D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
: z1 N5 `- U; \of the new Nikon D800. Established medium-format image quality is
$ z$ j: [) p" Q8 p9 m" z3 |now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
' z4 L/ R0 H" y% h* e. Z- yallows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
7 s$ \9 f: ]4 s$ \9 c# S5 vwidely accepted that image quality was compromised in lieu of speed and
2 r. @/ `* K4 z  B: T" g) Wconvenience. Now, my wedding portraiture will have a depth it’s never shown
# t% F) t6 R+ F4 A! Xbefore, and my style of shooting will be enhanced rather than compromised,
thanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
9 y! C* k0 h5 S, Q36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
) x# ~2 |6 U. {. jthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
& _5 f5 N6 ]7 G7 g3 X. H, [1 T3 cAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
8 U3 V/ F, H1 z- T0 f3 {/ yhas noticeable improvements in metering accuracy, while the larger LCD is
& Y0 \3 p/ l& d. s1 B) R; d" G* U3 Jeasier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
, T1 k( l/ Q8 E% m+ w3 _: J( ~cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
' K  c1 S1 c" gTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
4 f/ L: q1 x9 G" N' N5 Wcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
4 J0 J2 H. y/ c3 K  V  Macuity between aperture choices on various lenses were apparent. But now I
  m: i! A" O4 U# |4 S  l6 Nam enthralled with this technology. Why? Because the images almost feel as
% H* S6 P; o7 W) tthough they were made with a 4x5 view camera! Special features like timelapse
9 |* f' r# r: G* F( ]4 ]. uphotography and the improved HD video quality and flexibility also add
& d' |5 }/ A/ c1 h! itremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
# k% N# t- e/ d5 N1 |1 c1 Q& B3 Ais that now I will think differently about the images I make.
' G" `& S, Q. ZAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
" U; a3 B$ f/ vartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
, R6 ~: o3 f9 `& \: p3 m( r/ M6 bcamera that produces images with such exceptional quality and detail till
6 J8 R$ e) R9 \2 h" b* Unow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
4 u& C# w% _; O4 qperfectly match with the newly invented system and produce breathtakingly
# e' S  Z. c7 A% _clean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
: o2 H7 j, j# @( s: brange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
) q6 |7 [. p  Z8 ~" c2 RRob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
! P$ {- L' V! f4 F9 {Jim Brandenburg
! _# ]7 a6 v- Z  E% VNature (U.S.A.)
  a% Q" |& Q+ V9 u3 TBenjamin Antony Monn
Fine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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