D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
$ B( r: n6 }% v. a& [; @of the new Nikon D800. Established medium-format image quality is
+ l) s, i% ^. @0 V* {now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
+ L/ [. B1 [# X  Fmegapixels, the D800 produces unprecedented image quality and resolution
& d8 w  }3 ^2 J8 v& p/ x3 J. fwithin a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
* D, y0 ], X$ yallows me to concentrate on the light, the composition and my subject
# b2 i8 c  P+ K) }3 l; Zwithout having to think about much else. In years past, wedding photography
) t- o5 i/ i# P. |was traditionally captured with medium-format equipment for maximum
* q* u' a+ }) Z- h$ Dimage quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
! W# ^: W8 o# c- A! Tconvenience. Now, my wedding portraiture will have a depth it’s never shown
" s* B& M# [" [# m. W- hbefore, and my style of shooting will be enhanced rather than compromised,
1 e+ f! J( V9 p! M- |: fthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
. V% d0 G# O0 x5 g! I8 Bthe look of a medium-format camera, but gives me the feel and response of a
  v. u" N  X+ d) i/ ^/ JD-SLR. The improvements in rendering skin tone and specular highlights, as
9 p, F6 V* r$ ~+ q0 Q% @$ R4 ~well as fabric and hair detail are superior to anything that has come before.
2 ?5 ~/ m- [2 i! e5 n! _1 IAutofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
  c0 N/ N+ k- G% fhas noticeable improvements in metering accuracy, while the larger LCD is
# m! V7 P1 p! N0 a8 k/ Leasier to read. The camera body feels solid and ergonomically simple, while
, Y% r0 I5 n8 u# }, Calso feeling lighter and smaller than previous high-resolution Nikons. New
0 m' k7 J. `+ ~: C  W! Z0 o1 `cameras always inspire me to test and explore, and all the useful features
9 |% Q& \2 F& O+ ]9 i1 Rin such a compact package will open huge creative possibilities for my highquality
6 A/ l& y/ ^5 aprints and video.
! w. y# _, x4 o6 pTo me, cameras are more like paintbrushes than technology. The goal is
0 G! k8 T' ~8 k' ]7 X8 f* y3 M% Knot megapixels or technique but the image, and while camera models
9 A: j; Y! c* ~3 Oare important, they are not the be-all or end-all. But after a lifetime using
1 X6 s# V+ p3 S5 V, N" Kcountless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
* q4 \+ ]/ a6 [; s/ Wlike never before. Subtle camera movements showed and differences of
2 c& U( T0 @, a. X1 N/ ?acuity between aperture choices on various lenses were apparent. But now I
2 S  o/ d* i4 a. I, ?am enthralled with this technology. Why? Because the images almost feel as
: y. i! V8 A5 h6 Z! [1 B( |though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
5 Q' v9 t% S5 `is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
$ ], j8 ]1 R8 z; e* Eartistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
, S0 t- N7 j/ snow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
. r4 o: E- r5 R- o9 sto work at unusual shooting locations and capture images in an exceptional
" t" i5 u% K& R- \" ]% _( [$ Y1 ~$ arange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
/ o% P' x; C, q9 u1 }# C% kFashion (U.S.A.)
( Y9 T( k! }% RCliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
& I' R  @% U' z, ]Nature (U.S.A.)
. n8 S8 {( d4 k% B3 E  i+ p: N) LBenjamin Antony Monn
7 I; X: \! P( w  R4 rFine art/Architecture (Germany)
  T' o& T' P' N6 ?8 M; G5 w. tPrinted in Holland Code No. 6CE11030 (1202/A)K

平安结~

请问价格，谢谢