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[其他] D800

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发表于 2012-2-15 14:06 | 显示全部楼层 |阅读模式
老杨团队,追求完美;客户至上,服务到位!
Speed and power, without compromise. That’s how I’d sum up my impression
% w/ E) K( i0 T. {7 qof the new Nikon D800. Established medium-format image quality is
( k( s, x9 [: }& n  ]; r: Qnow inside a phenomenal, incredibly responsive Nikon machine. At 36.3% T* |& T* Y5 C2 H- p& R* R
megapixels, the D800 produces unprecedented image quality and resolution  R6 E- S' v3 g( d! ?
within a body that boasts revolutionary technological advances. The 3D color, W8 C  m- j' C/ o7 i) F+ O" S; Y% L
matrix metering III, wide dynamic range and the improved AF performance
* e, U' e9 z( x$ l. C- u% qin low light are just a few features that are glaring improvements. The D800; F1 a; W# u' v' I' u" o/ V
allows me to concentrate on the light, the composition and my subject4 W2 G* u! R, n
without having to think about much else. In years past, wedding photography; h1 B* ~* C9 ~, h1 ^1 s; t
was traditionally captured with medium-format equipment for maximum5 i9 R5 O" ?: o( ]
image quality. When the 35mm format was adopted within the genre, it was3 u% |6 d* S3 i+ W
widely accepted that image quality was compromised in lieu of speed and- {% Z! s/ g3 K, D& x1 l% a
convenience. Now, my wedding portraiture will have a depth it’s never shown) E; X/ {$ b5 x
before, and my style of shooting will be enhanced rather than compromised,
+ C/ @+ W4 A+ `$ I: t. P: n1 kthanks to the D800.
+ X/ y" X* D% h6 gWhen I’m shooting beauty and jewelry in the studio or fashion on location,
  [# R/ ]1 P* V8 B1 E36.3 megapixels changes the industry standard: in image quality, dynamic
6 i# w9 m" `/ s5 o! N9 irange, color rendering and the final print. The detail from the D800 produces
7 l- V5 R2 ~$ s2 T1 Zthe look of a medium-format camera, but gives me the feel and response of a
0 G$ q! j% a# @/ DD-SLR. The improvements in rendering skin tone and specular highlights, as0 M$ }) M$ K4 t1 k$ }
well as fabric and hair detail are superior to anything that has come before.4 ^8 r  m& Y: ]  A
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
$ l2 f% f; i3 R, B/ \: E5 shas noticeable improvements in metering accuracy, while the larger LCD is* n, {! R6 m& ~& b
easier to read. The camera body feels solid and ergonomically simple, while( F; o+ K" d$ d2 ?$ V' l1 E7 E
also feeling lighter and smaller than previous high-resolution Nikons. New
1 t0 _$ r- m/ M' n8 fcameras always inspire me to test and explore, and all the useful features6 Y/ ~7 M- E1 ]
in such a compact package will open huge creative possibilities for my highquality9 g8 L* `/ k& G9 }
prints and video.
3 W& F: z* l8 W9 |& @To me, cameras are more like paintbrushes than technology. The goal is
, Y  R; J/ P; W9 Onot megapixels or technique but the image, and while camera models6 S% d, U) S" e& p4 H$ H! ~% m% n  S& n5 Q
are important, they are not the be-all or end-all. But after a lifetime using9 K( F, P# z% w& _0 t5 ^$ N1 ?8 J7 ~
countless cameras, I have found a new best friend. It was not love at first' K2 a# X$ n! k0 U) [7 p
sight. The sharpness and detail were initially intimidating, exposing my flaws
, m; _4 c/ R4 i- A$ klike never before. Subtle camera movements showed and differences of  t- S4 V1 Y% F- e2 V
acuity between aperture choices on various lenses were apparent. But now I- q) e- i. c6 y$ a  E" J* ~6 c' D7 E5 R
am enthralled with this technology. Why? Because the images almost feel as
1 C# u( L/ E- F7 `) Lthough they were made with a 4x5 view camera! Special features like timelapse
2 R$ l& i+ _- V3 [+ Dphotography and the improved HD video quality and flexibility also add
: N( g2 ?) D3 ?- N% p/ U1 ^tremendously to the camera’s personality. After spending a month with the
" y1 n( j0 j1 `- v& AD800, I’ll never be the same again. Perhaps the best compliment I can express
% H* ~" s; \2 ~! w- k; dis that now I will think differently about the images I make., i* Q# \- M1 p; \4 @
As a modern architectural photographer I am always looking for a lightweight,
2 K( J( p+ k  U; S5 scompact and reliable camera system fulfilling the requirements of my personal
% e0 T' _; t) J4 wartistic and client expectations. The Nikon D800 will set new standards for  I, K5 B9 S8 R/ k
the high-end 35mm D-SLR market. I have never worked with a 35mm digital0 a1 B3 L( ^; \8 w" u
camera that produces images with such exceptional quality and detail till
/ w+ n( F, ~  l  u- o2 G7 _1 }" onow. Particularly, the live view mode enables extremely precise compositions7 W1 Y; Z9 o$ E, J
and easy focusing in dim lighting, which simplifies my workflow. Superior$ R2 h/ Z! S1 ~! s
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for: b9 B) p/ J3 n' {* N, x
architectural photography. From my hands-on experience I found that they
9 a' Z8 }* a7 kperfectly match with the newly invented system and produce breathtakingly. f/ [6 ^. O+ ]+ U' K3 z
clean, clear and sharp files. This camera gives me the photographic flexibility7 o9 q6 w8 s4 c; f6 V% Z( Q
to work at unusual shooting locations and capture images in an exceptional8 Z2 k5 }% L, w6 v% w! j* ~3 T
range of light. It definitely takes my photographic versatility and image quality
' _9 ^; E( s# @+ C  t3 f4 a* Fto a new level. What a new companion!
  \9 k( c7 a9 l$ MThe D800 On Assignment  R" g* H; b* B3 K8 |2 n
Rob Van Petten' F) x$ ]' A4 _  i
Fashion (U.S.A.)  [+ s) b, _9 O+ n8 Z
Cliff Mautner
5 H, R1 K1 P6 ]8 w1 Q$ A' a0 YWedding (U.S.A.)% k% w& u% R4 I: H, V+ A- m
Jim Brandenburg1 I$ ^# o3 s4 k' N
Nature (U.S.A.)
& O. C! T8 g9 G* MBenjamin Antony Monn
/ c1 ]/ p' F- R1 Q$ B, z' SFine art/Architecture (Germany)
# x# [1 u* _8 B; }+ pPrinted in Holland Code No. 6CE11030 (1202/A)K
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发表于 2012-2-18 16:39 | 显示全部楼层
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