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Speed and power, without compromise. That’s how I’d sum up my impression" W' @/ K8 `3 M; q, G/ C
of the new Nikon D800. Established medium-format image quality is0 I$ v$ c; h. e @8 U/ C4 g
now inside a phenomenal, incredibly responsive Nikon machine. At 36.36 a/ G4 P8 `. P
megapixels, the D800 produces unprecedented image quality and resolution) Z* A$ q* W; N0 G; V1 Q+ ]6 x0 z4 c
within a body that boasts revolutionary technological advances. The 3D color
$ W. t+ s" |4 E6 [! _. jmatrix metering III, wide dynamic range and the improved AF performance4 u2 U( s, b' L
in low light are just a few features that are glaring improvements. The D800
2 y3 [" i" G9 U! Q( `allows me to concentrate on the light, the composition and my subject* J( ^$ v7 U2 o$ n# @/ v$ ^9 w
without having to think about much else. In years past, wedding photography
: b( w9 j) H( v" w8 a- s( M! gwas traditionally captured with medium-format equipment for maximum! T* K9 k* g; H6 m- W6 E' S
image quality. When the 35mm format was adopted within the genre, it was
) V( t# A2 e( g7 Fwidely accepted that image quality was compromised in lieu of speed and# n& x( D" q$ x1 u( _( d% f
convenience. Now, my wedding portraiture will have a depth it’s never shown. J6 ~9 w7 o6 ^1 [
before, and my style of shooting will be enhanced rather than compromised,$ _3 Z: U' ]$ A
thanks to the D800.: P/ h0 J: b/ S% m+ B
When I’m shooting beauty and jewelry in the studio or fashion on location,8 z& F3 ~- W0 i* Q$ L; }
36.3 megapixels changes the industry standard: in image quality, dynamic
8 {6 t- H* n% a- d* D# srange, color rendering and the final print. The detail from the D800 produces" ^% y; z' K& @+ l2 G+ u% p+ G
the look of a medium-format camera, but gives me the feel and response of a |( n; \1 w* M/ y
D-SLR. The improvements in rendering skin tone and specular highlights, as
2 D' k c/ {& L. @! n8 \/ fwell as fabric and hair detail are superior to anything that has come before.
7 F) f, l8 Y: r* `Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
/ ~- K% w. M( L2 Q- F, bhas noticeable improvements in metering accuracy, while the larger LCD is
2 U$ x3 \5 ~4 W' h* peasier to read. The camera body feels solid and ergonomically simple, while* \4 S8 @6 u* C! r5 ]1 Y. x2 O5 P
also feeling lighter and smaller than previous high-resolution Nikons. New' D) y; J: \8 H% Y/ `* A+ h+ q# W' C* U
cameras always inspire me to test and explore, and all the useful features! H" Y8 F5 F/ v8 O
in such a compact package will open huge creative possibilities for my highquality
: E4 N6 j' I- Z8 Y6 n8 S' B$ I' Kprints and video.0 T* |$ [: R" b
To me, cameras are more like paintbrushes than technology. The goal is g- y2 M" z& m3 v5 O" ] a
not megapixels or technique but the image, and while camera models; z% T! `2 `: Y+ A. v
are important, they are not the be-all or end-all. But after a lifetime using
$ z# e4 T( c4 I/ F5 U2 t0 J# Lcountless cameras, I have found a new best friend. It was not love at first( E/ ?2 T+ o: a8 F4 _
sight. The sharpness and detail were initially intimidating, exposing my flaws$ o8 I; V2 U% Z; v/ f
like never before. Subtle camera movements showed and differences of. M* }7 J0 w/ g; U, Z$ s
acuity between aperture choices on various lenses were apparent. But now I
) b' y% C# U& L N- s! Lam enthralled with this technology. Why? Because the images almost feel as
( ?0 D3 h2 X* P& Mthough they were made with a 4x5 view camera! Special features like timelapse
0 k/ J2 H0 q" k. D" x2 mphotography and the improved HD video quality and flexibility also add% A! u; O$ e/ d8 k ~+ a* E) K9 K& _
tremendously to the camera’s personality. After spending a month with the
) C2 U0 j& L B8 h2 b8 [" MD800, I’ll never be the same again. Perhaps the best compliment I can express+ l$ n! H+ R& q, L, x* {/ a
is that now I will think differently about the images I make./ R, N1 K9 m3 y
As a modern architectural photographer I am always looking for a lightweight,
2 T6 J9 r6 h$ _9 r0 i ycompact and reliable camera system fulfilling the requirements of my personal# I; G8 m8 |- |! R2 u8 Z6 A7 B4 |
artistic and client expectations. The Nikon D800 will set new standards for
; c) d3 b" \* P0 Athe high-end 35mm D-SLR market. I have never worked with a 35mm digital1 Z( Z( m- a# w, f6 O- J% `
camera that produces images with such exceptional quality and detail till/ ?: Z! {% x9 E+ E5 y7 i
now. Particularly, the live view mode enables extremely precise compositions
5 j/ D: G7 Z1 I F0 D! Uand easy focusing in dim lighting, which simplifies my workflow. Superior8 O6 N: g9 p3 o6 {4 p& W, n- ~8 a' `( Q
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
+ h6 S! x# F- u) karchitectural photography. From my hands-on experience I found that they) b4 s0 I) e! m
perfectly match with the newly invented system and produce breathtakingly2 D5 C+ n8 m( E, m. o( k8 T! k
clean, clear and sharp files. This camera gives me the photographic flexibility, s7 A) }6 K/ V n2 N2 i" Y$ s
to work at unusual shooting locations and capture images in an exceptional. s; {& t$ \6 u8 ?3 D5 y( ~% a2 ]
range of light. It definitely takes my photographic versatility and image quality" |$ g, I$ }, w2 s
to a new level. What a new companion!
( S; w; C* g" tThe D800 On Assignment- N5 x+ `0 G3 u7 [
Rob Van Petten+ X2 G7 ?& I+ A
Fashion (U.S.A.)
5 L' T* Z/ z% T7 Z9 l7 x# NCliff Mautner% e: V y9 D% K9 R
Wedding (U.S.A.)$ F$ ^8 o0 j9 j- t+ C
Jim Brandenburg, I& v" t5 d( C2 H* ]4 a0 F5 H
Nature (U.S.A.)* @: K0 G m' j
Benjamin Antony Monn* o& Q" _1 v7 c! e
Fine art/Architecture (Germany)
& f7 ?5 h9 E) _1 k9 TPrinted in Holland Code No. 6CE11030 (1202/A)K |
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