ll never be the same again. Perhaps the best compliment I can express
2 D7 `* `0 g* B  I& z) }2 ]is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
, J! w- j* b5 t' E3 O/ c2 Mcompact and reliable camera system fulfilling the requirements of my personal
$ U2 \2 k' H7 o" y: d/ Jartistic and client expectations. The Nikon D800 will set new standards for
0 ?, ~4 `5 e! g5 t1 K1 Qthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
# L* Q9 D+ F9 L3 V# j, Kand easy focusing in dim lighting, which simplifies my workflow. Superior
9 t! {% u6 y! t2 M: Uquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
& q1 M) F# K3 R" d' ^# v! j, Uperfectly match with the newly invented system and produce breathtakingly
( x4 j! c' z) wclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
, P. s4 @: T$ {' y6 crange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
- |/ }+ e5 A  i% qThe D800 On Assignment
6 y) W: Q& i- h% l$ @Rob Van Petten
Fashion (U.S.A.)
* i& Q' R, A" s  J+ DCliff Mautner
Wedding (U.S.A.)
" h, E# {/ R" Z: q8 B! YJim Brandenburg
6 }2 q, D$ D, V* D% X8 t; s4 dNature (U.S.A.)
" ]: i6 v( ?: ?! f3 T; [) XBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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