D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
of the new Nikon D800. Established medium-format image quality is
! T& ?# A- ^+ r6 Wnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
% q; O5 g/ l( Z! f. j% Mmatrix metering III, wide dynamic range and the improved AF performance
% j+ S8 ?' h5 l# K/ M8 ~+ Pin low light are just a few features that are glaring improvements. The D800
8 [/ h( K8 g9 d1 p. c; Kallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
0 x8 f* u( X+ D+ X' w& D$ }# ]widely accepted that image quality was compromised in lieu of speed and
) f& [! K$ ^& T7 s$ Z+ i. {convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
* m$ w7 a0 ]& RWhen I’m shooting beauty and jewelry in the studio or fashion on location,
& P2 d; F# @2 k6 A; E, A; n36.3 megapixels changes the industry standard: in image quality, dynamic
! I; K' Y+ X8 Erange, color rendering and the final print. The detail from the D800 produces
. H  H1 W/ d7 I4 S; cthe look of a medium-format camera, but gives me the feel and response of a
3 N- @9 J& l. ?) N' vD-SLR. The improvements in rendering skin tone and specular highlights, as
; \" z$ a- ?4 H* z2 E3 x9 _- b5 U8 mwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
! l* Y1 w; n# A$ D4 z% C8 I# hhas noticeable improvements in metering accuracy, while the larger LCD is
$ o( w9 ?$ Z1 b8 |easier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
' w% d; w8 Y1 x7 |% R& x/ oprints and video.
- b2 O3 S2 g( q' ?To me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
9 n- f* t' X# ilike never before. Subtle camera movements showed and differences of
: i3 X7 U5 v% f- _$ v: D9 macuity between aperture choices on various lenses were apparent. But now I
3 w: X' o$ O6 b7 R: h9 Tam enthralled with this technology. Why? Because the images almost feel as
- R  _% V+ w- @( n& ^though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
- K3 D- n* n& K, u* C) ktremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
: b- _! P! J8 g9 g7 D' c3 kis that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
. w3 V( u1 Q. q* aartistic and client expectations. The Nikon D800 will set new standards for
7 p- A9 g% [& z; g& W3 F0 g, vthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
& P- X4 {2 e7 K' U/ `( _camera that produces images with such exceptional quality and detail till
now. Particularly, the live view mode enables extremely precise compositions
$ h3 I( r8 l) |2 B% Vand easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
7 _2 b" m. f' X5 t5 Kperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
$ u& x7 Y! ^6 jto work at unusual shooting locations and capture images in an exceptional
; F0 }, t5 _/ h! t* s% erange of light. It definitely takes my photographic versatility and image quality
$ U. T  l0 o' F: @/ h4 Fto a new level. What a new companion!
The D800 On Assignment
: h' t4 Y/ F0 m# z  s/ ^  NRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
; n% ]( ?, c8 kNature (U.S.A.)
6 [  P. \4 q1 c) fBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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